A documentary exploring a crime that shocked Germany in the summer of 1999.
A documentary exploring a crime that shocked Germany in the summer of 1999.
2004-03-11
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Anne Hamilton-Byrne was beautiful, charismatic and delusional. She was also incredibly dangerous. Convinced she was the reincarnation of Jesus Christ, Hamilton-Byrne headed an apocalyptic sect called The Family, which was prominent in Melbourne from the 1960s through to the 1990s. With her husband Bill, she acquired numerous children – some through adoption scams, some born to cult members – and raised them as her own. Isolated from the outside world, the children were dressed in matching outfits, had identical dyed blonde hair, and were allegedly beaten, starved and injected with LSD. Taught that Hamilton-Byrne was both their mother and the messiah, the children were eventually rescued during a police raid in 1987, but their trauma had only just begun.
This film confronts the culture of violence surrounding trans women of color. It is told through the voices of Laverne Cox and Cece McDonald.
After the fall of the Berlin Wall, thousands of documents were hastily shredded by the dreaded GDR political police. 16,000 bags filled with six million pieces of paper were found. Thanks to the meticulous work of technology, the destinies of men and women who had been spied on and recorded without their knowledge could be reconstructed.
Petra Epperlein and Michael Tucker take a powerfully personal journey through the former East Germany, as Epperlein investigates her father’s 1999 suicide and the possibility that he may have worked as a spy for the dreaded Stasi security service.
Loitz is one of those former GDR towns that still suffer from the effects of German reunification. For a year "Infinite Place" looks behind the gray facade of the seemingly dying town and questions concepts of home and identity through the perspective of its old and new inhabitants. The town’s vacancy and people’s urge for self-realization create a fruitful look into the future.
Women's Prison recounts the life of the prisoners and the problems their families encounter in their struggle to survive. Here again filmmaker Kamran Shirdel employs the cinema verité style. The interviews with the prisoners, social workers and teachers serve as commentaries for "constructed" documentary images.
In the 50-minute documentary, John van den Heuvel provides insight into the six liquidations that Holleeder is suspected of. At the crime scene, he reconstructs the underworld murders on the basis of police files and his own investigation. In the interviews, April van der Bijl and Sonja Holleeder explain why they are convinced that Holleeder is responsible for the murders of Thomas van der Bijl and Cor van Hout.
Libertad, Enriqueta, Maricarmen and Albert evoke the years when their mothers and his aunt stayed in Les Corts jail, times of innocence, hopelessness and distress. Their childhood stories inmmerse us in a world whose main characters are memories, oblivion and the passing of time.
During the 16th Workers' Festival in Dresden in 1976, a student group of Chilean emigrants paints a mural symbolically depicting the activity of the Unidad Popular during Salvador Allende's reign. Festival guests comment on this work. Music by Chilean music group Jaspampa, formed in Leipzig in 1972.
This film undertakes a journey into the amazing parallel universe of East Berlin’s fashion designers and experts in the art of survival. For, in the midst of the constraints of life in the GDR, there existed a fantasy world where it was possible to dance to another tune, be individual and even provocative. The most important characteristic of this bohemian scene was one’s per- sonal style. But this certainly wasn’t something that could be bought off the peg in the GDR. In this parallel universe it was up to you to create your own individual image – with your own hands. This film tells the story of the desires, the passion and the dreams that were tried and tested, lived and performed in the shadow of the Berlin Wall.
A look at the Turpin family case
A review of 25 years of theatre work by the Berliner Ensemble, dedicated mostly to plays by Bertolt Brecht. Interviews with stage hands and lighting technicians provide an interesting view behind the scenes.
A true-crime comedy exploring a failed music festival turned internet meme at the nexus of social media influence, late-stage capitalism, and morality in the post-truth era.