In 2011, photographer Tanja Hollander decided to visit each one of her Facebook "friends" (all 626 of them) in their homes and make formal portraits of each of them. Armed with her cameras and iPhone, Tanja traveled throughout the U.S. and around the world for 5 years, meticulously documenting her experiences in real time and creating a historical narrative, both visual and written, along the way. Her project is an exploration of friendships, the effects of social networks, the intimate places we call home and the communities in which we live.
A documentary film about the cherished tradition of costuming during Mardi Gras in New Orleans. Members of the city's colorful costuming community share their unique traditions while gathering at the epicenter of all things costuming - the family-owned fabric store, Jefferson Variety.
Director Harry Kümel and writer Pierre Drouot revisit the locations from their classic movie Daughters of Darkness.
A building in Israeli Hebron, which has been deserted by its Palestinian occupants, is called 'The Mute's House' by the Israeli soldiers stationed there and by the tour guides who pass by daily. The building's only occupants are a deaf woman, Sahar, and her 8-year-old son, Yousef. The family's unique story, in the midst of the Israeli-Palestinian conflict, unfolds through the eyes of the young and charismatic Yousef, as he goes through his daily routine on both sides of the torn city.
Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.
A short documentary following 19-year-old Amanda Dunbar, who shares her thoughts on being an artist alongside a group of children in her art class. This documentary is included as a special feature on the 2002 Barbie as Rapunzel DVD.
This is Meg. She has TMJ and not a lot of time to work on it.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
An intimate portrait of iconic photographer Helmut Newton shot by his wife and fellow photographer June Newton.
Kitty Tsui, Chinese American writer, poet, body builder, and lesbian activist, tells of her arrival as an immigrant to San Francisco and, amidst the anti-Vietnam war protests, finding her way to San Francisco State, which influenced her on her path as an activist and poet. In this first ever documentary about a Chinese American Lesbian, Tsui brings to life her coming of age in San Francisco in the 1970s, her challenges, and her continued rise to celebrity by being re-discovered by a whole new generation of Feminists.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
Tamara is from the ocean and water runs in her veins. Born in a fishing village on the Mexican coast, she became a full-time scuba instructor. When she discovers plastic in her beloved ocean, she sets out to get the diving industry to stop using single-use plastic.
A silent succession of black-and-white photographs of the city of Montreal.
First look inside the walls of Quebec police’s training grounds and the realities of our next generation of police officers.
Why do we see so many severely mentally ill people on the street off treatment? Delaney has seen her paranoid schizophrenic father in this state and for 10 years hid from him. Unlisted depicts Delaney's journey, now as a doctor, to bring her father back into her life. Can she have a relationship with him that is not solely based on being his care provider, which was her role as a child. After 2 years of reconnecting, things suddenly change when Richard stops his medicine and disappears....and what starts as an emotional tale of reconciliation turns into a frantic race for survival.
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.
Legends of the Knight weaves together the stirring true stories of individuals who have overcome devastating obstacles, unselfishly given to the community, and embraced their inner superhero because of their love of Batman. Through the deeply personal tales of Batman fans, writers, and filmmakers, this feature-length documentary explores the power of heroic stories and encourages viewers to find their own unique path to heroism. Funded by over 1,100 people from around the world, Legends of the Knight is a return to our childhood dreams of being a hero. Put on your cape, and be inspired!
The best known, "Weegee's New York" (1948), presents a surprisingly lyrical view of the city without a hint of crime or murder. Already this film gives evidence, here very restrained, of Weegee's interest in technical tricks: blur, speeded up or slowed-down film, a lens that makes the city's streets curve as if cars are driving over a rainbow. - The New York Times