Alvoroço Nas Escolas(2009)

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Man Yuk: A Portrait of Maggie Cheung(xx)

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

Thoughts and Visions of a Severed Head(fr)

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

The Magic Sun(en)

Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)

I, Apostate(en)

A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Forenoon of a Faun(sh)

The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).

My Socialist Home(ro)

"My Socialist Home" is a documentary film exploring the significance of gender in the constitution of domestic space in the socialist and postsocialist state.

Can Limbo(es)

A group of musicians seem isolated from the world playing beautiful pieces. But in the darkness of the night, and from their minds, there are melancholies on earth, loves and families that they left behind. Their silences, their letters, these elements shape the poetic intention of this documentary.

Dogtown and Z-Boys(en)

This award-winning, thrilling story is about a group of discarded kids who revolutionized skateboarding and shaped the attitude and culture of modern day extreme sports. Featuring old skool skating footage, exclusive interviews and a blistering rock soundtrack, DOGTOWN AND Z-BOYS captures the rise of the Zephyr skateboarding team from Venice's Dogtown, a tough "locals only" beach with a legacy of outlaw surfing.

The Wild Blue Yonder(en)

An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.

No tan nuestras(es)

The Falklands/Malvinas War has proved a powerful motif in contemporary Argentine film-making and Ramiro Longo's new documentary offers a unique take on the conflict and its pervasive legacy. While Argentina suffered 649 casualties during the War, subsequently over 350 ex-servicemen have committed suicide while attempting to come to terms with civilian life in the aftermath of the 1982 defeat. Longo's film is structured around an extended interview with War veteran Sergio Delgado who provides a moving testimony on the conflict and the ways in which it has subsequently haunted his life and aspirations. As much an insider's view of the conflict as a tale of the legacy of trauma, Not Really Ours offers a reflection on memory, fear and the shaping of a nation's psyche. Longo's deft editing juxtaposes telling footage alongside Delgado's story. The result is both a moving tapestry of war and its scars and a telling reflection on the ways in which official history is constructed.

In Praise of Action(en)

Documentary about stunts and their recognition in the film industry. Without their selfless contribution to film, the movies we know and love, would not be nearly the same. It is the art of ACTION that allows us to experience those thrilling moments Just as that famous Director's saying goes, "Lights, Camera. - ACTION!" There is an understood, yet UNSUNG value to the last of those three necessary components in film-making. Directors, Producers, and Studio Execs all know that the work of Stunt Professionals is an effective way to motivate people into the box offices and to help captivate an audience during Award Shows. Many people do not know that Stunt Professionals do not get an Academy Award, even though they are the ones who literally risk life for their life's passion. In Praise of ACTION makes a statement why Stunt Professionals are being forgotten in the biggest film awards ceremonies? This is the right time to talk about it.

The Day When...(fr)

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

Feeler(en)

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Jackass: Gumball Rally 3000 Special(en)

Johnny Knoxville, Steve-O and Chris Pontius join the annual race around Europe, have fun in other countries, and get in some trouble along the way.

23 Disparos(es)

Who I Am Not(en)

What makes a male, and what makes a female? Where do we draw the line, and does it really matter? Sharon-Rose Khumalo, a South African beauty queen, plunges into an identity crisis after finding out she is intersex. In her quest to deal with gender dysphoria, she needs the guidance of somebody just like her. The only person who will help is Dimakatso Sebidi, a masculine presenting intersex activist, who turns out to be her complete opposite. The two parallel but divergent stories offer an intimate look at the struggle of living in a male-female world, when you are both or neither. For the first time in a creative documentary, Who I Am Not gives a voice to the long ignored and mostly silent two percent of the world's population: the intersex community.

Two Pandemics(en)

Seven Asian-Americans discuss their experiences with racism and the spike in Asian-directed hate crimes as a result of COVID-19.

India's forgotten people(en)