

The Souvenirs of Mr. X(2004)
An homage to amateur film-makers, their dream of cinema and their desire to find, in the unspectacular, everyday life, the truly special.
A filmmaker finds 2 boxes of Super-8 films of an unknown amateur at a flea market. He goes on an investigative journey to find this person and dives into the wonderful, obsessive universe of amateur film with its own rules, competitions and the passionate love for the moving images.

Movie: The Souvenirs of Mr. X
Video Trailer The Souvenirs of Mr. X
Similar Movies
7.3Maria by Callas(en)
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
5.0Reflection(ja)
Eerie images of landscapes after the Fukushima nuclear disaster shot on black and white 8mm.
0.0Crash 'n' Burn(en)
Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".
The Wash(en)
"The Wash is a portrait of the river wash that runs behind the older part of Newhall, California, where Lee and I used to live. We shot the wash on Super8 film and then finished it on video. It is a collaboration between us, describing the ways the wash is used, and the people who use it, ourselves included. It charts the way this land has changed since they began developing Newhall and the surrounding community of Valencia for housing, a development that is expected to bring over 250,000 more people into the area by the year 2015."
0.0Archive of Life(en)
This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.
0.0Tove and Tooti in Europe(sv)
Tove and Tooti in Europe is a documentary charting the voyages through Europe of the world famous author Tove Jansson and graphic artist Tuulikki Pietilä during the years 1972-1993. It is a lyrical and sometimes hilarious film essay on the “old Europe”, experienced by travellers and observers, of times when people used to wander, share a joke, pause and, sometimes, even stop. Shot on Super 8 mm, the film takes us to Paris, Venice, London, Madrid and Dublin; Iceland, Ireland and Corsica.
0.0Movie for Two(sl)
We see the film title card on screen and sound is coming from the cinema, but the screen is black. The filmmaker hands a cellphone with video to two sitting in front of the crowd. The image of the film plays on the phone for those who can see it in the crowd as the audio comes through the cinema speakers.
8.0Miraggi di pianura(it)
The Via Emilia changes and becomes an open-air museum: hidden installations - although architecturally majestic - invite us to shift our perspective, to rethink the journeys that we thought we knew by heart.
5.0Lentejuelas de sangre(es)
Antonio Gracia José (1942-2011), known as “Pierrot,” was a prominent member of the Barcelona art scene, a pioneer in the filmmaking of underground short films and Fantaterror movies, writer and playwright, magazine editor, movie poster painter, cartoonist and cabaret showman.
0.0European Tour '73(en)
A 15 minute documentary utilizing archival Super 8 film footage and original animation about a father fulfilling his dream of reconnecting his 5 small children to the steps of his own father when he fought for the Canadian military in WW2 through a trip to Europe in 1973.
10.0Back in My Body(en)
BACK IN MY BODY is a short documentary about musician Maggie Rogers returning to Alaska, a place that has had a huge impact on her life.
0.0Oliva Oliva(fr)
A filmed diary which chronicles two visits to the Olivas, a family of Spanish beekeepers from Salamanca, at the time of the honey harvest, in August and September. Their work and their itinerant life are seen from a friend's point of view.
0.0Winter's End(en)
A short film shot on Super 8 which captures the last days of winter.
0.0Fog on the Mountain(en)
Fog surrounds the peak of a mountain as summer wildflowers bloom.
4.0Lost Images: The Other Eye of Juan Pinzás(es)
The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.
0.0Familiar Phantoms(ar)
Familiar Phantoms is an experimental documentary short film about memory, history and trauma.
0.0Reality 86'd(en)
Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)
6.3Everyone Stares: The Police Inside Out(en)
Stewart Copeland, drummer for The Police, compiles his Super 8 footage to offer an intimate look at what it was like to be a member of one of the most important rock bands of all time.
4.6Must Read After My Death(en)
A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.
6.0Lost Boundaries(en)
Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.
