People of a Darker Hue, 2016 Video, 14 minutes, 58 seconds © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
People of a Darker Hue, 2016 Video, 14 minutes, 58 seconds © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.
2016-01-01
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Seven militant women (fedaiyat) of the revolutionary generation tell the story of the Palestinian resistance through accounts of their own lives. Cut from 35 hours of interviews with leaders of the armed struggle, the film presents an image of confident, unapologetic and proud feminine identity. Together, the memories of these women narrate the dream of a generation, yet unrealized.
“I Beg You To Like Me”, serves as a testimony of individuals who felt oppressed about their body image for not meeting the standard beauty criteria, and demonstrates how a reckless language based on others’ physical appearance could turn violent. It aims to achieve much more than simply stating the obvious, which is that we are not obligated to submit to the ideal beauty standards dictated by the media, consumerism and the beauty industry. The intimate stories about one’s own body image as told by women, men, disabled people and LGBT individuals make it apparent that any one of us could end up being a victim and a perpetrator at the same time. What if, this iconic body image is nothing but an unobtainable fallacy? “Is it not yet the time to openly discuss the conventional perception of beauty, and step up onto the catwalk in our actual likeness?
In a country where bella figura is a national pastime, Prime Minister Silvio Berlusconi is the maestro of media manipulation. Having risen to political primacy with the aid of his Mediaset empire, he now controls 90% of the bel paese’s television channels including the state-run RAI network. Quantity, it seems, does not equal quality. Fed on a diet of semi-naked dancing girls, inane competitions and rickety reality shows built around the most ridiculous of premises, is it any wonder that Italians are becoming a nation of fame-hungry wannabes?
A secret museum in an art hotel sparks intrigue when it's revealed to be a creation of controversial artist, Banksy. Using art as a form of political resistance, the hotel highlights the reality of life under Israeli military occupation. The film journeys through the hotel, Palestine, and a relevant past to dismantle the mainstream media's bias towards the Palestinian struggle for freedom and equality.
L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.
When a British-born actor abandons his Hollywood career to volunteer to Join the Kurdish YPG to fight ISIS in Syria, many see him as a selfless hero battling America's most insidious enemy. But others think he's a hot-tempered narcissist, staging a publicity stunt to further his career - and when his service ends, neither the UK nor the US welcome him back. Through incisive interviews with the actor, his supporters, his detractors, and top-tier experts - and featuring the actor's own jaw-dropping helmet-cam video of deadly battles with and interrogations of ISIS fighters - Heval gives viewers unprecedented access into a war against evil and one man's controversial role in it.
BBC's Simon Dring's film focuses on the EPLF, Eritrean People's Liberation Front, which is battling Ethiopian forces. The film includes interviews with Ali Sayed, EPLF head of foreign missions, and Mohammed Ramadan Nour, General Secretary.
Total Enslavement is the third installment in the critically-acclaimed Police State series and is a must-see for all who leve freedom. This film documents the nightmare rise of the Homeland Security dictatorship, Patriot Acts 1 and 2, the Total Information Awareness Network, government-run white slavery rings, the new prison surveillance economy and much more.
POLICE STATE 4 chronicles the sickening depths to which our republic has fallen. Veteran documentary filmmaker Alex Jones conclusively proves the existence of a secret network of FEMA camps, now being expanded nationwide. The military industrial complex is transforming our once free nation into a giant prison camp. A cashless society control grid, constructed in the name of fighting terrorism, was actually built to enslave the American people. Body scanners, sound cannons, citizen spies, staged terror and cameras on every street corner -- it's only the beginning of the New World Order's hellish plan. This film exposes how the "Continuity of Government" program has established an all powerful shadow state. Prepare to enter the secretive world of emergency dictatorship, FEMA camps, and a shredded Constitution.
In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation are standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.
Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer's disease. Both fear the day he no longer recognizes her.
Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.
Estado de Excepção is a documentary about CITAC (Coimbra Theater Initiation Circle), a university theater group, revealing history since it was constituted in 1956 until the aftermath of the 1974 revolution. It is the history of the theater group university and, through it, the history of theater in Portugal, revealing two remarkable decades of the History of Portugal. Through the Academy of Coimbra, the documentary reproduces student life, the position of women in society, and the change in mentalities of being and being in the world. It reproduces the existing censorship and the fight against the dictatorship, the resistance to an exhausted regime, as well as the emerging contradictions of the democratic revolution. CITAC has a heritage of 50 years of experience in Coimbra. It carries with it the possibility of the theatrical and civic formation of thinking bodies, constituting a proper ball of a possible model, generation by generation, between studies, theater, and social drama.
Bakur (North) is a documentary that invites its audience to reflect on a war that has been continuing for decades and gives an insightful look on its main subject, the PKK. The film follows the lives of the guerilla in three different camps on the Kurdish region (north) that lies within Turkish borders.
When Russia invaded, the women of Ukraine's leading contemporary dance group struggled to find purpose in their work. A search for new forms of resistance ultimately led them back to dance.
The unique testimony of the tragic events and crimes of russia through the eyes of Ukrainians, which the entire world must see and feel. Film was created from 200 hours of chronicles: survival, resistance, and life during the war. Every minute was filmed by Ukrainians with their mobile phones. Each story in the documentary is a film captured and filmed by Ukrainians on their devices.
A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.
Resisterhood is a film about the power of women, hope and resistance in modern American politics. After the 2016 elections, we follows six diverse Americans as they fight for social justice on the streets and in the halls of power.
“Binxet – Under the border” is a journey between life and death, dignity and pain, struggle and freedom. It takes place along the 911 km of the turkish-Syrian border. On the one hand the ISIS, in the other Erdogan’s Turkey. In the middle the borders and one hope. This hope is called Rojava, only one point on the chart of a troubled region, a region of resistance and an example of grassroots democracy that speaks about gender equality, self-determination of peoples and peaceful coexistence.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?