Pakatakan (route des portages)

Janette et filles(fr)

Janette Bertrand, 96, is at the time of the balance sheets. Where are the women, where is the fight for gender equality? An hour of History with a capital H and Love with a capital A, to not forget anything and, above all, never stop moving forward.

NDDJ (Notre-Dame-du-Jambon)(fr)

Karan and Rohan, two biracial brothers raised in a marginal environment, are finding ways to get stimulated on a normal summer day. They embark on a trip to buy candies to avoid boredom. This film plays with the sense of boundaries between what is real and what is fiction. It is a film about the love of two brothers and their singular reality in the countryside of Quebec.

Pauline Julien, Intimate and Political(fr)

With a meticulous selection of interviews, performances and photos drawn from a vast and rich archival collection, Pauline Julien, Intimate and Political follows the iconic Quebec singer and eternally free spirit on a journey through key moments in the province’s history.

Milikᵘ tshishutshelimunuau(fr)

The journey of a young candidate running in the Pessamit community band council elections.

Chenalhó: en el corazón de los Altos(es)

Corno(fr)

A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.

Still We Rise(en)

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

Mark of the Hand(en)

Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.

The Last Mooseskin Boat(en)

This short documentary follows Gabe Etchinelle as builds a mooseskin boat as a tribute to an earlier way of life, where the Shotah Dene people would use a mooseskin boats and transport their families and cargo down mountain rivers to trading settlements throughout the Northwest Territories.

Amá(en)

Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. ​The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.

Rematriation(en)

Rematriation explores scientific, cultural, economic and sociopolitical perspectives, as citizens fight to protect the last big trees in British Columbia from being felled. The lessons we take away permeate the fabric of Canadian identity.

La Grande Invasion(fr)

Holy Angels(en)

Documentary about the Holy Angels Residential School in Alberta, where hundreds of First Nations children were imprisoned.

Resources(fr)

Co-directors Hubert Caron-Guay and Serge-Olivier Rondeau follow migrant workers through the steps in the hiring process of a community-based employment assistance organization. The filmmakers highlight the migrants’ difficult path by capturing conversations between the future employees and the recruiters. Through images shot on a body camera and a minimalist observational approach, the film exposes harsh and poignant realities. It draws parallels between the changing of the seasons and the cycle of the cattle industry that begins with animals being raised and cared for at a ranch and ends with them being sent to the abattoir grimly looming in the background. Ressources is a sobering and thought-provoking work that gives a voice to those who are at the heart of the food system that sustains this country.

Silver Rivers(fr)

In 2001, the government of Quebec announced a new program to issue permits for the construction of private hydroelectric dams at specific sites. Upset, the population took things into their own hands and decided to act. Citizens formed collectives to protect their waterways, among the most beautiful in the province. This documentary follows several artist and citizen groups who led a crusade to force the Québec government to abandon private hydro-electrical production. It is a thorough inquiry on the environmental impact and other repercussions of such projects.

No Māori Allowed(en)

When an academic unearths a forgotten history, residents of the small township of Pukekohe, including kaumātua who have never told their personal stories before, confront its deep and dark racist past.

When the Mountains Tremble(es)

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

Harmonium in California(fr)

Through concerts and interviews, folk-progressive group Harmonium takes Quebec culture to California. This documentary full of colour and sound, filmed in California in 1978, recounts the ups and downs of the journey of the Quebec musical group Harmonium, who came to feel the pulse of Americans and see if culture, their culture, can succeed in crossing borders.

Amarok's Song - The Journey to Nunavut(en)

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.

The Rose Family(fr)

In October 1970, members of the Front de Libération du Québec (FLQ) kidnapped Minister Pierre Laporte, triggering an unprecedented crisis in Quebec. Fifty years later, Félix Rose tries to understand what could have led his father and uncle to commit such acts. Thanks to the confidences of his uncle Jacques, who agrees for the first time to speak on the subject, and to the precious traces left by his father Paul, he revives the rich heritage of a Quebec working family and gives back to the October crisis its social dimension. The fruit of ten years of research, Les Rose allows us to revive moments and characters that we only knew through a few clichés, and gives a glimpse of the social blockage experienced by a rebellious youth and the upheavals that followed.