“When you don’t know your language or your culture, you don’t know who you are,” says 69-year-old Armand McArthur, one of the last fluent Nakota speakers in Pheasant Rump First Nation, Treaty 4 territory, in southern Saskatchewan. Through the wisdom of his words, Armand is committed to revitalizing his language and culture for his community and future generations.
“When you don’t know your language or your culture, you don’t know who you are,” says 69-year-old Armand McArthur, one of the last fluent Nakota speakers in Pheasant Rump First Nation, Treaty 4 territory, in southern Saskatchewan. Through the wisdom of his words, Armand is committed to revitalizing his language and culture for his community and future generations.
2018-06-01
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A relentless chronicle of the tragedy of the Uighurs, an ethnic minority of some eleven million people who live in the Xinjiang region of northwest China, speak a Turkic language and practice the Muslim religion. The Uighurs suffer brutal cultural and political oppression by Xin Jinping's tyrannical government: torture, disappearances, forced labor, re-education of children and adults, mass sterilizations, extensive surveillance and destruction of historical heritage.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
RESIST; The Unist'oten's Call to the Land is a short documentary that was filmed in the summer of 2013 on unceded Wet'suwet'en territory, 1000 km north of Vancouver in northern BC (western Canada) over the duration of the fourth annual Environmental Action Camp, hosted by the Unist’ot’en (C'ihlts'ehkhyu/Big Frog) Clan. The focus of the film is on the Camp as a year-round resistance to exploitative industry, and what it represents in relation to indigenous sovereignty and the environmental, legal, and social issues surrounding pipeline projects in British Columbia. The film documents one of the most important resistance camps in North America at the time.
Sixteen-year-old Jewel Wilson is the next generation in a long line of prolific Inupiat subsistence hunters in Unalakleet, Alaska. Her ability to hunt moose is hindered by two pressing issues – scarce wildlife and the pressures of high school life. Finding sufficient food competes with track practice and homework in Jewel’s multilayered world. Along with her father, Jewel turns to the land to feed their family and finds that their village’s way of life is endangered by the same environmental shifts that could affect us all. In hunting moose, we see that Jewel is also hunting for answers. How will her village survive if subsistence hunting is threatened? Can she honor the traditions of her Elders while navigating the pressures and anxieties of a modern, connected teenager? "Jewel’s Hunt" proves to be both physical and philosophical in this insightful exploration of what it means to come of age in complicated times in Unalakleet, Alaska.
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.
With a massive, unrestricted salvage area, the Yellowknife dump is one of the last and largest open dumps in North America. People from all walks of life go there, to search for everything from tools to clothes to home décor. This documentary follows a group of passionate salvagers over five years as the dump evolves and eventually succumbs to the inexorable efforts of city bureaucrats to subject it to sensible regulations and controls.
Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.
Comedian James Mullinger discovers vibrancy and growth in his new home town of Saint John, New Brunswick.
A film about fireworks, the people who make them and the cultures behind them across the globe.
A documentary about the psychological costs of working in Alberta's oil sands and the mental health crisis that's been ignored for a decade.
Concerned about the declining health of people all around them, Native American women are sparking physical and spiritual rejuvenation through reclaiming traditional foodways.
After years of preparation, a team of highly motivated Quebeckers set out on one of the longest wilderness expeditions ever documented. Stage one involves skiing in relentless polar conditions from Ellesmere Island to the Northwest Passage where the challenge was reaching the mainland. Cue canoes for a 2000km journey across Nunavut and NWT until they reach the first dirt road available where bikes are waiting to be pedalled 4000km to Point Pelee in Ontario.
What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.
The Blackfoot bareback horse-racing tradition returns in the astonishingly dangerous Indian Relay. Siksika horseman Allison Red Crow struggles with secondhand horses and a new jockey on his way to challenging the best riders in the Blackfoot Confederacy.
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
The documentary Custodians – A Story of Ancient Echoes follows the journey of a local community in Herschel, Saskatchewan during the summer of 2021 as they work to preserve and protect the pastureland, native grasslands, and important Indigenous artifacts found near the village. Upon discoveries of dinosaurs, marine fossils and significant Indigenous sites and petroglyphs on nearby farmland, an aging population of community volunteers come together to preserve the land and its stories including the Indigenous history, paleontology, and local ecology. “We have found a living library” says Métis Artist Jo Cooper who has spent the past 20 years in Herschel working alongside locals. The stories of the land and the echoes of the past form new friendships, unravel mysteries and model a potential for deep justice, reconciliation and healing between people and the land.
The film takes place on December 21, 2012, while the people of the town of Quillagua await the supposed "end of the world" that the Mayans predicted for that day.
Five women from the North to the South of Quebec embark on a multisport expedition following the Koroc river in Nunavik. Travelling together against adversity, this journey soon becomes one of self-discovery for each participant.
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.