Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.
Lost Boundaries is comprised of footage shot by Julien on location, in England in the summer of 1985, during the making of the Sankofa film and video collective's first experimental feature film The Passion of Remembrance (1986), which he co-directed with Maureen Blackwood, another member of the collective. In recapturing those moment Lost Boundaries both deconstructs and foregrounds the means of 16mm film production while weaving together a fragile community of Black artists and actors who came to prominence at a time when debates in film theory - such as those of the Screen film journal and of "third cinema" discourses where cinema was intertwined within (Brechtian) filmmaking practices - were at the forefront of forging a new politics of artistic representation. A Black avant-garde.
2003-01-01
6
A pair of horny college guys get summer jobs at a sexy cheerleader camp.
The comedian and best selling author of "Cancer on $5 a Day...How Humor Got Me Through the Toughest Journey of My Life," has plenty to say on everything from raising a 17 year old daughter, bargaining with the Almighty, and how not to make friends with a dolphin.
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.
In the mountains of the Basque Country, a mother and her daughter take shelter in a ruined hut that seems uninhabited.
When Colonel James Braddock is told that his Asian wife and 12-year-old son are still alive in Communist Vietnam, he mounts a one-man assault to free them. Armed with the latest high-tech firepower, Braddock fights his way into the heart of the country and ends up battling his way out with several dozen abused Amerasian children in tow! Struggling to keep them alive while outmaneuvering a sadistic Vietnamese officer, Braddock ignites the jungle in a blazing cross-country race for freedom.
In the seaside town of Boulogne, no one seems to be able to cope with their past, least of all Hélène, an antique furniture saleswoman, her stepson Bernard, and her former lover Alphonse.
Several teenagers in a small-town in Colorado concoct a July 4th prank based on a frightening legend that goes awry when their friend ends up accidentally killed; however, the teens agree to keep their involvement a secret from the authorities, who continue to search for the man who apparently killed their friend. A year later, with the July 4th celebration coming up again, the teenagers realize that they're being stalked by someone who clearly intends on keeping the horrible legend alive by killing them off.
When Emily Woodrow and her friends happen on a treasure chest full of gold coins, they fail to to heed the warnings of a wise old psychic who had foretold that they would encounter trouble with a very nasty and protective Leprechaun.
Village of Artigat, southern France, summer 1542, during the reign of Francis I. Martin Guerre and Bertrande de Rols marry. A few years later, accused of having committed a robbery, Martin suddenly disappears. When, almost a decade later, a man arrives in Artigat claiming to be Martin, the Guerre family recognizes him as such; but doubts soon arise about his true identity.
Following the events of The Sheriff and the Satellite Kid, Sheriff Hall and H-725 (using the official identity of Charlie Warren) still get no rest from the military - because the little alien has not yet grasped the meaning of keeping a low profile. They are constantly on the move, and H-725's father has had to pick them out of a tight spot too many times already.
Seven years have passed after the battle of Teppelin... Humans have since reclaimed the surface of the earth and enjoy an unprecedented period of peace and prosperity. However, humanity's increasing population growth triggers the sudden emergence of an unknown, powerful enemy. The fearsome, manipulative power of the mysterious Anti-Spiral proves too overwhelming for humans to even fight back. When everyone becomes desperate and loses hope, Team Dai-Gurren members reunite to stand up once again!
The Chola kingdom is under threat from forces both internal and external, and with crown prince Aaditha Karikalan, his younger brother Arunmozhi Varman and the emperor, Sundara Cholar separated by situations, it is up to a messenger to ensure the safety of the kingdom. Can he succeed in his mission, especially with Karikalan's former girlfriend, Nandhini, plotting to bring down the entire Chola empire?
In a vignette called "Strange to meet you," Roberto sits at a small table in a coffee bar. Five cups of coffee and two ashtrays are in front of him; he drinks and smokes. Steven joins him. They start a conversation about cigarettes and coffee. Steven likes to drink coffee before he sleeps, so he can dream faster. The conversation jumps around. "You know my mother?" asks Roberto. Steven describes coffee Popsicles. They switch seats; then switch back. Steven has to leave for a dental appointment he's not looking forward to. Roberto makes a startling offer, inspired no doubt by the coffee and cigarettes.
Ko Chun, the God of Gamblers, vows to keep his identity hidden while looking for the gangsters who murdered his pregnant wife.
A jigsaw film assembled from archival footage from the 20s and 30s, preserving memories of the construction of a new and everyday life - the launch of the metro, hard work, cultural life and leisure. By combining two parallel stories - state film chronicles and diary entries - the film attempts to revise the historical archive and the usual perception of the time, bringing to the forefront the collective image of a hero from the crowd.
Lisa is a tourist in an ancient city. When she gets lost, she finds an old mansion in which to shelter. Soon she is sucked into a vortex of deception, debauchery and evil presided over by housekeeper Leandre.
When his brother is killed, LAPD officer Mark leaves the city to return to the island he grew up on. Seeking answers and ultimately vengeance, he soon finds himself in a bloody battle with the corrupt tycoon who's taken over the island paradise.
A young girl wakes up in a casket with a head injury and no memory of her identity. She quickly realizes she was abducted by a serial killer and she must fight to survive.
In an accident the young mechanic Marco Coccia meets Cristiana. The two fall in love with one another. Cristiana confesses only later that she is a genuine princess. For Marco it is not a problem, but for Cristiana's parents it is a very big problem. The two must separate. When one evening Cristiana calls Marco and lets him know about her forthcoming wedding, Marco with the car races toward Paris and has an accident...
An American Dissident: un tributo a Frank Zappa is an Italian documentary that aired on the Videomusic channel on January 7, 1994. It includes footage from Zappa's Universe, Video From Hell, Does Humor Belong In Music?, Baby Snakes, The True Story Of 200 Motels, The Late Show, Zappa's May 17, 1988 show at Palacio de Deportes in Barcelona, Spain, The Dub Room Special, various other interviews and performances.
A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.
A filmmaker finds 2 boxes of Super-8 films of an unknown amateur at a flea market. He goes on an investigative journey to find this person and dives into the wonderful, obsessive universe of amateur film with its own rules, competitions and the passionate love for the moving images.
This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
"Fly too high and you will burn, go too low and you won't breathe." Shot in just seven consecutive days during the summer of 2023, it concludes the first volume of Bliss, a playlist of sounds and shapes. Daedalus delves into the perilous dance between striving for something and the suffocating pull of stagnancy. This chaotic structure bridges the warnings and epiphanic thoughts of 20th-century thinkers with the lives of today's dreamers.
Through abrupt soundtrack shifts, this short film jumps between historical political imagery to explore the cinematic language of propaganda, unpacking complex concepts through sensory explosions — from the Brazilian military dictatorship to the Chinese revolution.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera
After her boyfriend ends their relationship, the dreamself of a heartbroken woman floats through the air over an industrial wasteland singing ballads of love.
A grandmother dies and leaves behind hours of secret film and audio recordings as well as an envelope with the words “Must read after my death,” which reveal a dark history for her family to discover.
Stewart Copeland, drummer for The Police, compiles his Super 8 footage to offer an intimate look at what it was like to be a member of one of the most important rock bands of all time.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
Eerie images of landscapes after the Fukushima nuclear disaster shot on black and white 8mm.
Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".
Shirley Clarke's frenetic documentary about multi-talented musician Ornette Coleman.
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
BACK IN MY BODY is a short documentary about musician Maggie Rogers returning to Alaska, a place that has had a huge impact on her life.
Filmed in Chicago & finished in 1959, The Cry of Jazz is filmmaker, composer and arranger Edward O. Bland's polemical essay on the politics of music and race - a forecast of what he called "the death of jazz." A landmark moment in black film, foreseeing the civil unrest of subsequent decades, it also features the only known footage of visionary pianist Sun Ra from his beloved Chicago period. Featured are ample images of tenor saxophonist John Gilmore and the rest of Ra's Arkestra in Windy City nightclubs, all shot in glorious black & white.