Die Kinder sind tot(2004)

Verliebt, verlobt, verloren(de)

OstPunk! Too much Future(de)

Tells the story of punk in the GDR.

Caïds des cités: Le nouveau grand banditisme(fr)

Organized crime of the 1970s-80s has been replaced by a new wave of urban gangsters—heavily armed, highly organized, and resourceful. Inspired by Hollywood, they carry out bold heists, smuggle drugs with high-speed cars, and secure their profits for their families and retirement.

Tortured by Mum and Dad? - The Turpin 13(en)

A look at the Turpin family case

Das letzte Finale der DDR – Zwischen Mauerfall und Wiedervereinigung(de)

Auf der Oder(de)

Trotz und Treue: Das Phänomen Sahra Wagenknecht(de)

2024 is likely to be a decisive year for Sahra Wagenknecht's political future. In the arena of power, she might assume a role that she is already very familiar with. In the early years following the fall of the Berlin Wall, Sahra Wagenknecht became the "most famous face" of the PDS, the successor party to the SED. Yet, even as the youngest member of the party's executive board, she was considered a "disruptive factor." She is unyielding and swims against the tide. Sahra Wagenknecht does not distance herself from Stalinism, nor from the Berlin Wall, and wishes for a reformed GDR.

When Women Kill(en)

When Women Kill is a poignant documentary exploring the shocking violence that seven women fell victim to at the hands of men. The program profiles the battered women who speak frankly about the cruel abuse, threats, and fears, and the overassertive men who led them down a one-way path to death and destruction. The film features in-prison footage, including a segment depicting a confession by a follower of the notorious Charles Manson, Leslie Van Houten, who was convicted of two killing sprees and committed to life in prison.

Traumschiffe des Sozialismus - Kreuzfahrten in der DDR(de)

When luxury invited itself to the paradise of socialism... For three decades, East Germany rewarded its exemplary citizens by putting them on a boat.

Die Zeit meines Lebens - Dirty Dancing in Ost und West(de)

Women's Prison(fa)

Women's Prison recounts the life of the prisoners and the problems their families encounter in their struggle to survive. Here again filmmaker Kamran Shirdel employs the cinema verité style. The interviews with the prisoners, social workers and teachers serve as commentaries for "constructed" documentary images.

Women Behind Bars with Trevor McDonald(en)

Trevor McDonald goes to Rockville Correctional Facility in Indiana to speak with some of the women that live there.

Dragan Wende - West Berlin(de)

Dragan Wende has lived in Berlin since the '70s and has seen the city change through the years. His nephew comes to live with him as Dragan remembers the better days he lived as a Yugoslavian immigrant in a divided city.

Grenze(de)

In February 1986 they received the call of a fatherland that no longer exists: four young GDR citizens on the verge of adulthood see themselves forced, like so many others in East and West Germany, to do their one and a half years of military service. What is special: Their service area is the border system, an anti-imperialist protective wall according to their superiors, death strips and prison bars for a population incapacitated in naked reality. Now, seventeen years later, there is a reunion with the comrades and the old post. This feature film, which was the first in reunified Germany to deal with the inner workings of the GDR border troops, tells of life on the fence, the associated contradictions and some hot phases in the Cold War.

Comrade Couture(de)

This film undertakes a journey into the amazing parallel universe of East Berlin’s fashion designers and experts in the art of survival. For, in the midst of the constraints of life in the GDR, there existed a fantasy world where it was possible to dance to another tune, be individual and even provocative. The most important characteristic of this bohemian scene was one’s per- sonal style. But this certainly wasn’t something that could be bought off the peg in the GDR. In this parallel universe it was up to you to create your own individual image – with your own hands. This film tells the story of the desires, the passion and the dreams that were tried and tested, lived and performed in the shadow of the Berlin Wall.

Kalter Krieg der Konzerte - Wie Bruce Springsteen den Osten rockte(de)

Debut(ru)

The soulless atmosphere of a women's penitentiary destroys the prisoners' personality, kills all femininity in them. The film looks at the rationality of the long prison terms for women with children.

Black Tar Heroin: The Dark End of the Street(en)

The film follows a simple structure, and shows the drug-related degradation of five youths (Jake, Tracey, Jessica, Alice, Oreo) during the course of three years. The film depicts drug-related crimes and diseases: prostitution, male prostitution, AIDS, and lethal overdoses.

Robotron - High Tech made in GDR(de)

In a world divided by the Iron Curtain, East Germany sought to carve its niche in the technological race. Enter "Robotron" - a name that seamlessly blended "robot" and "electronics." This wasn't just a brand; it was an ambitious answer to the West's technological advancements, a testament to the GDR’s drive to match, if not surpass, Western innovation. Drawing inspiration from the corporate giants of the West, the GDR‘s government merged various businesses to form this tech behemoth. With 16 major hubs in Central Germany alone, it was clear: "Robotron" was to be the DDR's technological crown jewel. But what was the Socialist Unity Party (SED), the GDR's ruling party, envisioning with this grand venture? How did "Robotron" navigate the challenges of operating within a socialist planned economy, while striving for global excellence? And as it grew to dominate East Germany's tech landscape, why did it always seem to be one step behind the leading global tech powers?

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