Time spent at two shores, one thinly populated, the other a wasteland, joined by the interluency of various paths taken, each bit real enough, though exact measures being obscurely indicated. Notions of home and its ache are, to borrow a phrase, “not capable of being told unless by far-off hints and adumbrations”.
Time spent at two shores, one thinly populated, the other a wasteland, joined by the interluency of various paths taken, each bit real enough, though exact measures being obscurely indicated. Notions of home and its ache are, to borrow a phrase, “not capable of being told unless by far-off hints and adumbrations”.
2010-01-01
8
Vanessa Place is a writer, artist, and criminal defense attorney. Her 2010 book "The Guilt Project: Rape, Morality, and Law" critically examined the laws and punitive measures currently employed in the US regarding sex crimes, in addition to proposing that we expand our conception of “rape culture” into an understanding of culture broadly. "If I Wanted Your Opinion, I’d Remove the Duct Tape" is a recording of a performance work of the same title that she toured in 2016 onward, in which she read a set of rape jokes.
Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.
In a world where communication has grown into big business, the lack of it between individuals is almost a paradox. We live in tight little compartments that are not easily penetrated. Individual differences are regarded with suspicion or scorn. This animated film parodies the human condition in a few quick, colourful sketches, amusingly, without words, yet leaving food for thought.
Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.
Once again billed as Montgomery Wood, Giuliano Gemma plays a civil war soldier who returns to his family land to find his family decimated, his property taken over by a family of Mexican bandits and his fiancee about to marry the Mexican gangster behind all this. Bent on revenge, he goes undercover disguised as a Mexican and discovers he has a daughter!
Eight demon swordsmen and their gang have spread menace across many sword teaching schools. The students seek the help of Fang who alone can combat them. Will Fang take up the challenge.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.
When a singer goes missing amid a serial killing spree, a cabbie and a businessman's son cross paths in a twisted tale where good and evil is blurred.
Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.
The inspirational rise of SpaceX as well as Elon Musk's two-decade effort to resurrect America’s space travel ambitions.
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
The events of Battle of Gods take place some years after the battle with Majin Buu, which determined the fate of the entire universe. After awakening from a long slumber, Beerus, the God of Destruction is visited by Whis, his attendant and learns that the galactic overlord Frieza has been defeated by a Super Saiyan from the North Quadrant of the universe named Goku, who is also a former student of the North Kai. Ecstatic over the new challenge, Goku ignores King Kai's advice and battles Beerus, but he is easily overwhelmed and defeated. Beerus leaves, but his eerie remark of "Is there nobody on Earth more worthy to destroy?" lingers on. Now it is up to the heroes to stop the God of Destruction before all is lost.
A man with a grudge against the late Little Joe seeks revenge on the Cartwrights and attempts to take over the Ponderosa.
Days after her friends disappear during a trip to a mysterious cave, a girl is approached by a grown man claiming to be one of her missing pals.
When twin brothers arrive home to find their mother’s demeanor altered and face covered in surgical bandages, they begin to suspect the woman beneath the gauze might not be their mother.
Psychotic Angela is itching to do what she does best: slaughter dozens of teenage campers. As luck would have it, the previous site of her murders has been renamed and converted into an experimental summer camp meant to bring together privileged and lower-class teens. On the day the youths are boarding the buses to camp, Angela runs over a potential camper with a garbage truck and assumes her identity. Once she has infiltrated the camp, the real terror begins.
A new member has joined Eli and the Shane Gang! Junjie, once the protector of the Eastern Caverns, is a master of the slugslinging art of Slug Fu! But even with the power of five slingers, the Shane Gang find themselves in over their heads as they race across The 99 Caverns in search of the Legendary Elemental Slugs. The five Elementals are ancient slugs of great power, and the forbearers of all slugs found in SlugTerra today. In the wrong hands, they could bring Slugterra to the brink of destruction. So when an evil alliance starts hunting down the Elementals, Eli and his friends — old and new — take off in pursuit of the greatest threat their world has ever faced!
After the death of his father, a brilliant college student returns to his family home where he learns that the horrors from his childhood aren't as dead and gone as he once thought.
Fourteen year old Polish boy Stas Tarkowski and eight year old Nel Rawlison from England are kidnapped as the hostages by Arabic fanatics and taken to their religion leader. Then they manage to escape and try to return to their fathers. Children have a lot of dangerous adventures, meet two Black kids; Kali and Mea, who also help them, make a friendship with an elephant and help one Black's tribe.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Otherwise known as Magellan's Toys #1. Hollis Frampton's "Noctiluca" was a film designed to be shown on the second day of the Magellan cycle, the filmmaker's unfinished magnum opus work. The title (nox/luceo) means something that shines by night, i.e., the moon, and the film indeed consists of a bright sphere, sometimes white, sometimes tinted, sometimes single, sometimes doubled and overlapped.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
In search of the archival, Carmen-Sibha Keiso re-imagines theatre and film through personal narrative in her conceptual debut: Love & Fascism In The 21st Century. "... if Rappaport was in an art school." - Ferran Pla
Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical diagonal framing, Gallagher underscores the passage from order to chaos within the event. The sparseness of this centering and he patience required of the viewer heightens the literally explosive climaxes of the film, and transforms the everyday violence of the events into moments of convulsive beauty. – Jim Shedden, Michael Zryd, The Independent Eye
A meditation on transience composed through juxtaposition of sun-bathed exteriors of Split and dark interiors, landscapes of the city and close-ups of human faces, movements and stillness, the material and the spiritual.
A silent collage of un-edited images taken from Google Earth, with pictures ranging from straightforward landscapes to more abstract, organic and cosmic imagery.
Guy Ben-Ner, one of Israel's foremost video artists, gained international recognition with a series of low-tech films, starring his family in absurdist settings carved out of their intimate spaces and their everyday surroundings. Many of his videos are inspired by screenplays for films, folktales and novels. Analyzing these literary and cinematographic passages allows him to exploit the conventions of film narrative: how to tell a story, captivate an audience through a tale, sustain a degree of tension and entertainment, and so on. At the same time, he corrupts the magic of fiction by openly showing us the entrails of everything he records, without worrying about revealing the tricks of the trade. A large part of his filmic oeuvre features a conglomeration of cinematic and literary references which the artist quotes, adapts or interprets. Ben-Ner self-referentially links the great themes and their literary, cinematic and artistic realization.
Presented as part of the exhibition "RIVER OF FUNDAMENT", Museum of Contemporary Art, Los Angeles.
The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.
A coven of witches gather in Vermont in a feminist collective’s transporting short that shakes off patriarchal scrutiny during the women’s ceremony, where they’re free to remake reality before our eyes. TRANSFORMATIONS creates an intoxicating alchemy from the witches’ interactions with nature: an attempt, as Hirschfeld remembers, to “use the act of filmmaking to heighten experience.”
Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were found and the hand-drawn images and sound were reconstituted. Picture and sound dance triple-quick in this animated version of a musical scherzo. A film without words.
From the infinitely small to the infinitely large, all things in the universe are tightly connected: they interact and restructure in a combination of movements and perpetual metamorphoses.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.