Invisible Days, or the Legend of the White Crocodile(1991)

Shambhala(bo)

In a Himalayan polyandrous village in Nepal, newly married and pregnant Pema tries to make the best of her new life. But soon, her first husband Tashi vanishes on the trade route to Lhasa. Accompanied by her monk de facto husband, Karma, she embarks on a journey into the unforgiving wilderness to find him, evolving into a quest of self discovery and liberation.

FILM(en)

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

An Opening!(en)

Don't open it.

El padre diablo(es)

Nullification: The Rightful Remedy(en)

What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.

Joo Yeon(ko)

Joo Hyeok and Joo Yeon spend an ordinary but happy day with their parents who run a small snack shop. One day, Joo Yeon goes missing with the news that a murder has occurred, and the more Joo Hyeok chases after the disappearing traces, Joo Hyeok faces unknown truths.

A Holiday Heist(en)

A group of college students stay at school over Christmas to work at a special exhibit in the college's fine art gallery. The students have little in common to each other. When they decide to hold an unplanned Christmas Eve dinner in the gallery, they stumble into a trio of bumbling thugs planning a Holiday Heist of the exhibit. As the students are held hostage, they are forced to learn about themselves and each other, the spirit of Christmas, and get the courage to work together and fight back to foil the thieves. With heartfelt talks, wild escapes, and Christmas romance -- the night ends up being a Christmas Eve these new friends will never forget!

Thunder Over Arizona(en)

Ervin Plummer-played by the estimable George Macready, who like his good friend Vincent Price was a man of culture and erudition who specialised in bad guy roles-is a grasping avaricious businessman with a hunger for gold.

Dark Minds(en)

Haunted by horrific nightmares, Beverly seeks professional help to keep her sanity. She is desperate to find a way that will separate her nightmares from reality.

Escape(en)

A scientist's experiment could lead to the first man-made, functioning, living organism. An elite escape artist-private investigator is working to stop him.

Livet på Frogner(no)

A woman is attempting to write a script about the district where she lives, but she is frustrated and unable to focus.

The Human Jungle(en)

Danforth is assigned to take over the police department in a section of a large city saddled with juvenile delinquency, petty crimes, graft and also a recent unsolved murder of a strip-tease dancer. Recognizing the laxity of the department he implements many changes and soon finds himself under fire by the newspapers, the attorney of a racket leader and the denizens of this human jungle.

Oh My Ghost 6(th)

Taew and friends are invited to a mansion which the mansion owner is choosing the new landlord. To win the mansion award, they have to dress up in Indian clothes and pretend to be Indian. At that place, a case of murder is committed, and they are trapped in the mansion.

Gunaah(hi)

Tough cop Prabha (Bipasha Basu) is haunted by the demons of her past. Being an illegitimate daughter of a prostitute, she has had a very bad childhood and there once occurred an incident in her life when she was driven to the point of committing a murder. But today, now that she is a cop, she believes that she can clear her conscience by reforming a criminal. Prabha's life is turned topsy-turvy with the entry of Aditya (Dino Morea), who is a good person at heart but was forced to take the path of crime due to the wrong doing of the system. Prabha goes to Aditya's house to nab him, but gets carried away when she sees him bathing....

Sbirulino(it)

Betty and the Buccaneers(en)

Romantic adventure film in which the girl Betty, who dreams about pirates, and her gullible father is tricked by a set of real pirates. They are rescued by a young man who has a crush on Betty.

Shaheb Bibi Golaam(bn)

Three very different people from three very different worlds collide one winter afternoon in an anarchic Kolkata.

The Allman Brothers Band: Brothers of the Road(en)

In these two live concerts, rock's legendary Allman Brothers Band whip up the kind of excitement their fans have loved for years. This pioneering Southern rock band, including Gregg Allman and Dickey Betts, blazes through their classics in a concert performance live from Gainesville, Florida. Then the band rocks for more than an hour at the Capitol Theater. Also included is rare footage of an on-the-road hotel room jam session and a peek at a private acoustic "unplugged-style" session in a recording studio.

I'm Ugly But Trendy(pt)

Documentary about the musical and social phenomenon of Brazilian funk (or Carioca Funk), a style derived from Miami Bass, based on repetitive bass drum loops and lyrics full of sexual and violent overtones, not directly related to American funk/soul music. This style emerged in the slums and poor neighborhoods of Rio de Janeiro, and is deeply associated with the lower social classes, but is gradually being accepted on higher social circles. The film is specially interested in women's participation, focusing on its major female stars.

Escape from Polygamy(en)

Recently-widowed Leann and her 17-year-old daughter Julina move into an isolated polygamous compound, where the freethinking Julina meets like-minded Ryder, son of the religious compound’s charismatic Prophet, Ervil.

Mais qu'est ce qu'elles veulent(en)

In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Peanut Gallery(en)

Filmmaker Molly Gandour, in her mid-20s, returns to her childhood home in Indiana to speak with her parents in depth for the first time about her sister's death from cancer sixteen years earlier. The filmmaker comes of age as she weaves a deeply observed portrait of a family unearthing a long ago loss. Unflinching and poignant, Peanut Gallery shows us how we can transform when we begin to fill the silences between those closest to us.

ReMastered: Tricky Dick & The Man in Black(en)

This documentary chronicles Johnny Cash's 1970 visit to the White House, where Cash's emerging liberal ideals clashed with Richard Nixon's policies.

15 Faros de Puerto Rico(es)

Each one of the 15 lighthouses around the island of Puerto Rico tells the story of the lighthouse keepers, wives or daughters that lived in them. Additional testimonies by architects, historians, biologists and fishermen take us on a trip of beauty, hope, perseverance around them, as we witness the magnificence of its structures and its magical surroundings. Some lighthouses are active, some have been restored, others have been abandoned but all have a unique story to tell.

The Apology(en)

"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.

The Sower(es)

Bartolomé, a teacher in a multigrade school on the mountains of Chiapas in Mexico, knows well that pedagogy is not based on textbooks and cannot fit behind the four walls of a classroom. A true sower of knowledge unravels his philosophy and method and becomes a beacon of hope for the creation of a humanistic model of education based on curiosity and love for the outside world.

The Do Gooders(en)

British documentary filmmaker Chloe Ruthven’s grandparents were aid workers in Palestine. Growing up, she had avoided getting too involved in the subject, recalling how mention of the country made all the adults in her life angry. In her forties, after revisiting her grandmother’s book on the subject, she starts to research a documentary on the effects of foreign aid in the area and is shocked at the continued reliance on it there. Along the way she meets Lubna, a Palestinian woman who acts as her driver and fixer, and who is fiercely critical of Western aid efforts in her country. What begins as a quest to better understand her family history turns into a deeply emotional account of two women trying to understand one another. Ruthven’s determination to focus her film on deeply subjective analysis results in a unique joining of the acutely personal and complexly political. (Source: LFF programme)

Two Marxists in Hollywood(en)

Russian avant-garde filmmaker Sergei Eisenstein and German playwright Bertolt Brecht recount the brief portions of their lives they spent in Hollywood trying to make art that was both radical and popular.

Glass House(en)

An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.

A Model Family in a Model Home(en)

The saga of a movie treatment written by German playwright Bertolt Brecht during his unhappy stint in Hollywood based on a Life Magazine article about a farm family who win a week's stay in a model home at the Ohio State Fair, with the catch that they will be on display to the public.

KONELĪNE: our land beautiful(en)

Set deep in the traditional territory of Tahltan First Nation, Northern British Columbia’s Red Chris gold and copper mine is the backdrop to a lyrical tapestry of landscapes and diverse personal stories from the land. Language preservation initiatives and mining opposition evoke emotional tones as the story swells with ravishing images of wilderness as a rough and untamed beauty. A thoughtful shift from Wild’s traditional narrative style of radical point of view documentary, "KONELĪNE" is a meditation on nature, culture, and economy as experienced by those who live and work on the land.

My Prairie Home(en)

A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.

The Last Impresario(en)

Michael White might just be the most famous person you’ve never heard of. A notorious London theatre and film impresario, he produced over 300 shows and movies over the last 50 years. Bringing to the stage the risqué productions of Oh! Calcutta!, The Rocky Horror Show and to the screen Monty Python’s The Holy Grail, as well as introducing Merce Cunningham, Pina Bausch and Yoko Ono to London audiences, he irrevocably shaped the cultural scene of the 1970s London. Playboy, gambler, bon vivant, friend of the rich and famous, he is now in his eighties and still enjoys partying like there’s no tomorrow. In this intimate documentary, filmmaker Gracie Otto introduces us to this larger-than-life phenomenon. Featuring interviews with 50 of his closest friends including Anna Wintour, Kate Moss, John Waters and Barry Humphries and, of course, the man himself, Otto pays a vibrant tribute to a fascinating entertainer.

Late at Night: Voices of Ordinary Madness(en)

‘You have no choice about being here, you’ll have no choice about when you leave’ proclaims a woman in Xiaolu Guo’s latest film, a documentary about the personal and physical journeys of the people of London’s East End. Herself an immigrant to the area, Guo’s sensitive character studies hint at an affinity with the push and pull of feelings of alienation, a theme she has previously explored as a filmmaker (She a Chinese, LFF 2009) and novelist (A Concise Chinese-English Dictionary for Lovers). This empathy is also apparent in her playful stylistic approach that layers Warhol-esque news reports, archival material and a soundtrack including Linton Kwesi Johnson and Fela Kuti, to comment on the human cost of capitalism. The resulting film is both a penetrating portrait of a frenetic place that feels deeply authentic, and a powerful piece of protest film.

Marvin Hamlisch: What He Did For Love(en)

When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.

Taşkafa, Stories of the Street(en)

Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.