When Women Kill
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The Perfect Victim(en)
For over thirty years, three women have languished in Missouri State prison under unjust sentences for killing their abusive husbands. Denied the opportunity to enter the abuse into evidence, each of the women represents a system broken by outdated and media-sensationalized stereotypes. When a greater understanding of the "battered" syndrome change legal practices in 2000, Missouri's Governor crafts a new law demanding the parole board reevaluate each woman's case.
Women Behind Bars with Trevor McDonald(en)
Trevor McDonald goes to Rockville Correctional Facility in Indiana to speak with some of the women that live there.
Ashley Smith : Out of Control(en)
Ashley Smith was a troubled 19-year-old when she choked herself to death at Ontario's Grand Valley Institution for Women. Her death made national headlines and led to a scathing report by Canada’s federal prison ombudsman. Incarceration for Ashley began at a youth detention centre in New Brunswick. Her crime: she had tossed crabapples at a mailman. Her one-month sentence stretched to almost four years, served in five provinces. With the prison videotapes and exclusive access to Smith’s parents, along with a fellow inmate, this documentary exposes a system that fails the many Ashley Smiths still incarcerated in Canadian institutions.
Black Tar Heroin: The Dark End of the Street(en)
The film follows a simple structure, and shows the drug-related degradation of five youths (Jake, Tracey, Jessica, Alice, Oreo) during the course of three years. The film depicts drug-related crimes and diseases: prostitution, male prostitution, AIDS, and lethal overdoses.
Mo'nique: I Coulda Been Your Cellmate(en)
Mo'nique visited a women's prison and performed her stand-up comedy for the inmates. I Coulda Been Your Cellmate is as much a documentary as it is a performance film.
Born in Evin(de)
Follows filmmaker and actress, Maryam Zaree, on her quest to find out the violent circumstances surrounding her birth inside one of the most notorious political prisons in the world.
Free CeCe(en)
This film confronts the culture of violence surrounding trans women of color. It is told through the voices of Laverne Cox and Cece McDonald.
Holloway(en)
Holloway — once the largest women's prison in Europe, now abandoned. Six ex-inmates revisit, recounting experiences, giving voice to incarcerated women. They explore vacant cells and corridors, recalling memories from their time inside.
Die Kinder sind tot(en)
A documentary exploring a crime that shocked Germany in the summer of 1999.
Sister Hearts(en)
Maryam Henderson-Uloho spent thirteen years in prison in Louisiana, seven in solitary confinement. After her release she struggled to find housing or employment. She began selling secondhand goods out of a suitcase on a street corner in New Orleans. In just three years, she grew her business to a brick-and-mortar thrift store—one that also provides housing and employment for other formerly-incarcerated women. She calls those women—and her store—Sister Hearts.
In Paradisum(et)
In Paradisum relates two disturbing stories simultaneously. The female narrator tells her personal tale of imprisonment as the wife of the notorious Estonian serial killer, Andreas Hanni. Although her story is bizarre, it touches familiar themes that run throughout modern life: the desire to be loved and the fear of being alone. Pille Hanni's tale unfolds over cinema vérité images of life in several Estonian prisons. At times the images reflect in a literary way the events of the narration, yet they are representations and impressions, rather than traditional documentary style footage of the people involved. This opens the story to a more general interpretation, often with unsettling results. The parallel contents reveal, at two levels of story and social organisation, how the bizarre and inhuman can be tolerable and even addictive in the face of our fears.
Women's Prison(fa)
The film recounts the life of the prisoners and the problems their families encounter in their struggle to survive. Here again filmmaker Kamran Shirdel employs the cinema verité style. The interviews with the prisoners, social workers and teachers serve as commentaries for "constructed" documentary images.
Máma z basy(cs)
Four Minutes(de)
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
Lady Vengeance(ko)
Released after being wrongfully convicted and imprisoned for 13 years, a woman begins executing her elaborate plan of retribution.
Jailbait(en)
A gritty coming of age thriller about a young girl sent to juvenile prison for the murder of her abusive step father. The film follows Anna Nix's journey into the dark world of an all girls jail where she discovers complex relationships, drugs, mental illness and her eventual search for redemption.
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Feminists: What Were They Thinking?(en)
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Night Will Fall(en)
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