Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
1970-01-01
6.5
"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.
'After doing a re-make of John Cassevetes’ "Faces" [1968], I decided to re-make another American classic, Dennis Hopper’s "Easy Rider" [1969]. "Easy Rider" interests me in two ways: its portrayal of 60’s counterculture – unlike "Faces" which for me is more about the 50’s – and its search for place. I divided the original film into scenes (like I did with "Faces") and then replaced each scene with one shot filmed at the original location (unlike "Faces" where shots were gleaned from the original film itself). My "Easy Rider" tries to find today’s counter-culture (if one exists) by replacing the 60’s music with music that I listen to today.' ~ James Benning
A cow and her calf are bedding down for the night. The calf is frightened by a shadow, until it's revealed to be a jackrabbit. He follows the rabbit deep into the woods. Neither of them notices the wolf following.
About small-time gangster Asakichi's chaotic life in the 1930s. His gambling addiction means that he must not continue working in the family business. Instead he supports himself by arranging cockfights. He becomes ex-geisha Okinu's patron and lover, and falls directly into disfavor with the yakuza.
A group of black youths jumping from a dock into the water.
!Oye Esteban! collects 18 music videos from the King of Manchester Mope, Morrissey. The former singing star of the Smiths is featured prominently in a majority of the videos. Everyday Is Like Sunday Suedehead Will Never Marry (live) November Spawned A Monster Interesting Drug The Last Of The Famous International Playboys My Love Life Sing Your Life Seasick, Yet Still Docked We Hate It When Our Friends Become Successful Glamorous Glue Tomorrow You're The One For Me, Fatty The More You Ignore Me, The Closer I Get Pregnant For The Last Time Boxers Dagenham Dave The Boy Racer Sunny
Casey is the assistant of commodity trader Peter Oak, but wants to get a license herself. When the diabolic Nike appears and promises to make her successful by use of her supernatural abilities, Casey hesitantly accepts. By correctly predicting the price of soy beans, she manages to make a career, but the price that Nike demands is high: she wants Casey's soul!
“Siaulian”, who is released from prison and trying to turn his life back to track, runs into his childhood friend Tang, now a police officer, in a gang fight. Siaulian is wanted by the gangs since he has been made the one responsible for the fight. Siaulian is forced to form his own gang in order to protect his family and seek revenge. Eventually, he is wanted by both the gangsters and the police. As for Tang, he is struggling to protect his dearest friend as he is actually the reason why Siaulian was sentenced to prison.
When a female barn-owl's home - an old disused barn - is demolished, she has to seek a new place to live. On the way, flying through forests and across grasslands, she encounters most of the common owl species in Central Europe.
BBC TV Special broadcast on Apr 26, 1977. Recorded live at Old Grey Whistle Test Studio.
"A Place in the Land" is the story of George Perkins Marsh, Frederick Billings and Laurance S. Rockefeller, three seminal figures in the history of the conservation movement in America. Though they were born generations apart and lived very different lives, the three were connected by a common vision and a common place. Marsh, Billings and Rockefeller occupied the same home and surrounding land in Woodstock, Vermont-a place that instilled in each of them a determination to preserve America's natural resources and to teach their fellow man to live in harmony with nature. Today, their legacy and the land in Woodstock that inspired them are preserved at the Billings Farm & Museum, a museum of Vermont's rural past and a working dairy farm, and the Marsh-Billings-Rockefeller National Historical Park-the first National Park in America dedicated to teaching the concept of land stewardship.
"This picture was taken from the front of a rapidly moving launch through one of the most beautiful stretches of the Grand Canal, showing many magnificent historical palaces. The photographic work is unusually fine."
The ska band is elected as the new British government and they move the cabinet to Camden.
Juan Camaney is invited by his old friend Cagancho to stay & work at his ranch. Problem is that the ranch is a wild mad house and Juan's natural instincts make him go crazy for any woman that may cross his path regardless age. Cagancho also believes he will die and is afraid of his losing his inheritance to his bickering wife.
An honest lawyer, Vishwanath is implicated and imprisoned at the behest of powerful underworld don, GNK and his associates. After his release from prison, Vishwanath decides to seek vengeance, but finds out that it is virtually impossible to do this through due process of law. So he decides to change his identity, hire a gang of crooks and assassins, to carry out his vendetta. Not realizing that in doing this he is alienating himself from the love of his life, Soni; and making himself a wanted man by the police, leaving his crippled sister, Munni and mom, Shanti to fend for themselves, and at the mercy of GNK and his associates.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
A music documentary about Olivier Messiaen's transcendent masterpiece, that he composed in a World War II prison camp, and debuted there on January 15, 1941. This film was completed on the 75th Anniversary of that historic premiere, and features "The President's Own" United States Marine Band Ensemble performing in rehearsal and at The Phillips Collection, in Washington, D.C. (Note by H. Paul Moon)
Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
Another Young Couple — borne out of a camera test for If Beale Street Could Talk, James and I asked my friends Essence and Jihaari, newly transplanted to LA to allow us into their home for an afternoon tea about their lives and loves, apart and together. We were migrating to the Alexa 65 for Beale Street and wanted to see for ourselves how that large-format sensor would affect intimate portraiture within lived spaces… in particular the faces and spaces of Black folk.
A vogue dancer performs at a Voodoo Carnival Ball, an important dance contest where he will have to prove himself to be accepted by the local ballroom community. Based upon the biographical story of Elvin Elejandro Martinez.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness.
Millennial MP, Chlöe Swarbrick, challenges the establishment during the most important year of her political career. In a momentous year, Aotearoa’s youngest MP vows to radically change the political status quo from within. But behind the ‘OK Boomer’ politician is a person. Chlöe must weigh up the pressures placed on her versus her innate desire to make a difference. Learn what it’s truly like being a revolutionary member of parliament in a political system disconnected from those it represents.
Rare documentary footage from around 1900 depicts the mood of life in Berlin at the turn of the century.
This short documentary provides a new look at the Lauberivière organization as well as the individuals who benefit from and operate the services.
As the filmmaker pursues a creative career, she goes looking for others in similar positions to explore what her decision entails. Mixing experimental art and documentary film, the work explores the real and imaginary boundaries of creativity.
What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'
The story of Walter Lantz and Woody Woodpecker from the early days at Universal Pictures to the creation of brand new cartoons in 2018. Featuring contributions from Woody experts and of course, Woody himself.
A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.
Lucía and Valeria take out three Tarot cards that reveal the first two dishes of a menu that takes them from Embún, Spain to Llanquihue, Chile; the towns of their grandmothers. Among improvised still lifes, maps and video calls, the friends try to discover the meaning of the third card through a ritual that connects both continents.
Part lyrical document, part farce, Animals Under Anaesthesia: Speculations On the Dreamlife of Beasts explores the imaginary unconscious minds of animals. Images of sex, death and the natural world are made manifest in the murky and disquieting dreams of a dog, a cat, a pig and a rabbit.
This "March of Time" entry examines the many problems, both human and economic, that faced the Allies in their respective zones of Germany -- USA, England and Russia -- following the end of World War II, and the Allied occupation of what was left of the country following the Nazi reign of Adolf Hitler. The Cold War issues had not yet fully surfaced, so this entry, with fleeting glances into each Zone of the time, traced what economic recovery had been made by the end of 1946, and how the average German citizen of 1946 was living...or getting by.