La France entre ciel et mer

La réparation(fr)

In France, victims and perpetrators of offenses, misdemeanors, or crimes can meet and talk in secure, supervised settings. Included in the Penal Code since 2014, this "restorative justice" is intended to complement criminal justice and provide a safe space for dialogue. The aim is to enable victims to rebuild their lives and perpetrators to take full responsibility for their actions, thereby reducing the risk of reoffending. This film follows one such program over the course of a year. Amélie, a prison rehabilitation and probation counselor, and Séverine, a lawyer for a victims' association, prepare Marthe, Aurélien, Sylvain, and JF, who are incarcerated for murder or attempted murder of their spouses. They also follow Emeline, Evelyne, and Marie, victims of similar crimes.

The Child Crusades - Barefoot to the Promised Land(de)

It was a fateful expedition into the unknown. 50.000 children marched along the banks of the Rhine and the Loire Rivers dressed in rags, dragged themselves barefoot across the snow-covered Alps. They reached the shores of the Mediterranean in a state of exhaustion, and were loaded onto shady ships and ended up as slaves at North African markets. The film snatches the stirring fate of these children from the realm of the forgotten and gives them back their dignity on the pages of history.

1974, une partie de campagne(fr)

Following the 1974 French presidential campaign with Valéry Giscard d’Estaing.

Jasper Beach and The Salt Marsh(en)

A short film featuring a pebble beach and coastal salt marsh in Maine.

Les Mains magnétiques, Ernest Pignon-Ernest(fr)

Ernest Pignon Ernest is a French visual artist who is considered one of the pioneers of urban art in France. This film recounts the major stages of a considerable body of work that began in the 1960s on the Albion plateau and culminated in Les Extases at the Abbey Church of Bernay. The film gives him space to speak freely, generously, and with conviction. Ernest Pignon Ernest's hands are ancient, reaching back from Caravaggio to Titian, from Masaccio to El Greco. His works speak to us. They transform our streets into fictional spaces, reminiscences, rituals.

Angoulême : 50 ans de bulles(fr)

In 1974, a group of friends, inspired by what they had seen in Italy and driven by their common passion, organized a comic book fair in their Charente town of Angoulême. Half a century later, the event has become an internationally renowned festival, which is about to celebrate its 50th edition. This documentary tells the story of the creation of the Angoulême International Comics Festival in the context of the 1970s, and the evolution of the event since then, which has made the city a world reference in an exponentially growing bubble market.

Le K Benzema(fr)

France's top scorer in the Champions League, Karim Benzema has 81 caps in the French national team, but has not been called to France since 8 October 2015. On 13 April 2016, the Real Madrid striker was removed from the national team for an indefinite period of time following the "sextape" affair. With Damien Piscarel's contribution to the footballer's speech, he was able to look back at the situation, but also evoke his debut at Bron, his Lyon adventure and his transfer to Real Madrid. Zinedine Zidane, Thierry Henry, Cristiano Ronaldo and Franck Ribéry, to mention the Benzema case.

Towards the South, A journey around earthen architecture and André Ravéreau(fr)

Across two countries, France and Algeria, and five cities, Mohamed Gholam takes us south to tell us about the earthen and vernacular-inspired architecture of André Ravéreau. Passing through Lyon, Marseille, Algiers, and Djelfa, this adventure will take us to Ghardaïa, in the Algerian desert. The documentary presents the following buildings: L'Orangerie in Lyon, the Village Terre de l'Isle-d'Abeau in Villefontaine, the Unité d'Habitat or Cité Radieuse in Marseille, L'Aérohabitat in Algiers, the Palais des Raïs or Bastion 23 in Algiers, the Hôtel des Postes in Ghardaïa, and the low-cost housing of Sidi Abbaz de Bounoura.

A Year in Burgundy(en)

This documentary follows seven wine-making families in the Burgundy region of France, delving into the cultural and creative process of making wine. You'll never look at wine the same way again.

Le Parti du cinéma(fr)

We Are Not Our Parents(en)

Reserved by Citroën for immigrant workers, the Aulnay-sous-Bois factory experienced its first strike in 1982. Thirty years later, it's the turn of a new generation to join the fight. Worthy heirs of their parents, the workers revive a forgotten memory and offer a unique perspective on the history of contemporary France. Matteo Severi's film mirrors these two social struggles, led by workers from immigrant backgrounds.

Appendix(pt)

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.

Doidos de Pedra - O Paraíso Esquecido(pt)

From the 60's, the neighborhood of Pedra de Guaratiba, in Rio de Janeiro, was invaded by a varied artistic community.

TGV, génie français du rail(fr)

Castles in the Sand(ru)

One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.

Quatro em Linha(pt)

Correspondance privée sur un lieu public(fr)

I started from the assumption that the discourse about the hospital could be the objective pretext for communication between two people, the link that allows them to continue writing to each other, the intermediary between two desires.

Private Diary(es)

Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.

Vivante(s)(fr)

They Just Come and Go(hr)

The film follows morning events at Bacvice beach. At dawn, before sunrise, the beach becomes a place of an unusual clash. From nearby clubs and cafes, numerous groups of young people cross the beach on their way home. At the same time, older people start coming. They walk, come, pass by and go.