Since the enactment of the Anti-Boryokudan Act and Yakuza exclusion ordinances, the number of Yakuza members reduced to less than 60,000. In the past 3 years, about 20,000 members have left from Yakuza organizations. However, just numbers can’t tell you the reality. What are they thinking, how are they living now? The camera zooms in on the Yakuza world. Are there basic human rights for them?
Following Hannah, a queer twenty-something filmmaker, and her two sisters as they explore the globally popular phenomenon of sugar-dating where people in their 20s date older, wealthier men in exchange for money and gifts. Hannah's exploration into the lucrative life of a sugar baby challenges her morals and feminist ideals as she tries to maintain her personal relationships.
A shooting incident occurs at the Asahina family gambling hall in Tokyo's Joto district. It is the work of Gaijin boss Brown and his henchman Yamaoka, whose territory is in the Jonan district, in response to Kikuya, the head of the Asahina family, refusing to join the Syndicate. Yamaoka relentlessly pursues the Asahina family and uses his brother Komatsu to kill Shibaki, Kikuya's brother, who owns Nagoya territory. When Kikuya receives information that a general meeting of the Brown and Yamaoka Syndicate is to be held in Nagoya, he is determined to root out the syndicate and rushes to Nagoya, ready to die...
Aiba is a gang boss who has just got out of jail, and finds everything has changed. His old gang has broken up, and only a few people still respect him. So he becomes a consultant to another gang who are about to be clobbered by a much larger gang moving in from out of town. Aiba proves a crafty tactician, and does very well at playing gangs off against each other in order to save the smaller gang. His advice is not always taken by those he tries to help, but he is generally proved right.
An early ninkyo film from before the genre had truly established its form. Koji Tsuruta plays an honourable outlaw who saves an older man from an ambush. It turns out the man is the head of a hard working clan appointed to a railway construction project. A ruthless yakuza gang is also trying to get their share of the project and attempts to sabotage the work. After the old man dies, his son (Sonny Chiba) and daughter (Junko Fuji) try to complete the project. Tsuruta joins them while also falling in love with a local woman working in a bar (after all, Tsuruta always was more of a lover than his stoic colleague Takakura).
Get to know a little bit about Paulo Moreira, sign painter from the metropolitan region of Belo Horizonte - MG, his hand painting techniques and the challenges that his profession presents in the daily lives of big cities.
Discover the unsettling truths behind the world's most pivotal events in "The IMPACT." This powerful documentary dives deep into the shadows of global politics and societal control, linking past and present events like never before. From the chilling orchestration behind the 9/11 attacks to the hidden forces in the Ukraine-Russia conflict, "The IMPACT" uncovers the sinister threads woven through decades of deception. Featuring shocking revelations and thought-provoking insights, this film is a must-see for anyone ready to see the world as it truly is, beyond the facade of mainstream narratives. Prepare to have your perspective forever changed.
In a photograph among journalists, writers, academics and artists was a controversial president of Mexico and the unusual guest who owes the name of this story.
Min-kyung, who is preparing for civil service examinations while listening to a thief lecture. her struggling urban survival season.
French actors Lucien Jean-Baptiste, Aïssa Maïga, Sonia Rolland, Deborah Lukumuena, Marie-France Malonga, Gary Dourdan and others speak up on the reality of black actors in the French movie industry.
A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.
Drivers of urban public transport in Bogotá do not receive a fixed salary¸ only a percentage per passenger picked up. Through the testimony of two champions of this daily war¸ an unpleasant daily life is shown¸ distressing and dangerous¸ both for the users and for the drivers themselves los and from which the only ones who benefit are the great transport entrepreneurs¸ true architects of a bloody war in which the State is hardly an indolent spectator.