My age, yours, and the age of the world

The Diary of a Projectionist(ca)

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

Casablanca revisitada(es)

A lyrical and nostalgic analysis of how Casablanca, the mythical film directed by Michael Curtiz in 1942, has influenced both film history and pop culture.

Was uns bindet(de)

JENNY@7-11(en)

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

Canada the Land(en)

Filmed for the most part from a low-flying aircraft, this documentary short presents a breathtaking view of Canada from coast to coast. Showing the varied terrain, from craggy coast to towering glacier, the film illustrates Canada’s pristine wilderness as well as today's industrial and urban realities. Canada the Land was specially commissioned for the Canada Pavilion at the Osaka World Fair in 1970.

After Hours(en)

Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.

Grandpa's in the Tuff Shed(en)

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

(M)Other(de)

Being mother is the most natural thing in the world. Or so it seems. Yet the demands on women with children have rarely been as overloaded and contradictory as they are in today’s Western world. Promises of happiness are often followed by disadvantages, excessive demands and feelings of guilt. The mother has become an artificially glorified ideal, which nevertheless is often legitimized by the „nature of the woman“. We live in a time when three people could claim to be the same child’s mother: egg donors give their genes to beget children, surrogate mothers deliver babies which they give away immediately after birth, and men raise children by themselves – without a woman at their side. Hence the question arises: What makes a human being a real mother?

Capturing the Friedmans(en)

An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.

Housing(zh)

Mr. Lin is a happily retired man who spends his time keeping company with his toddling grandson, walking his dog, and playing golf with his in-laws. Recently, he has been obsessed with houses with river views. In Lin's city of demolitions and reconstructions, money-making investors buy and sell houses at unaffordable prices. Above the skyline of Taipei, will the boundaries between daydreams and reality ever blur?

Until Further Notice(en)

With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.

In Our Mothers' Gardens(en)

In Our Mothers' Gardens celebrates the strength and resiliency of Black women and Black families through the complex, and often times humorous, relationship between mothers and daughters.

S'altra banda(ca)

What's on the other side of Fornells bay? Pepe el Malo is an urban legend or he really existed? This documentary doesn't try to shed light on the dark; it rather plays deftly with the ambiguities of a character that is part of the Menorcan imaginary.

Seevögel von Galapagos - Bewegungsweisen als Ernährungsstrategie(de)

The flight and feeding customs of the most important sea bird species of the Galapagos Islands are described. Some characteristic body and wing measurements are used to describe the flight of these species. The species which are able to forage furthest out at sea and deepest in the water are the most successfull on the Galapagos Islands, measured by their abundance. The least abundant bird is the lava-gull, a shore bird and surface-feeder.

Technik des Vogelfluges(de)

Gliding flight, soaring flight and flapping flight are presented as basic types of bird flight. The development of lift and propulsion are explained in the animation. Special features of shaking flight, take-off and landing are shown for different types of birds.

Hanna's Ark Christmas Special(en)

The Hanna family sit around the Christmas tree and reflect back on scenes from the show Hanna's Ark. Co-starred Jack Hanna and his daughter Kathaleen – with regular appearances by his wife Suzi and younger daughters Suzanne and Julie.

Megaloprepus coerulatus (Pseudostigmatidae) - Flug und Fortpflanzungsverhalten(de)

For its reproduction, the megaloprepus dragonfly specifically relies on periodic puddles in tree holes and bromeliacea in tropical rain forests. Territorial males tenaciously defend these resources. Females lay their eggs in the water holes of the territorial males and are guarded by them. Any satellite male - i. e., one without a territory - who tries to grab a female is driven away by the territorial male.

The Sun's Gonna Shine(en)

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.

Con Traje y Sin Zapatos(es)

Strade perdute - Filmmaker 23(it)

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.