A photographer, a championship, a passion. Black and white documentary that synthesizes, through sounds and images, the trajectory of Zanata, a man who dedicates his life to recording moments of football games. The narrative consists of fragments in which the character photographs games from a championship in the countryside in the interior of Bahia.
Himself
In 1970s New York, photographer Martha Cooper captured some of the first images of graffiti at a time when the city had declared war on it. Decades later, Cooper has become an influential godmother to a global movement of street artists.
The best known, "Weegee's New York" (1948), presents a surprisingly lyrical view of the city without a hint of crime or murder. Already this film gives evidence, here very restrained, of Weegee's interest in technical tricks: blur, speeded up or slowed-down film, a lens that makes the city's streets curve as if cars are driving over a rainbow. - The New York Times
Julius Shulman: Desert Modern focuses on Shulman's remarkable 70-year documentation of the renowned Mid-Century Modern architecture of the Palm Springs area/ Shulman, at the age of 97, describes with humor and insight his artistic intentions and the back-story to some of his most legendary photographs. He is joined by noted architectural historian Alan Hess and Michael Stern, co-authors of the book, "Julius Shulman: Palm Springs". Stern is also curator of the "Julius Shulman: Palm Springs" exhibition which originated at the Palm Springs Art Museum in February 2008. The flm showcases Shulman's inspired photography of the architecture of Richard Neutra, Albert Frey, John Lautner, E. Stewart Williams, Palmer and Krisel and William Cody, among others. E. Stewart Williams' Frank Sinatra House is featured, as well as Richard Neutra's Kaufmann House, one of the most famous homes in America, largely due to Shulman's iconic 1947 photograph.
Part activist and part globe trekking photographer, Sebastião Salgado is most famous for recording the migration of people and culture around the world. In this extensive conversation, Sebastiao Salgado revisits his adventurous career via the breathtaking images he captured.
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
Documentary about the director's father and his passion for photography.
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
Documentary about the creative process of photographer Lua Morales, produced by the studio Bad Chinchilla.
A contemplation of art and adventure in the southern wilds of New Zealand by both a landscape photographer and an adventure filmmaker. This film is the unexpected result of their two unique perspectives.
Karl Dieter Gartelmann, a German photographer and filmmaker, arrived in Ecuador in the seventies, in the midst of the oil boom, with an old 16mm Bolex video camera, and began a journey through the Ecuadorian jungle, collecting the visual testimony of a life that is dying. This documentary brings together the director's permanent concerns: culture and nature wasted by extractivism. A conversation between two directors about the creation of memory through cinema.
A passionate photographer from an early age, Dolorès Marat spent much of her life in photo labs, developing shots for fashion magazines. In the early 1990s, at the dawn of her forties, she decided to devote herself to her personal work. Today, she is exhibited worldwide. With her Leica camera in hand, Dolorès Marat takes an intimate look at her surroudings. She shots on the spot, as the blue hour settles. In her photographs, a dream-like strangeness overlaps the triviality of everyday life. Director Armelle Sèvre, also a photographer, wanted to see the world through Dolorès’ eyes. Together, the two women will scour the shores of the Mediterranean Sea, in search of a wave… Carried along by a bewitching soundtrack, this film dives in the enigmatic, hazy and colorful universe of a singular artist.
In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.
The life and work of American photographer Harold Feinstein, whose work garnered critical and commercial success. In his 2015 obituary the New York Times declared him “one of the most accomplished recorders of the American experience.” Howard Greenberg says Feinstein “ occupies high ground in the pantheon of street photography” yet, most people, have never heard of him. A prodigious talent, Feinstein photographed life in all its forms, when and where he wished. Whether this was as a draftee in the Korean War, in a Bebop infused Manhattan loft or rural hippy enclave in upstate NY, Harold’s 35mm black and white photographs captured the essence of life with a with a uniquely humanist eye. The re-discovery of Feinstein’s vast and diverse body of work came in his final years and the film meets him then; in his early 80s and with a zen-like appreciation for the life he lived.
Paco and Manolo are two Catalan photographers from the outskirts of Barcelona who have been working together for thirty years as if they were a single person, capturing their images in Kink magazine, a very personal photography fanzine with a homoerotic aesthetic of Mediterranean essence.
Feeling unfair about the power's portrayal of all its opponents, at the dawn of the '68 protests a young man decided to become a photographer to set things right. "Taking a good picture is a great act of faith". Tano D'Amico thus began a journey that would lead him to be at the forefront of the social battles of the 1970s: the birth of new movements, "the appearance on the threshold of history of a people who had never entered history", the hopes, illusions and betrayals. Tano still continues to photograph workers, the homeless, migrants, the last people and all those who take protest to the streets.
From Vogue magazine fashion photographer to filmmaker, painter and sculptor, Bailey is the working-class Londoner who befriended the stars, married his muses (Jean Shrimpton, Catherine Deneuve, Marie Helvin) and captures the spirit and elegance of his times with his refreshingly simple approach and razor-sharp eye. He is also the man whose life and work inspired one of the cult movies of the sixties, Michelangelo Antonioni's Blow-Up, and who has constantly travelled the globe either with the most beautiful models or chronicling the contemporary reality of Papua New Guinea, Brazil, Vietnam, Afghanistan and other countries with ground-breaking reportages. Above all, Bailey is a romantic with a delightful sense of humour approaching his 73rd year and showing no sign of slowing up. Director Jérôme de Missolz has created an engaging portrait of this very private man who bared the soul of the swinging sixties and seventies with his photographs and films.
Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.