Anouk : Live At Pinkpop(2009)

Amy Macdonald: Live At The Rockhal Luxemburg(en)

Amy MacDonald and Die Deutsch Radio Philarmonic at the Rockhal Luxenbourg in 17 October 2010. Tracks: 01. An Ordinary Life 02. Spark 03. Footballer's Wife 04. Mr. Rock & Roll 05. Run 06. Your Time Will Come 07. This Pretty Face 08. My Only One 09. Don't Tell Me That It's Over 10. This Is The Life 11. What Happiness Means To Me 12. Dancing In The Dark (Springsteen) 13. Let's Start A Band

Tears the World Can't See(cs)

The Paragraph Man(sv)

The Paragraph Man is the faltering, stumbling, comic, sad and tragic story of an immigrant youngsters journey towards sociopolitical awareness, a very first attempt to understand his true situation as an immigrant in post-colonial Sweden.

Harmony(fr)

Lalou works as a shepherd in the mountains with his friend Clara, who came to take care of the herd before her leaving for the army. Next day, Lalou goes to a remote hotel where he secretly meets up with Harmony, an android he madly loves.

A vírus(en)

In the life of a young virologist appears a different kind of virus. The kind he wasn't expecting...

A Comedy in Six Unnatural Acts(en)

Jan Oxenberg’s charmingly raw, politically-charged and remarkably funny celebration of the American lesbian experience validates the nuanced voice of a community otherwise underrepresented in the Wild West of mid-’70s independent filmmaking. In an attempt to combat the pervasive misconception of the “humorless, angry feminist,” the vignettes in A Comedy in Six Unnatural Acts experiment with self-aware yet playful depictions of common stereotypes, such as the “Stompin’ Dyke” or the butch-femme couple. In the process, Oxenberg’s short film reclaims those insults and assumptions as newfound, loaded weapons—to deploy on her own terms, of course. (UCLA Film & Television Archive)

#BeRobin the Movie(en)

A documentary about Margaret Cho's homeless outreach campaign inspired by the philanthropy of Robin Williams. After the death of her friend Robin Williams, Margaret Cho took to the streets of San Francisco with the mantra "Don't grieve Robin, BE Robin." What started as Margaret busking on the corner with a bag of socks and a guitar case, rapidly turned into hundreds of musicians, comedians, and homeless advocates spreading food, clothes, money, and awareness in an amazing humanitarian street theater experience. The film that captured these events, is not only entertaining, but deeply moving and above all else inspiring.

Cuna de narcos(es)

Events(en)

Sexuality without pretense gives the wallop to Events. A dramatic street story of young runaway flower-kids in the Greenwich Village of 1968, it raises ethical questions while the screen explodes with erotica."EVENTS is without question, the most far-out sexually experimental film made in the sixties or seventies."--Bruce Williamson, Playboy

Adventures in Perception(en)

An introduction to the work of graphic artist M.C. Escher.

Mass for the Dakota Sioux(en)

An experimental film dedicated to the Dakota Sioux, which follows the form of the Christian Mass. A series of images of contemporary America interwoven with the ritual spiriting away of a dead Indian.

White Eagle(en)

Serials usually spawned feature film versions, but with this film, it was the other way around. A 1932 Buck Jones Western, White Eagle was made into a serial nine years later, again starring Jones in the title role, a (supposedly) Native American Pony Express Rider defending his people against a gang of evil Whites.

Unforgettable: The Korean War(en)

Documentary directed by Tom Kleespie inspired from Korean War veterans who recall memories both painful and patriotic, putting a human face on an often forgotten conflict. Stories include wartime recollections, such as one soldier's first moments seeing a MiG fighter up close, and veterans' often-tragic experiences returning home, where Americans largely neglected to welcome them back.

Crush(en)

A coming of age film about a girl's first crush. One day while waiting for the train to school Ella sees Jamie. For the days to follow she can't get her out of her head.

Utsav(hi)

Vasantasena, a courtesan who dances at the King Palaka's court hides in Charudatta's house while running away from the amorous attentions of the king's brother-in-law. She falls in love with Charudatta, though he is married and penniless.

untitled part 3b: (as if) beauty never ends..(en)

An ambient work of many things, including orchids blooming, and plants growing, superimposed over raw footage from post massacre filmings of the 1982 massacre of Palestinians at Sabra and Shatila refugee camp in Lebanon. Cloud footage, Hubbell space imagery, the visible body crosscuts, and abstract shots of slow motion water, add to this reflection of the past, its present context and forbearance. With the voice over of Abdel Majid Fadl Ali Hassan (a 1948 refugee living in Bourg El Barajneh camp) recounting a story told by the rubble of his home in Palestine [Israel], and the collection of audio accompanying the clips, the tape permeates into an intense essay on dystopia in contemporary times. Working directly, viscerally, and metaphorically the videotape rovides an elegiac response to the Palestinian dispossession.

Eugene Onegin(en)

The Wiener Philharmoniker mounts, and Andrea Breth stages, this 2007 production of Pyotr Illych Tchaikovsky's opera Eugene Onegin, starring Peter Mattei, Joseph Kaiser, Anna Samuil and Renée Morloc. The Konzertvereinigung Wiener Staatsopernchor lends added musical accompaniment, under the baton of Daniel Barenboim.