2018-10-10
8
"Rescue Dawn: The Making of a True Story" is a documentary film that provides a behind-the-scenes look at the production of the movie "Rescue Dawn" (2006). Directed by Werner Herzog, the documentary delves into the process of bringing the captivating true story of Dieter Dengler to the big screen. This documentary film provides a fascinating insight into the filmmaking process, shedding light on the director's vision, the authenticity of the settings, the grueling conditions endured by the actors during filming, and the passion that drove everyone involved to create a powerful and authentic portrayal of a remarkable real-life hero.
An adaptation of Xuan Xiaofo’s novel of the same name
A bus driver loves to seduce all the women he can find and brags about his conquests, until he finds the one woman he can't have.
A collection of three 80's-inspired horror-comedy film trailers parodying zombie, slasher and monster movies. The Sitting Dead follows a pregnant couple in a dystopic world where zombies have taken all the chairs. "Jump Scare II: Double Dutch" follows a gym teacher and his evil twin who kill students with jump ropes. "Snack Time" follows a police chief's mission to stop a monster vending machine.
A home movie by Adolfas Mekas and wife Pola Chapelle on their travels to Lithuania and Europe. It was filmed concurrently with the more highly regarded “Reminiscences of a Journey to Lithuania” by Jonas Mekas, brother to Adolfas.
Franco and Ciccio are two cousins who, in the old West, have opened a service station, where they carry out the washing and drying of the horses and a bar service for the passing riders. One day a stranger saves them from an attempted robbery against them: the girl introduces herself as Calamity Jane, as well as Franco and Ciccio's aunt.
The wife of Patouillard begs him for new clothes according to the latest fashion in the newspapers. So they go out for some shopping. Afterwards she is going out in her new dress, which is so tight that she can hardly walk in it. She changes the skirt for a pair of trousers, but finds herself being laughed at, and when the trousers get wet at the seaside, Patouillard finally puts her in a jute bag and makes her hop back home.
The announcement of the future marriage of Franck Reno, the star singer, causes considerable excitement around the world.
Madness play live at Chepstow Racecourse
An italian woman scapes from de WWII to Mexico where her uncle lives. She gets trapped in a brothel threatened to be involved in a crime that she was innocent. Meanwhile, she finds her true love who ignores where she lived and worked.
A brainy kid clones a "suaver, hipper" version of himself to romance the rock singer girlfriend of his school's meanest bully.
Joseph just broke up with his girlfriend and is not taking it very well. He thinks she is plotting against him with their mutual psychiatrist. His dog is missing and he suspects the people at work might be behind it. Then there is the unshakable guilt over his past. It just might all be bearable, somehow possible to live through, if it weren't for those damned 'monsters' that keep trying to kill him. Through an allegorical 'fable' that is told in parallel with Joseph's struggle, we are left to decide for ourselves in the end, who is the crow and who is the wolf., was someone out to get Joseph, was it a stroke of bad luck, or was it all in his head?
Once upon a time, there was an old man who knew a lot about herbs and magic spells. Many people came to him at night for their happiness, and he helped them all (well, almost all) to find love. What was the secret of his magic potion and why did the old man still remain lonely?
Why do people vent such toxic opinions online? Filmmaker Kyrre Lien spent three years travelling the world to find out who these anonymous ‘internet warriors’ are and why they do it.
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie covers the two month time period during 1977 when a businessman was kidnapped, and later murdered, by the left-wing terrorists known as the RAF-Rote Armee Fraktion (Red Army Fraction). The businessman had been kidnapped in an effort to secure the release of the orginal leaders of the RAF, also known as the Baader-Meinhof gang. When the kidnapping effort and a plane hijacking effort failed, the three most prominent leaders of the RAF, Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe, all committed suicide in prison. It has become an article of faith within the left-wing community that these three were actually murdered by the state.
Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.
A true animated film about invented islands. About an imaginary, linguistic, political territory. About a real or dreamed country, or something in between. Archipelago is a film of drawings and speeches, that tells and dreams a place and its inhabitants, to tell and dream a little of our world and times.
This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.
A riveting expose about the personalities of murderers and their motives. This 72 minute film covers the McDonalds' restaurant massacre, President Reagan's assassination attempt, serial murderer Henry Lee Lucas and others.
"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.
A portrait of a group of youngsters in Agger at the west coast of Jutland. They listen to the raw metalrock. They dress in leather and rivets. And that doesn't exactly lessen the generational divide.
Documentary feature about 11-time Jeopardy! champion and Internet iconoclast, Arthur Chu.
Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.
This film is part of a project that has listened to over 40,000 people on masculinity issues and has resulted in a documentary and a tool book based on this publicly available study through an agreement with the Social Information Consortium (CIS) of the University of São Paulo.
We admire beauty; we recoil from bodies that are marred, disfigured, different. Didier Cros’ moving, intimate film forces us to question what underlies our notions of beauty as we join a talented photographer taking stunning portraits of several people with profound visible scars which have dictated certain elements of their lives but have not come to define their humanity. The subjects' perceptions of themselves are dynamic, unexpected, and even heartwarming. This is an unforgettable journey to be shared with the world.
In his new film, Erwin Wagenhofer is looking for the good and beautiful in this world.