2019-10-11
8
Dev Kumar Verma comes from a middle-class family and must find employment to support his dad and mom. Dev, however, has set his mind upon becoming a music sensation like Elvis Presley. He loses his job because of this, and refuses to work until and unless he gets a job to his liking, much to the dismay of his parents and his brother, Shiv Kumar. Dev does get employment at Charlie's Disco, where he meets with Maya and falls in love with her. When Charlie's Disco's competitor, Rana, finds out about Dev, he wants to hire Dev, but Dev decides to continue to work with Charlie's Disco, as a result Dev and Charlie get a beating by Rana's men, and Dev is unable to sing. After recuperating, Dev is devastated to find out that Maya and Shiv Kumar are in love with each other. What impact will this have on Dev and his brother on one hand, and what of his career in music?
Determined to win the Miss American Miss pageant, Mona is ready to sacrifice anything and everything to guarantee herself the crown including her own daughter! She manages to persuade her best bud to raise the kid as her own (Miss AM can't be a mom), but just when this beauty-queen wannabe thinks her prize is in sight, she's surprised by a come-from-behind competitor. Love.
A film adaptation of the Holy Emperor story arc, which primarily depicted the conflict between Kenshiro and Souther. New characters Reina, one of Raoh's army officers who falls in love with him, and her brother Soga, Raoh's advisor, play an important part with much of the plot involving Raoh's relationship with Reina as he conquers the land; most of this portion is new content exclusive to this film. The other side of the story is the retelling of Ken's attempt to save and protect the villagers from Souther's army with the help of Shū. There is also a small subplot of Bart returning to his home.
Drama descends upon two tennis-obsessed women as the tension moves from off the court and into the café.
Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate
A serial-killer attacks and murders young girls in the parks of Stockholm. The police have trouble finding any evidence to find the killer. But when a newsstand is robbed in one of the parks while the murderer strikes again, police inspector Martin Beck believes that the robber may be an important witness. Plot by Mattias Thuresson.
Het korps Mariniers is a documentary about the Royal Dutch Marine Corps, which Paul Verhoeven made while being assigned to the Marine Film Service as a documentary filmmaker.
Thomas, a specialist at breaking and entering, gets out of jail after nine months and finds another man in bed with his girl. In the next 24 hours, he seduces one woman, steals her bracelet, and gives it to another in exchange for felatio. Soon after, he sets eyes on Léa; at first she's just another challenge. She dismisses him, but he's persistent. Finally she decides to love him, but warns him that she's hard to get but harder to get rid of. When he does decide to leave her, she is devastated, but so, it appears, is he, and back he comes. Now all seems wonderful, but his past, in the form of the woman whose bracelet he stole, comes back to haunt him. How will Léa handle it?
Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.
"MATRIX is a flicker film which utilizes 81 still photographs of my wife's head. It is a film dependent upon variation of intense light changes by calculated combinations of black and white frame alternations with exposure changes. Throughout, the light intensity rises and falls as the head rotates in varying directions within a 360 degree frontal area." — James Cagle
Chloé, a victim of emotional disconnection, sees herself slip up during her mother's funeral.
The story is about the young soldiers who harassed his sister as an anonymous person Price action really tried to prepare her sister and in this way are new characters into the story. The final sequence of the boys killed his victim.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
Steven Gerrard became perhaps the greatest player in the history of Liverpool FC, but did so when success and trophies were declining. It became his personal mission to lift the famous club back to the top. That loyalty raised him to God-like status with Liverpool fans, but was an unbearable burden, bringing with it a profound sense of responsibility to live up to their and his own expectations.
FRANKREICH WIR KOMMEN is a highly enjoyable documentary, obviously intended for TV, but showing at film festivals. It shows us the highlights of the 1998 World Cup Championships in France through the eyes of several interesting and diverse fans of the Austrian national team. Entertaining, even for those not interested in football.
Terrific portrait of Bobby and Jackie Charlton, pillars of football history, at the height of their playing careers.
What happened in France just after WWII, between 1945 and 1949? An interesting historic documentary looks at the fate of male and female (presumed) collaborators with the Nazis, the use of the POW in the reconstruction of the plundered and devastated country.
In the summer of 2018 the England football team defied expectations to reach the semi-finals of the FIFA World Cup™, achieving their best result in the tournament in 28 years and becoming the nation’s heroes. Following the highs and lows of the England squad’s journey, including highlights from all England matches and every goal; this is the perfect way to relieve the moment in time when a country dared to dream that football was coming home.
This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.
A film which marks the 50th anniversary of England's victory in the 1966 World Cup, and uncovers the truth behind the man who led them to it... Bo66y is a powerful, dramatic and deeply personal portrait of a genuine footballing icon. Moore fought many battles besides those witnessed by millions on the football field. Behind the glory lies the story of a man who faced highs and lows with the same strength and bravery. But he died young, cruelly shunned by the game and by the very people who owed him so much. The story is told by his two wives, his friends and fans, including Pele, Sir Geoff Hurst Harry Redknapp, Ray Davies, Ray Winstone and Russell Brand, and more than 30 others, whose words are mixed with as yet unseen archive footage.
The duel between Pierre Péan and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre Péan and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre Péan has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, Péan invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France
Jonathan and Romario are two Afro-Ecuadorian children from the Chota Valley, one of the poorest regions of Ecuador. Their fate can be one of two: to become world-class footballers like Ulises de la Cruz, Chucho Benitez and Antonio Valencia, or farmers like Darwin. This documentary reveals the lack of opportunities, discrimination, and economic and social segregation that black communities face in Ecuador.
Through the stories of a Hispanic girls soccer team at Kelly High School in Chicago, IN THE GAME illustrates the enormous challenges facing inner-city girls in their quest for higher education and, most importantly, success in life.
November 7th, 2001. After a seventy years absence, the Ecuadorian national soccer team is close to qualifying for the first time to a Soccer World Cup. This documentary follows the events that took place during that historic date, when a whole country lived under the shadow of a soccer game.
In a series of long interviews, 12 prime ministers talk about their experience in the upper echelons of power. The function of prime minister, torn between the president and the parliament, appointed without necessarily being elected but responsible for everything, is at the center of debate. With the exception of Jacques Chirac (1974-1976 and 1986-1988), deliberately left out because of his image as French President, those who governed France for the past 35 years agreed to discuss the exercise of power, as seen through archive footage, but also how they experienced it personally. Filmed in the same studio and sitting in the same chair, 12 French prime ministers talk freely about their time in office, from their appointment until their resignation.
In 2002, serial killer Patrice Alègre was sentenced to life imprisonment for five murders. Gendarme Roussel, the main investigator of this case, believes that he will make him confess to other unsolved crimes in Toulouse. Two ex-prostitutes give a series of names of presumed accomplices of the killer, among them Dominique Baudis, then president of the CSA. He decides to face the case alone. Around him, it is silence: not an official support of his political family. Almost twenty years later, we return to the Baudis affair to try to understand it, with the testimonies of Pierre and Benjamin Baudis, his sons, François Hollande, Camille Pascal and the main protagonists.
This is the unlikely story of 21 ministers and prime ministers who have crossed or are crossing the french Fifth Republic today. Twenty-one politicians who, from one day to the next, find themselves at the head of a ministry by the grace of a President of the Republic and his Prime Minister. The formation of the government, conflicts of attribution, reshuffles, rumours of appointments, evictions, casting errors: it is all the capricious backstage of the games of power examined here under the angle of confidence and which sheds light on the prestigious but unknown function of minister. An original and instructive political saga on the reality of those who hold or have held this prestigious position.
"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…