Journalists Johan Persson and Martin Schibbye talk about the horrendous days in the desert, rail executions and false terror charges. They were arrested before they could report on the violence in the closed state of Ogaden. But the Ethiopian regime failed to silence them. With the help of never-before-seen video material and testimonies smuggled out of the country by a high ranking official, the whole story can finally be told. About Johan and Martin. About the violence in Ogaden. And about the prisoners of dictatorship.
Self
Journalists Johan Persson and Martin Schibbye talk about the horrendous days in the desert, rail executions and false terror charges. They were arrested before they could report on the violence in the closed state of Ogaden. But the Ethiopian regime failed to silence them. With the help of never-before-seen video material and testimonies smuggled out of the country by a high ranking official, the whole story can finally be told. About Johan and Martin. About the violence in Ogaden. And about the prisoners of dictatorship.
2013-10-14
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The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
Behind-the-scenes documentary focusing on Marcus Luttrell, the lone survivor of a four-man Navy Seal team ambushed by the Taliban in 2005.
Detailing the US giving weapons to both Iraq and Iran during the Iraq Iran war.
Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
An examination of the how television news in the US has covered war from Vietnam to the present day
Documentary about the life and works of legendary Austrian actor Karl Merkatz.
How do you cover a war in your own country? We spent two years with journalists from Ukraine's public broadcaster and saw how Russia's invasion transformed their profession and changed their beliefs. Broadcast on 5/4/2024
We Are Not Princesses is a documentary film about the incredible strength and spirit of four Syrian women living as refugees in Beirut as they come together to tell their stories of love, loss, pain and hope through the ancient Greek play, Antigone.
Jeremy Clarkson tells the dramatic story of the Arctic convoys of the Second World War, from Russia to the freezing Arctic Ocean.
Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.
This film examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news, and provides an in-depth look at Fox News and the dangerous impact on society when a broad swath of media is controlled by one person. Media experts, including Jeff Cohen (FAIR) Bob McChesney (Free Press), Chellie Pingree (Common Cause), Jeff Chester (Center for Digital Democracy) and David Brock (Media Matters) provide context and guidance for the story of Fox News and its effect on society. This documentary also reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.
For many decades, the Caribbean island of Vieques was used for military tests and training. In Mississippi, a small-town lawyer receives a phone call, drawing his attention to increased incidences of cancer. He takes the case to court. Based on his investigation, "Kings in Paradise - The Vieques Case" shows how the military destroyed the island's ecosystem and its people. It is a story about a desperate fight for justice.
This documentary study of the mechanisms that turn the gears of the tabloids is conducted by the unique figure Pavel Novotný. This editor-in-chief of one of the most widely read Czech media outlets of the time, providing news from the world of show business and human misfortune, gets straight to the point. Readership is a fetish, an absolute alibi for all invasions of privacy and every transgression of good ethics. Seen up close, the whole cluster of disreputable reports looks like a staged tableau. Before the eager eyes of an anxious public, celebrities willingly or unwillingly perform acts that the scrutiny of the all-powerful tabloid workers attributes racy significance to.
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.