Death of Narcissus(2019)

Debra Paget, For Example(en)

A video essay where the author presumes motivations and insights in a fictionalized biography regarding Debra Paget, a contract player for 20th-Century Fox whom they groomed and coached for stardom.

We Love Me(th)

The heavily compressed time and space where all survival images from my memory live in. After journey, what will remain could be something we cannot talk to, but perceive.

(There Is No) Cure(en)

In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.

Celestial Night: a film on visibility(en)

Celestial Night is a film on visibility and questions what it means to see. It is a film about what is invisible apart from the imagination: Celestial Night is a film dealing with this vital power, the ability to envision. It is a search in present day Japan for the mythical Japanese Emperor Amayonomikoto who was blind, and the story of a time when seeing was not believing.

Karl's Perfect Day(en)

A day in the life of Swedish poet Karl Holmqvist.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

The Sound of Crickets(es)

After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in the list of deaths in the 1938 Colombian National Census. Today, 83 years later, I repeat her. I try to find myself among the numbers in the digital database in order to finish the torture that has also implied my own disappearance.

Bambi Hunter(en)

Lockdown, lack of green space, Don Quixote and video games.

Ozu: Passageways(en)

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

My Friend Haden(en)

Documentary filmmaker Renton Hinderer takes a look back at his long relationship with one of his closest friends to understand the paths we choose in life, and how friendship is eternal through it all.

Todo Todo Teros(en)

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

Taon Noong Ako'y Anak sa Labas(tl)

Filmmaker John Torres describes his childhood and discusses his father's infidelities.

Pineapple(ro)

A short made during quarantine. - "I feel like I'm coming out of hibernation. I did not learn anything, I did not developed personal growth, nor qualities. I was smart for one day and read challenging stuff, and then for three days watched persisently TV series. I couldn't write. I found a handful of indispensable people. I didn't really understand much of this whole quarantine story; but I'm analytically only retroactive, so maybe it's going to happen. This movie made me feel alive for a few days."

Carta para Raúl Ruiz(es)

Lejano Interior(es)

A "cinematic object" by Mariano Llinás, divided into 9 chapters, based on the poetry of Henri Michaux.

Magnicidios Poe(es)

The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.

From the West(de)

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

Sam in the Bag(en)

While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.

Locations: Looking for Rusty James(es)

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

Blin Cat(ru)

A video essay about a conversation the director had with a friend about a particular picture of a cat sitting in front of a plate of blins.