Her Market Value is a 1925 American silent melodrama film directed by Paul Powell and starring Agnes Ayres. Powell produced the picture and distributed through Producers Distributing Corporation.
Her Market Value is a 1925 American silent melodrama film directed by Paul Powell and starring Agnes Ayres. Powell produced the picture and distributed through Producers Distributing Corporation.
1925-02-09
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Pre-code melodrama about high society marriage and fidelity.
Daisy Kenyon is a Manhattan commercial artist having an affair with an arrogant and overbearing but successful lawyer and family man named Dan O'Mara. Daisy meets a single man, a war veteran named Peter Lapham, and after a brief and hesitant courtship decides to marry him, although she is still in love with Dan.
When two men, one from the city the other a trapper and a woman are trapped in a cabin in the Northwoods after a massive snowstorm. Through the winter a silent bitter struggle develops between the men for the hand of the young woman which ends in the treachery of the city man being exposed and the trapper winning the affections of the young woman after a thrilling forest fire.
A poor army veteran in Taiwan adopts a daughter. She grows up and leaves him to enter show business. When she becomes famous she shuns her father and friends.
Wandered away from his asylum, an amnesiac World War I veteran falls in love with a music hall star but his amnesia makes it difficult to last.
A man's pregnant second wife gets upset when he decides to go overseas to his young son, who may be dying of typhoid fever.
A bar exam student and the tutor relieve each others' sexual passion and love
Hiding from the police, a terrorist Aleksei accidentally gets into a brothel, where he meets a prostitute Lyubka. This just one night was worth two lives.
Film follows the romantic exploits of two depression-era manicurists, one of whom is being woo'd by a true gentleman of means, the other of whom lets herself become a pawn of operators of a call-girl ring.
For Miranda Wells, moving to New York to live in Dragonwyck Manor with her rich cousin, Nicholas, seems like a dream. However, the situation gradually becomes nightmarish. She observes Nicholas' troubled relationship with his tenant farmers, as well as with his daughter, to whom Miranda serves as governess. Her relationship with Nicholas intensifies after his wife dies, but his mental imbalance threatens any hope of happiness.
Socialite Judith Traherne lives a lavish but emotionally empty life. Riding horses is one of her few joys, and her stable master is secretly in love with her. Told she has a brain tumor by her doctor, Frederick Steele, Judith becomes distraught. After she decides to have surgery to remove the tumor, Judith realizes she is in love with Dr. Steele, but more troubling medical news may sabotage her new relationship, and her second chance at life.
A young grad student is tied to their work and cannot physically leave until their work is completed.
A highly accurate autobiographic film that depicts the aftermath of Bülent Ersoy's gender change and how she, her friends and community reacts to it.
An elderly woman lies on her deathbed, ignored by her various family members as they wait around the house for her to die. After her death, the family is forced to reckon with the aftermath of her seemingly inconvenient demise and the impact of her questionable personal legacy.
A man who has been jilted by the woman he loves sets out to recover her stolen jewels in order that she can be happy with her new husband.
Gray plays a reporter trying to unravel a murder involving organized crime. Lorraine plays the heroine.
The film tells about the inhabitants of the Russian city of Tsaritsyn-Stalingrad-Volgograd. The film consists of three novellas, united by the theme of love and the scene - a city on the Volga.
Two different social classes collide when Cary Scott, a wealthy upper-class widow, falls in love with her much younger and down-to-earth gardener, prompting disapproval and criticism from her children and country club friends.
In order to prevent further self harming, a young woman is forced to live in a new synthetic body, and must navigate intimacy in a physical form she fundamentally feels disconnected from.
A poetic story about the first love of the village girl Natasha, loyal to the memory of the deceased fiancé. In peacetime, the heroine's fiancé blew up on a land mine that remained on the collective farm field since the war, and her life turned into a nightmare. But sooner or later, dreams end and the world opens again. Pregnant Natasha goes to the institutions, seeking to be signed with the father of the unborn child who died tragically. At the end, after long ordeals, she comes to the conclusion that writing in the marriage book will not change anything in her life.