This film reveals the resurgent San Francisco Bay Area culture of zines - artistic publications that are self-made, accessible, intentionally tactile and NOT the Internet. We meet remarkable zine authors in their studios, a major art museum curator, and avid zine festival goers and promoters.
This film reveals the resurgent San Francisco Bay Area culture of zines - artistic publications that are self-made, accessible, intentionally tactile and NOT the Internet. We meet remarkable zine authors in their studios, a major art museum curator, and avid zine festival goers and promoters.
2019-06-08
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The chaos on the streets of Vancouver that unfolded in the wake of the Canucks’ loss in the 2011 Stanley Cup Finals is revisited from dozens of perspectives.
After a "diplomatic mission" into a neighboring town Kell returns to his town to see that his not so bright team of idiots have screwed up everything.
Welcome to the Private Life of Kyle Ross. In this intimate documentary, you'll get to know the boy behind the star. From his corporate gig at Helix Studios to the dissolution of his high profile relationship, nothing is off the table. Intent on bending stereotypes and gracefully aging in an industry that celebrates youth, Kyle shares the work that goes into maintaining an image while simultaneously shedding it. After all, he's always enjoyed a contradiction.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
The motivations behind Paratriathlon Events Gold Medal winners, Spanish José Luis García and his guide, Francisco Nieva, and the strong bond between them.
The Red Tide follows a life changing move to Florida. Exploring a new home located near famous earthworks by Robert Smithson, the enormous art collection-turned-museum of John Ringling, and beaches plagued by a toxic phenomenon called the ‘red tide’. Beginning with a recreation of Nancy Holt and Robert Smithson’s 1969 film, Swamp, the film describes a confusion between multiple anxieties: art’s legacy, climate change, and a longing to stay connected. Taken From Sally Lawton's Website: http://www.sallylawton.net/the-red-tide.html
In this poetic portrayal of Luigi Ghirri (1943–1992), a master of contemporary photography, the director gives voice and, in particular the image, to the protagonist. The photographer takes the audience on a tour of the outskirts of daily life as seen from the corner of his eye, the area in between what is artificial and authentic or grand and small – the meso-scale.
Extract of rushes from the unfinished documentary project written and produced by Henri Langlois on Marc Chagall.
The film confronts two different views of the execution of General Ion Antonescu, Romania's leader during the Second World War.
The arousal behavior of the warthog is shown. Also explained is the muzzle fight between boars and females.
Three military drivers are introduced. They bear a special responsibility in their collective and often fulfill a dual function.
A report on the work of a reservist collective from a factory of the Guben chemical fiber combine.
Documentary about the problem district of Gropiusstadt in Berlin.
For 25 centuries the Parthenon has been shot at, set on fire, rocked by earthquakes, looted for its sculptures, and disfigured by catastrophic renovations. To save it from collapse, the modern restoration team must uncover the secrets of how the ancient Greeks built this icon of western civilization in less than nine years without anything resembling an architectural plan.
A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.
Where did the universe come from and did a creator have a hand in making it? As scientists learn more about the universe, our ideas about exactly what God made (the earth, the universe, the multi-verse even nothing but empty space) have come into question.