After serving time in a New Hampshire jail, a freed inmate faces the pull of addiction.
After serving time in a New Hampshire jail, a freed inmate faces the pull of addiction.
2018-11-11
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Eighteen-year-old Aaliyah flies on aerial silks. Her 16-year-old cousin Bre twirls on hoops. They dream of escaping the violence that marred their young lives. Their possible ticket out is the after-school program Trenton Circus Squad. Now that Covid-19 has changed everything, will the circus and the girls’ dreams survive?
Between Parc-Extension and the town of Mont-Royal, a scar in space creates a strange dichotomy between two neighborhoods.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
After the earthquake, my grandmother is facing the loss of her apartment.
Twenty-two years after the massacre perpetrated by paramilitary groups in complicity with the government, the people of Acteal celebrate their martyrs and persist in their demand for justice.
Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A resilient crop-farmer endeavours to preserve his land, legacy and way of life in the face of Australia’s ongoing ‘big dry’.
The ultimate Bobby Jones golf series reaches its climactic conclusion on board a speeding train to oblivion.
A lightning-fast 10-minute dive into art, cinema, music, culture, and beyond, in each part. Ditch the fancy, embrace the fun. No script, just surprises. This part talks about music and its history
Herbert Fux talks about his role in the 1970 film "Hexen bis aufs Blut gequält" also known as "Mark of the Devil"
Wilfredo Morales, a man whose daughter is a bachelor of medicine, is infected while working in the midst of the COVID-19 pandemic, having to face a poor health system, he starts a race against the clock: Wilfredo only has 2 hours to Find an oxygen balloon and a mechanical ventilator before it's too late.
Shortly after German reunification, three residents of a quiet area north of Berlin talk about their plans and attempts at new economic beginnings amid the changes brought by the fall of the Berlin Wall.
Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.
A symphony of found footage scenes, each shot loosely connected to the one before.
Multi-faceted artist Phil Niblock captures a brief moment of an interstellar communication by the Arkestra in their prime. Black turns white in a so-called negative post-process, while Niblock's camera focuses on microscopic details of hands, bodies and instruments. A brilliant tribute to the Sun King by another brilliant supra-planetary sovereign. (Eye of Sound)
Have you ever woken in the night unable to move, certain that you are not alone? This is an experimental documentary examining what happens when dreams leak into waking life. It is about what is real, what is not, and if it even matters.
Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.
German writer Uwe Johnson lived for several years in the 1960s on Manhattan’s Upper Westside where he got to know his neighborhood very well, observing the goings-on in the streets, cafeterias, and parks. In 1968 German Television agreed to co-produce a film for broadcast featuring interviews with various neighborhood characters.