"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
Critical review of the English punk rock band's 1979 album, 'London Calling'. The program features input from industry experts, including film director and DJ Don Letts, rare performance footage and clips from songs such as 'Should I Stay Or Should I Go', 'White Riot' and 'London Calling'.
For Jimmy Smith, Jr., life is a daily fight just to keep hope alive. Feeding his dreams in Detroit's vibrant music scene, Jimmy wages an extraordinary personal struggle to find his own voice - and earn a place in a world where rhymes rule, legends are born and every moment… is another chance.
A documentary about the now abandoned and very influential punk club S.O.36. A punk music club on Oranienstrasse near Heinrichplatz in the area of Kreuzberg in Berlin, Germany.
Pig heads, intestines, megaphones: all these and more have been thrown into crowds of loyal fans following the influential punk band THE STALIN or any of number of Michiro Endo's other bands since 1980. Taking a step in front of the camera, however, Endo offers a very different kind of encounter in this inspiring self-portrait. "Mother, I've Pretty Much Forgotten Your Face" follows the artist, a native of Nihonmatsu, Fukushima, on the 2011 nationwide solo tour celebrating his 60th birthday, which was interrupted by the Great East Japan Earthquake. Traveling, performing and talking with fellow musicians and activists, Endo reflects on the past and future of Fukushima, the legacy of Hiroshima, his upbringing and his feelings about his mother, communicated in the song from which the documentary is named.
Little Steven's Underground Garage Presents The Cheap Trick or Treat Halloween Ball, starring Cheap Trick, The Romantics, The Shadows of Knight, Roky Erickson and The Explosives, The Charms, and the Garage Girls A Go-Go.
Rockpile plays for a Danish Television audience in 1979. Tracks: 1.DOWN,DOWN,DOWN 2.I KNEW THE BRIDE 3.DEBORAH 4.LET IT ROCK 5.HERE COMES THE WEEKEND 6.LOVE SO FINE 7.PROMISED LAND 8.THEY CALLED IT ROCK 9.JU JU MAN 10.HEART OF THE CITY
A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
Amateur documentary chronicling the first six years of Showbread's touring career. Previously available as the main feature of the independently released How Showbread Ruined My Life DVD.
Interviews from women involved in the 70's and 80's rock music industry. An examination of the people taking advantage of underage fans and calling for a "Me too" movement in the music world
A depressed punk fan and her supportive friend hit upon a rare opportunity to see her favorite band perform.
Documentation of the legendary all ages hardcore punk show held at a Jack Astor's Sports Bar & Grill during operating business hours in St. John's, Newfoundland. Featuring performances from local hardcore heavyweights Carnage, GlitterGlue, Buck 50'd, and the debut performance of Life Jolt.
A slow and resounding dive into the punk movement, crossed by the experience of three bands from Curitiba in the manifestation of their culture, philosophy, expression, politics and, above all, a form of resistance.
No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.
The Sonics are revered by garage rock fans worldwide, but they have always carried a little more weight in the Pacific Northwest. They are to Washington what Springsteen is to Jersey. So in early 2015 when the band dropped their first new record in 50 years, Easy Street Records in Seattle was their destination to celebrate Record Store Day with friends and fans. Performing to a standing room only crowd on RSD 2015, recorded by KEXP, and mixed and mastered by the great Jack Endino, the band ferociously tore through the night joined by a stream of luminaries paying respects to the kings of the Northwest. “Live at Easy Street" is what that evening sounded like. Now, celebrate Record Store 2016, because THIS IS THE SONICS
Everything changes for a rising hip-hop star, SEMBRÉ, and his manager, MARLENE, a talented indie artist in her own right; as they are dealing with the collapse of their five-year romance, a new producer shows up with a major record deal, forcing them to confront their past while navigating the price of loyalty and fame in the underground Chicago music scene.
Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.