¿Por qué morir en Madrid?(1966)

Manda huevos(es)

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

Land Without Bread(es)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Railway Station(pl)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

A Hero's Death(de)

It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.

The Distant Drummer: A Movable Scene(en)

Robert Mitchum narrates an anti drug propaganda film.

Terror Studios(fr)

How the Islamic State has created a powerful propaganda factory that manipulates and twists at its convenience the subjects and icons of the Western popular culture in order to lure into darkness certain young people and recruit them to achieve a dreadful purpose, an industry of fear that overcomes the infamous Nazi machinery and the methods used by both sides during the Cold War.

Democracy for $ale(fr)

In the United States of America, lobbyists, corporations and billionaires invest millions of dollars to ensure that a suitable candidate, one inclined to support their personal ambitions and economic projects, wins an election, which inevitably affects everything, from the selection of local officials to presidential elections, creates countless conflicts of interest and undermines what supposedly used to be a model democracy.

Guernica: El último exiliado(es)

Words for an End of the World(es)

Spain, April 14, 1931. The Second Republic is born. From the beginning, the writer Miguel de Unamuno is considered one of the ethical pillars of the new regime. Five years later, on December 31, 1936, a few months after the outbreak of the Spanish Civil War (1936-39), Unamuno dies at his home in Salamanca, capital of the rebel side, led by General Francisco Franco, and main center of dissemination of its propaganda apparatus.

Caleta Palace(es)

Eight foreign characters recall their exploits and fears in Malaga, a paradise city that starts a revolution on July 18th 1936, as the military coup is stopped by popular rebellion, until February 9th 1937, when Mussolini troops take Malaga and put it under the rule of Franco. Seven months that shape the stark tale of a besieged city, the first capital to be conquered in Spanish Civil War and a prelude of WW2.

Gestern und heute(en)

Nazi propaganda film contrasting Germany in the days before Adolf Hitler became Chancellor with the Germany of "today" and how much better it is.

The Silent Village(en)

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

The Rebel(it)

The adventures of Guido Picelli, a man who was a leading light in the history of twentieth-century Italy and Europe. Guido Picelli fought untiringly for the affirmation of social justice and opposed every form of totalitarianism.

Songs for After a War(es)

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

Far from the Trees(es)

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

Clawing! A Journey Through the Spanish Horror(es)

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

Don't Be a Sucker!(en)

Propaganda short film depicting the rise of Nazism in Germany and how political propaganda is similarly used in the United States. The film was made to make the case for the desegregation of the United States armed forces.

Almas sin fronteras: La historia de la Brigada Abraham Lincoln(es)

Aidez l'Espagne(ca)

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.

La calle del Agua(es)

Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.