Unboxing Eden is a YouTube collage about snake breeders and their animals. The video documents the arrival, the breeding and the handling of snakes in all shapes and sizes.
Dante Fontana presents 100+ weird, psychedelic, and interesting television ads from the 60's/70's. Beautifully restored and available on DVD for the very first time! Includes ads for Alpha Bits, Cheerios, Bright Side Shampoo, Protine 29, Arco, Coke, Diet Pepsi, 7 UP, Noxema, Nescafe, Italian Swiss Colony Wine, Super Max, Hamm's Beer, and so much more!!!
The author's erotic imagination is mixed between desire and magazine clippings, and the trade of collage becomes a ship that travels from outer space to the city itself.
A collection of nude and/or topless scenes from various films featuring actresses who were either famous at the time or who became famous later on.
So, what’s the deal with Comic Relief Zero!? Sit down and shut up, so we can tell you! But seriously folks, sit down and shut up, because those dumb-faced, giggle-grabbin’ goof-troupers at Everything Is Terrible! are dishing out a stand-up comedy special! This special is the opposite of special; featuring today’s hottest ventriloquists, racists, prop comics, sexists, impersonators, homophobes, and talk show hosts in their hate-filled prime! Are you oppressed and underrepresented in society? Well then, watch out! Let’s pull back the banana peel and take a head-first descent into the brick wall of our own mind! Take my life... please!
The inside story of SpaceX's plan to get humanity to Mars, providing an unprecedented glimpse into one of the world's most revolutionary companies. A behind-the-scenes journey with Elon Musk and his engineers as they persevere amidst both disheartening setbacks and huge triumphs to advance the space industry faster than we ever thought possible.
A non-stop roller coaster ride through the scariest moments of the greatest terror films of all time.
Animal Charm makes videos from other people's videos. By compositing TV and reducing it to a kind of tic-ridden babble, they force television to not make sense. While this disruption is playful, it also reveals an overall 'essence' of mass culture that would not be apprehended otherwise. Videos such as Stuffing, Ashley, and Lightfoot Fever upset the hypnotic spectacle of TV viewing, revealing how advertising creates anxiety, how culture constructs "nature" and how conventional morality is dictated through seemingly neutral images. By forcing television to convulse like a raving lunatic, we might finally hear what it is actually saying.
In an effort to cure her smoking habit a middle-aged woman discovers that she can communicate with her long lost son while watching a Halloween safety program on TV. After suffering a nervous breakdown, her husband, a used car salesman, is revitalized when he travels back in time to drive the first car he ever sold. Seventeen years later a powerful canned food manufacturer crashes the same car into a toaster truck while endorsing a brand of yams on live TV. At the funeral his clergyman experiences a crisis of faith when he and a lifelike Mexican continue their search for a married couple who have befriended an insect who enjoys drinking lime soda. They later meet a young man whose bizarre murder scheme involves four innocent members of an experimental rock band who have all given up smoking.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
King of the Jews is a film about anti-Semitism and transcendence. Utilizing Hollywood movies, 1950's educational films, personal home movies and religious films, the filmmaker depicts his childhood fear of Jesus Christ. These childhood recollections are a point of departure for larger issues such as the roots of Christian anti-Semitism.
A woman is reduced to tears. She bends over backwards trying to be a good wife and mother. Her head is cut off from her heart. A doctor picks her brain. A boy inherits his mother's depression. Short of Breath is a haunting, emotional collage about birth, death, sex and suicide. It's like a punch in the stomach.
Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate far-right conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.
Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.
Highlights from Oscar ceremonies between 1971 and 1991.
Unleashed from the video vaults of the American Genre Film Archive (AGFA), AGFA MYSTERY MIXTAPE #4: FOLLOW YOUR OWN STAR is a brand new compilation of the most electrifying found footage mayhem that you’ll see this week. For this latest tape, our deep dive into behind-the-scenes horror is complemented by an even deeper dive into television from Dimension X.
An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.
"plant portals: breath" is an experimental meditation on the unspoken history many queer and trans people of colour carry daily, connecting bumblebees, colonial trauma, alternate universes and the complicated concept of "rest" to ask: Can nature heal us? Shot entirely on an iPhone, the film is intentional in imagining what is possible, and manifests a reality rooted in mindfulness.“
A compilation of trailers for various horror and sci-fi films, narrated and hosted by Vincent Price.
Twenty-five films from twenty-five European countries by twenty-five European directors.