Ka Ke Ki Ku(1960)

Pakatakan (route des portages)(fr)

Tshiuetin(fr)

Take a breathtaking train a ride through Nothern Quebec and Labrador on Canada’s first First Nations-owned railway. Come for the celebration of the power of independence, the crucial importance of aboriginal owned businesses and stay for the beauty of the northern landscape.

The Devil and Father Amorth(en)

William Friedkin attends an exorcism with Father Gabriele Amorth, as he treats an Italian woman named Cristina for the ninth time. Prior to filming, Cristina had purportedly been experiencing behavioural changes and “fits” that could not be explained by psychiatry, and which became worse during Christian holidays.

Forests(fr)

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

Milikᵘ tshishutshelimunuau(fr)

The journey of a young candidate running in the Pessamit community band council elections.

Father, Brother(ko)

The names of the two ‘fathers’ encapsulate Korea's contemporary history. The older priest is known as ‘Father Gang’, symbolizing his fight against corrupt authority. The younger priest, on the other hand, is known as ‘Father Red’ for his advocacy of Korean reunification and for crossing the armistice line. These two figures were pivotal in challenging Park Chunghee's authoritarian regime, participating in the pro-democracy movement against military rule, advocating Lim Sukyung's visit to North Korea, protesting against U.S. military bases, addressing the Yongsan disaster, and standing up against the Jeju Gangjeong village incident. Their church provided solace to the vulnerable and marginalized.

Ninan Auassat: We, the Children(fr)

Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.

Forever in Our Hearts: Memories of the Hebron Relocation(en)

In 1999, Innu community members who, 40 years previously, had been forcibly relocated from their remote northern region of Labrador to established settlements in the province, return to Hebron to reminisce and reckon with the destructive impact the relocation had on their traditional ways of life and Indigenous identity. This film serves as a companion piece to Carol Brice Bennett’s book "IkKaumajannik Piusivinnik – Reconciling With Memories," and stands as the only known audio-visual document of the reunion of a resettled community in Newfoundland & Labrador.

Meteshu innushkueu(fr)

Ma Traversée(fr)

Ma traversée is a personal quest, filmed over 20 years, recounting the racial issues and privileges that have punctuated the filmmaker’s life in three French-speaking societies: Guadeloupe, France and Quebec. From her own story emerges the broader narrative of colonization, colorism, assimilation, integration and the social benefits of “race” and their impact even today. Brutalized by police officers in Montreal in December 2017 in front of witnesses, the filmmaker takes a step back to understand this gesture, which speaks to the social interpretation of skin color.

Sands of Silence(en)

Inspired by the transformation of the sex-trafficking survivors whose lives she follows, the filmmaker finds the courage to break the silence about sexual abuse in her own life.

Nin E Tepueian: My Cry(fr)

NIN E TEPUEIAN - MY CRY is a documentary tracks the journey of Innu poet, actress and activist, Natasha Kanapé Fontaine, at a pivotal time in her career as a committed artist. Santiago Bertolino's camera follows a young Innu poet over the course of a year. A voice rises, inspiration builds; another star finds its place amongst the constellation of contemporary Indigenous literature. A voice of prominent magnitude illuminates the road towards healing and renewal: Natasha Kanapé Fontaine.

Those Who Come, Will Hear(iu)

“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.

Don't Cry for Me Sudan(ko)

A Schweitzer of Korea Father LEE Tae-seok, devoted his life in Sudan; a remote area of Africa.

Célibat des prêtres, le calvaire de l'Église(fr)

La peur au ventre(fr)

Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.

Two Crowns(pl)

Recreation of facts and stories of both experts and people who met Maximilian Kolbe and were shocked by his words and actions.

Les Entremailles(fr)

L’histoire de la Côte-Nord: une histoire commune(fr)

Procession(en)

Six men who were sexually abused by Catholic clergy as boys find empowerment by creating short films inspired by their trauma.