Parents Modèles(2019)

Never a Dull Moment(en)

When practicing for a role, actor Jack is mistaken for the killer Ace. He doesn't realize this until it's too late and is carried off to gangster boss Leo Smooth, who wants Ace to do a job for him. Fearing for his life, Jack plays his role, but always searching for a way out of the well-guarded house.

The Impostors(en)

Wrongly accused of physically abusing a fellow actor, starving thespians Arthur and Maurice find themselves pursued by the law aboard a cruise ship.

See How They Run(en)

In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard and eager rookie Constable Stalker take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.

You Can't Take it With You(en)

A man from a family of rich snobs becomes engaged to a woman from a good-natured but decidedly eccentric family.

J'aime beaucoup ce que vous faites(fr)

Les Fourberies de Scapin(en)

The action is set in Naples, opening a door onto an imagined maritime world stretching towards the Orient. Faced with two authoritarian fathers, two sons, both of whom are thwarted lovers, turn to the crafty Scapin, who is driven by a mad desire for revenge. The character is a double of Scaramouche, the Italian actor of the adventurous life whom Molière admired: “to tell you the truth, there are few things that are impossible for me, when I put my mind to them” declares the buffoonish servant whose name, as Denis Podalydès points out, derives his from the Italian scappare which means “to escape”, “to scamper off”. Scapin is beaten with a stick at one point but also gets his own back and, against a background of ransom demands and paternal contradictions, he comes up with an avalanche of stratagems and other tricks, which Molière excels in depicting.

George Dandin(fr)

Theater play "George Dandin" played by the "Comédie française" in 1999.

Le Bourgeois gentilhomme(fr)

Gad Elmaleh - Papa est en haut(fr)

Dans ce spectacle, mis en scène par sa soeur Judith Elmaleh, il parle de son enfance, de son fils et de son père ; 750 000 places seront vendus.

Company: A Musical Comedy(en)

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

Chers parents(fr)

Kev Adams & Gad Elmaleh - Kev Gad, Tout est possible(fr)

The Goodbye Girl(en)

After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.

Tartuffe ou L'Imposteur(fr)

Tartuffe, a hypocritical man confided in false devotion, monopolizes the confidence of Orgon, a wealthy bourgeois and undertakes to seduce his wife Elmire. Having been unmasked by the latter, he strives to precipitate the ruin of his benefactor.

Get Over It(en)

When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister Kelly, he follows his ex into the school's spring musical. Thus ensues a love triangle loosely based upon Shakespeare's "A Midsummer Night's Dream", where Berke is only to find himself getting over Allison and beginning to fall for Kelly.

Avenue Montaigne(fr)

A young woman arrives in Paris where she finds a job as a waitress in bar next on Avenue Montaigne that caters to the surrounding theaters and the wealthy inhabitants of the area. She will meet a pianist, a famous actress and a great art collector, and become acquainted with the "luxurious" world her grandmother has told her about since her childhood.

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The Purple Rose of Cairo(en)

Cecilia is a waitress in New Jersey, living a dreary life during the Great Depression. Her only escape from her mundane reality is the movie theatre. After losing her job, Cecilia goes to see 'The Purple Rose of Cairo' in hopes of raising her spirits, where she watches dashing archaeologist Tom Baxter time and again.

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