A 1981 documentary looking at the Cult following of the Rocky Horror show and introducing the sequel "Shock Treatment".
A 1981 documentary looking at the Cult following of the Rocky Horror show and introducing the sequel "Shock Treatment".
1981-02-04
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Find out how the spectacular music inspired the animation, and learn more about the development of the characters—such as how Ursula ended up being a big octopus—and how the memorable song "Part of Your World" almost got cut from the film.
7.6Documentary about the making of the sequel to Superman.
8.5Rare documents and details of the film's story. From its initial option to its critical reception and legacy. Director David Weisman, who also produced "Kiss of the Spider Woman", comes off as rightful creative force behind the production, as it was his true passion. Very detailed comments from all the participants, from the author of the book to the lawyer for the production company, the actors, director, writers, producer, and crew members.
7.5Follows the story of "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in his attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
7.0Over two hours of intimate, in-depth conversation between Howard Stern and Bruce Springsteen, taking a candid look at Springsteen’s musical, professional and personal journey.
0.0A documentary on the shooting of Michael Haneke's movie 'Hidden' (Caché). Including interviews with Michael Haneke, Juliette Binoche and Daniel Auteuil.
6.6Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.
0.0Sergio Citti talks about a video he shot in 1975 after Pier Paolo Pasolini's death.
7.8The world’s most talented young pianists compete in the International Chopin Piano Competition, held every five years in Warsaw, Poland. A rare behind the scenes look at the triumphant highs and crushing lows of competition, Pianoforte is both a testament to the remarkable power of music and an intimate coming-of-age portrait.
Redman and Xzibit sit down to play new music, react to each other’s tracks, and share untold Hip-Hop stories. From their first rap influences to competing with guests on their records, this is an unfiltered look at their creative process, career wisdom, and legendary journeys.
10.0The magazine film of the album 'Indigo'.
6.5A chronological history of one of the most influential bands to come out of Australia, the Go-Betweens.
0.0This short film looks at the extensive wardrobe department that clothed the casts of MGM films into the 1960s.
7.0The fascinating and little-known story of the secretarial profession, which tells the story of the evolution of women's work, between emancipation, invisibility and the glass ceiling.
8.0A making-of documentary about the bioart film Proyecto divergente. The first narrative bioart film starred by bacteria.
7.0A filmmaker's lifelong dream quickly becomes his worst nightmare when he attempts to make a low budget horror film about an aborted fetus that seeks revenge on its family.
10.0In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”