Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).
Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).
1938-08-02
5
Hyde Park Concert Film, July 2009. Blur: Live At Hyde Park is the definitive live Blur concert film. Directed by Giorgio Testi, the film was shot on the 2nd of July 2009 in front of a crowd of 55,000 fans in London's Hyde Park. The gigs were the climax of their hugely successful 2009 comeback tour and saw the band play a 25-song, career spanning set to a rapturous reception from fans. Shot using 18 cameras and featuring stunning HD cinematography, the film lovingly documents Blur's incredible Hyde Park performances. Intro / She's So High / Girls & Boys / Tracy Jacks / There's No Other Way / Jubilee / Badhead / Beetlebum / Out Of Time / Trimm Trabb / Coffee and TV / Tender / Country House / Oily Water / Chemical World / Sunday Sunday / Parklife / End Of Century / To The End / This Is A Low / Popscene / Advert / Song 2 / Death Of A Party / For Tomorrow / The Universal
An all-new documentary celebrating 10 years of adventure, camaraderie, and /dancing on mailboxes all around Azeroth. Explore the history of WoW with its creators, and journey into corners of Blizzard and the WoW community you’ve never seen before.
Passing all four seasons for a day, she is on her way back. And then, she falls into a peaceful sleep with a cozy feeling that doesn't exist anywhere.
An old professor in love with one of his students is rejected by her because of his advanced age. He then sells his soul in return for youth and a chance at love but things don't go as he planned.
Ash meets the Mythical Pokémon Volcanion when it crashes down from the sky, creating a cloud of dust—and a mysterious force binds the two of them together! Volcanion despises humans and tries to get away, but it’s forced to drag Ash along as it continues its rescue mission. They arrive in a city of cogs and gears, where a corrupt official has stolen the ultimate invention: the Artificial Pokémon Magearna, created 500 years ago. He plans to use its mysterious power to take control of this mechanical kingdom! Can Ash and Volcanion work together to rescue Magearna? One of the greatest battles in Pokémon history is about to unfold!
10 filmmakers provide 10 separate stories focusing on the 18 days of the 2011 Egyptian revolution. Ten stories they have experienced, heard, or imagined.
Eagle Chief Yoh Xi-hung raises orphans to be his personal killers. One such is Chik Ming-sing who now wants to put his killer life behind him. When the Eagle Clan come after him, a stranger called Cheuk comes to his assistance It turns out that Cheuk is the son of a family who were robbed and murdered by the Eagles. Now they will team up to destroy the evil clan.
A cleaner woman with vocational street dancer tries to recover her long-stranded son that she gave for adoption, a former CEO who lost everything, including his memories.
Yowamushi Pedal: Re:RIDE compiles the first half of the Inter High arc from the first television anime season with some cuts of new footage added.
Tracy and Nick agree to set aside work to make time for a long overdue honeymoon to Greece. However, they soon find themselves confronting life choices when they get stranded on a secluded island.
'Skippy' seeks to win the love of celebrities and a women by getting his photograph taken with as many famous people as possible.
The third solo concert by Sergey Orlov, recorded in November 2021.
Mickey and his friends take a close look at important street safety situations and tips.
A harried prehistoric bird mother entrusts her precious, soon-to-hatch egg to Sid. When she recommends him to her neighbours, business booms at his new egg-sitting service. However, dastardly pirate bunny, Squint, who is seeking revenge on the herd, steals, camouflages and hides all the eggs. Once again, with Squint’s twin brother assisting, Manny, Diego and the rest of the gang come to the rescue and take off on a daring mission that turns into the world’s first Easter egg hunt.
Latest example of Spanish "neokinki" cinema, which was popular in the late seventies/early eighties, right after the end of Franco's dictatorship. Destructured families of low social classes are the perfect environment for delinquency, drugs, violence and broken lives.
The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.
Gürkan and Altan have fallen into the hands of Cevat Bakır. Cevat Bakır, who killed Şahin for betraying him in the first film, spares the lives of Şahin’s accomplices, Altan and Gürkan, on the condition that they dispose of Şahin’s body. However, the two buddies mess up this task as well, bringing countless troubles upon themselves, just like in the first film, and manage to get the country’s most psychopathic men on their trail.
In this propaganda film intended to raise money for republicans fighting in the Spanish Civil War, Henri Cartier-Bresson first presents the achievements of the Spanish Republic in the field of public health. He then shows how members of the public and organizations across the world were supporting the fighters.
Margherita Sarfatti, Mussolini's lover and advisor, was a woman who exerted a great influence on the Duce and on Italian cultural life. Through archival documents, autobiographical texts and love letters, the documentary paints a portrait of the woman who helped create the myth of the Duce.
Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.
Spain, April 14, 1931. The Second Republic is born. From the beginning, the writer Miguel de Unamuno is considered one of the ethical pillars of the new regime. Five years later, on December 31, 1936, a few months after the outbreak of the Spanish Civil War (1936-39), Unamuno dies at his home in Salamanca, capital of the rebel side, led by General Francisco Franco, and main center of dissemination of its propaganda apparatus.
Spanish Civil War, May, 1938. Four villages in Castellón, Benassal, Albocàsser, Ares del Maestrat and Vilar de Canes, were bombed from the sky and ravaged. 38 people died. Inhabitants never knew for sure who piloted the planes responsible for such atrocity, although the rebel propaganda attributed the act to the republican side. Now, 80 years later, the truth is finally exposed.
The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.
A particular reading of the forties and fifties in Spain, the hard years of famine and repression after the massacre of the Civil War, through popular culture: songs, newspapers and magazines, movies and newsreels.
An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.
A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.
A propaganda documentary about the Comité Central de Abastos. This committee provided food and support for the Republican forces in the Spanish Civil War.
1999 documentary film, first broadcast in daily half-hour installments, about the November 1999 protests against the Ministerial Conference of the World Trade Organization (WTO) in Seattle, Washington.
Leftist extremist groups operating in Europe have chosen violence as a political tactic: they attack the right-wing parties offices, attack the police, provoke riots in demonstrations. Although leftist violence is increasing, it receives almost no public attention. An investigation into the alleged good violence exercised in the name of a supposedly just cause.
The turbulent story of the Lagun bookstore — located in San Sebastián, in the Basque Country, Spain — is a powerful tale of courage, resistance and struggle; first against the Franco dictatorship, then against the terrorist gang ETA and its numerous and sinister acolytes.
In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
In this filmic comment on Fascist ideology - which uses footage from the recently discovered archives of Luca Comerio - invisible hands push captive animals to fight among themselves.