Once made a choice between duty and feeling. After a year, Zhenya cannot decide what is right - to be honest for love or happy with calculations? Santa Claus gives him a very unusual Soviet lawsuit to look at the snow and make a wish. He does not exactly perform, but under one condition.
Once made a choice between duty and feeling. After a year, Zhenya cannot decide what is right - to be honest for love or happy with calculations? Santa Claus gives him a very unusual Soviet lawsuit to look at the snow and make a wish. He does not exactly perform, but under one condition.
2018-01-07
4
For a second time this film leads us to the village in South Bohemia. We meet again Konopnik family and Skopek family. Venca Konopnik is marrying Blazena Skopek but there is another woman Milada who is very jealous and she is spreading gossips about Venca Konopnik. Those gossips are so powerful that they lead to big fights between Konopnik and Skopek families. You will also see what a progress on milk-yielding-cows-project has been made.
Monika lives with Rob, a corpse she loves. Her dilemma intensifies when she meets Mark and considers a normal life with him. She must choose between her affection for Rob and a new relationship.
All Gary wants is to make awesome home movies with his best buds. All his older sister Samantha wants is to hang with the cool kids. When their parents head out of town one Halloween weekend, an all-time rager of a teen house party turns to terror when aliens attack, forcing the siblings to band together to survive the night.
Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie.
Every parent's worst nightmare is just the beginning for Rachel's ordeal as in the aftermath of a tragic accident, she and her husband Anthony decide to move to the other side of the world to focus on their surviving twin son Elliot. What begins as a time of healing and isolation in the Finnish countryside turns into a desperate battle for the very soul of their son as an entity claiming to be his dead twin brother takes over Elliot — setting Rachel on a diabolical journey to unravel the horrible truth about her twin son.
Detective James Knight 's last-minute assignment to the Independence Day shift turns into a race to stop an unbalanced ambulance EMT from imperiling the city's festivities. The misguided vigilante, playing cop with a stolen gun and uniform, has a bank vault full of reasons to put on his own fireworks show... one that will strike dangerously close to Knight's home.
In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Kallan D'Souza and his partner make a living committing petty thefts and are highly successful at it. However, a stubborn police officer threatens their operation.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.