Trixie and Monkey will stop at nothing to take their innovative circus-burlesque act to new creative heights. In pursuit of their dream, they relocate from Baltimore to New England to study acrobatics and trapeze. On the weekends they travel relentlessly to test-drive their act on stages as varied as Baltimore rock clubs, Vegas casinos, New York City theaters and beyond. Financial uncertainty, physical exhaustion and romantic tension are always looming; leaving them to wonder will they make it as artists, what success even means and will their love survive?
Trixie and Monkey will stop at nothing to take their innovative circus-burlesque act to new creative heights. In pursuit of their dream, they relocate from Baltimore to New England to study acrobatics and trapeze. On the weekends they travel relentlessly to test-drive their act on stages as varied as Baltimore rock clubs, Vegas casinos, New York City theaters and beyond. Financial uncertainty, physical exhaustion and romantic tension are always looming; leaving them to wonder will they make it as artists, what success even means and will their love survive?
2014-06-01
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A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Vic Vicers is the master-of-ceremonies of a burlesque-variety show with a carnival setting. A slapstick comedy sequence, featuring low-rent comics Miller & Leeds, involves a judge, a district attorney and some female defendants of less-than-sterling character. Lonnie Young dances a strip and the comics return with a routine in which one of them is cheated out of his money. Romo the Clown does some unfunny stuff mixed in with the dancing of Rusty Lane, Dora Lee, Micky Miles, Lynn Miller and Lorna Rhodes and a song by Joy Cheryl, and Vicers ends it all as a crackpot doctor examining one of the strippers in a burlesque-skit.
In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.
In this musical comedy set to 1950's rock 'n' roll, three women are working in a burlesque club. They are more than content with their jobs but things start to change when the management starts to make demands. Their sleazy manager, who seems to have a wandering eye for the hard working girls, tries to convince them to show more flesh. Although he assures them that it will bring in more business and thus create more money for them, they refuse. What will happen when the pressure is on for them to "take it off"?
Sheffield, England. Gaz, a jobless steelworker in need of quick cash persuades his mates to bare it all in a one-night-only strip show.
An archaeologist and his assistant discover two female mummies in an Egyptian tomb with a warning in hieroglyphics not to wet them with the water in an urn. When they do, one mummy gets up to hi-jinks, while the other, Princess Itmay, does a burlesque dance.
A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.
A look into the hard working heart of neo-burlesque.
With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.
A husband and wife, seeking to renew the excitement in their relationship, enjoy a weekend away from each other. A WEEKEND WITH VIRGINIA (48-24-34) BELL: the husband spends his time watching exotic dancer Virginia Bell. ANNE HOWE (46-24-34) AND THE BEATLETTES GO NUDIST: the wife goes to a nudist camp and spends her time partaking of various nudist activities. THE SUPER'S DREAM: a janitor dreams that his life is filled with beautiful women.
Dirty Martini and Tigger!, stars of the New York underground scene, reveal some of the secrets of their provocative and remonstrative forms of artistic expression in New York’s Off-Off-Broadway. Meanwhile, they will help us to understand from their everyday intimacy the reasons, the struggles and the keys that keep them in their place as the figures and references of the burlesque revival, more than 20 years after the phenomenon exploded in the New York of the 90s.
The Lonely Island spoofs Jose Canseco and Mark McGwire in this visual rap album set in the Bash Brothers' 1980s heyday.
With gun-toting rivals on his tail, a daring bank robber takes refuge in the quiet residential street here he grew up and where his mother, Maniette, still lives. An unscrupulous property developer, Korazy, is buying up the neighborhood to turn it into a gleaming new banking district, but to her son's disgust Maniette leads the inhabitants resistance. Her ingenious methods provoke her boy's admiration, but he fights back with sneaky traps and underhand tricks when Maniette tries to force him to do the right thing just once in his life.
A writer decides to join a burlesque show so that she can write an authentic expose of the business.
The sinister mesmerist Svengali hypnotizes two characters, then dies abruptly in a Trilby segment from David Henderson's Aladdin, Jr. burlesque. Lost.
The sinister mesmerist Svengali hypnotizes a group of people and compels them to perform various humorous acts in a Trilby segment from David Henderson's Aladdin, Jr. burlesque. Lost.
The Leigh Sisters perform a risqué Trilby-inspired dance with an umbrella. Scene from David Henderson's Aladdin, Jr. burlesque. Lost.