Millions Can Walk(2014)

The Big One(en)

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

El Equipo del Pueblo(es)

Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.

Letters from Europe(it)

"Letters from Europe" brings to light the words of men and women who gave their lives resisting the Nazi and fascist conquest from 1939 to '45 across the European continent. The moving goodbyes penned by a few of those sentenced to death are sometimes true spiritual testaments that explore the meaning of civic responsibility, human existence, fraternity, and life and death. Their words, which the film mingles with footage of the present day, can perhaps restore meaning to a humanist ideal and to the ever-changing idea of a united Europe.

Indian Youth: An Exploration(en)

A documentary on the life of the youth in post-Independence India.

Nehru(en)

Divided into three parts — The Awakening, The Struggle, and Freedom — this is a biographical film on Pandit Jawaharlal Nehru, the first Prime Minister of independent India. Relying on Nehru's writings and speeches, the film traces the evolution of Nehru from his birth through his life. It also deals with the effect of history on Nehru and in turn his impact on the world.

Napalm(en)

A variety of locals react to a napalm plant and an ensuing protest in Redwood City CA during the Vietnam War.

Wonders of the Monsoon(en)

The wildlife and cultures of southern Asia have been shaped by one of the greatest phenomena on Earth: the mighty monsoon winds that sweep across this vast region, turning drought into deluge. All life – human and animal – is dominated by this rampaging weather system. From the northern shores of Australia to the highest peaks of the Himalayas and the wind-blown deserts of northern India to the lush equatorial forests of Borneo, this series makes an exhilarating journey through the lands of the monsoon. Along the way, it offers a taste of the variety and colour of the different regions’ most extraordinary wildlife and cultures and the way they cope with the tumultuous weather. This is the story of a relationship between humans and nature that has grown across thousands of years – all living in the shadow of the monsoon.

No gazaran(fr)

February 2011: 20 000 people demonstrate in southern France against the shale gas licenses that have been issued in backroom deals, Meanwhile the European Parliament begins its first inquiry on the subject, From the outset, there is a split between the conservative representatives, swayed by the economic arguments in favor of fracking, and opponents invoking the precautionary principle. In areas affected by the permits, people are getting organized, building their knowledge, and taking action. Local mayors step up, issue local bylaws and relay information about the situation up to the national government. This grassroots movement makes it all the way to European-level institutions.

Standing Army(en)

Standing Army, directed by Enrico Parenti and Thomas Fazi, is an award-winning documentary film about the global network of U.S. military bases, the impact that these have on local populations, and the military-industrial complex that lies behind it.

Dixie Chicks: Shut Up and Sing(en)

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

Fight the Power: The Movements That Changed America(en)

“Looks at the impact key movements throughout U.S. history have had in shaping our society, laws and culture. From the labor movement of the 1880s, women's suffrage and civil rights, to the LGBTQ+ and Black Lives Matter movements, protest is in the American DNA and this documentary gives an unfiltered look at the ways it has evolved the world in which we live.”

Kolkata with Sue Perkins(en)

Sue Perkins immerses herself in the complex life of Kolkata and sees how it is reinventing itself as a megacity with a reputation for eccentricity, culture and tolerance.

Faith Connections(hi)

A filmmaker's insight into the biggest gathering on earth -the Kumbh Mela.

India: Spreading Hate(fr)

Since the rise to power of Hindu nationalists in 2014, India has been gradually moving away from democracy towards a regime where ethnic identity prevails. This transition is driven by Hindutva, a Hindu supremacist ideology embodied by Narendra Modi. For the past 10 years, Prime Minister Modi has relentlessly pursued his fascist policy based on Hindu supremacy. This ideology of hatred towards other religions in the country, particularly Islam, has also spread globally. Those who follow this belief want India to be only for Hindus, treating people of other religions, like Muslims or Sikhs as second-class citizens. Attacks against Christians have surged by 400% since Modi's election, accompanied by discriminatory laws targeting Muslims and widespread lynching incidents. Hindutva's influence permeates all levels of Indian society. This documentary thus unveils a darker side of India, far from its portrayal as the world's largest democracy and Gandhi's dream of peace among communities.

Les Révoltés(fr)

In May 1968, workers, students and young people rise up against the morality and power of the establishment. Faculties and factories are under occupation. Barricades are erected. Paving slabs are launched. Words give way to actions. This is the confrontation. These images bear witness to the men and women who, in their indignancy, march towards their revolution. 50 years ago, as part of our ARC collective, we filmed the uprising of May and June 1968. Out of this material and scenes borrowed from our other filmmaker friends, we created this film.

The Grass Dwellers(es)

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Maharadja Burger - Mad Cows, Holy Cows(fr)

A documentary about Hindu cow worship and the British BSE crisis.

Quando i tedeschi non sapevano nuotare(it)

Lighthouse(en)

After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.

Tell Me Lies(en)

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.