Endless Sea(2015)

Lost Case(cs)

A completely new story based on existing footage from the series Columbo.

USB(en)

A man comes home to find a mysterious box on his living room floor.

A Fugue(en)

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

Blow-Up(en)

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

Title in the End(en)

A hitchiker accepts a ride from a conspicuous driver and begins to have feelings of regret.

Meshes of the Afternoon(en)

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Dog Star Man(en)

Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.

Lost Footage(en)

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

In My Mind(en)

A woman is plagued by her overactive imagination.

Die Schleuse(de)

Book of Dreams: Welcome to Crateland(en)

Mona relates her dream. Crawling through an apparently endless wooden crate, she encounters diverse characters while the crate itself is moving towards a fiery destruction.

Noite de Lamentações (Night of Wails)(pt)

Circle(en)

This short film follows a man lost in the woods driven by his fear of the unknown.

A Woman(tr)

Within a single space, the director treats the sorrows of two people married to each other.

All You Are Going to Want to Do Is Get Back There(en)

A young man goes through his everyday routine until he realizes that he is completely alone.

Cameras Pointed Straight into the Sun(en)

Two criminals take a trip up the coast of California. As they arrive at a small town- what should just be a small stop on the way- one of them begins to feel as though they've been their before.

Unlith(fr)

Men and dogs move dreamily through a room. In this hostile environment, their attitudes and reactions lead to irritated moods.

Antiporno(ja)

Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.

Apple Pie(en)

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

Moonlight People(ru)

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).