The 10 Minute Project(2017)

The Way Things Go(en)

Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.

Stop for Bud(da)

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

Human Lampshade: A Holocaust Mystery(en)

This story follows one man's quest to uncover the origins and reveal the mysteries of a possible Holocaust artifact some historians now say never existed: lampshades made of human skin. When the flood waters of Hurricane Katrina receded, they left behind a wrecked New Orleans and a strange looking lamp that an illicit dealer claimed was 'made from the skin of Jews.'

Never a Backward Step(en)

This feature documentary is a profile of Canadian press tycoon Roy Thomson, whose single-minded attention to business brought him riches, power, and even a baronetcy in England. A native of Timmins, Ontario, Thomson had a tremendous career as publisher, television magnate, financier, and owner of many newspapers, including leading London dailies. The film is a frank study of an equally frank man.

Super Size Me(en)

Morgan Spurlock subjects himself to a diet based only on McDonald's fast food three times a day for thirty days without exercising to try to prove why so many Americans are fat or obese. He submits himself to a complete check-up by three doctors, comparing his weight along the way, resulting in a scary conclusion.

Augusta(en)

This short documentary is the portrait of an 88-year-old woman who lives alone in a log cabin without running water or electricity in the Williams Lake area of British Columbia. The daughter of a Shuswap chief, Augusta lost her Indian status as the result of a marriage to a white man. She recalls past times, but lives very much in the present. Self-sufficient, dedicated to her people, she spreads warmth wherever she moves, with her songs and her harmonica.

Giscard, de vous à moi : Les Confidences d'un président(fr)

On dirait Nino Ferrer(fr)

Nino Ferrer has had several lives: hits that made him famous; a dark but artistically fruitful period; a hidden life -of his own making- breaking away from showbiz. All these facets are concentrated in a brilliant, complex, skinned character. "It looks like Nino Ferrer" is a film rich in international archives (TSR, RTSI, Rai...), rare documents (Super 8 films of the Ferrer family) and even unpublished films (Nino Ferrer as an actor in an advertisement for Italian cheese). The film is also punctuated by the memories of famous musicians such as Manu Dibango as well as by the singer's successes and his live performances (L'Olympia, L'Arche de Noé).

Laurent Ruquier, on ne demande qu'à le connaître(fr)

The Altruism Revolution(fr)

For generations, we have believed that man is driven by ruthless self-interest. But over the past decade, this idea has been increasingly challenged. New research from fields as diverse as political science, psychology, sociology and experimental economics is forcing us to rethink human actions and motivation. ‘The Altruism Revolution’ examines the scientific reasons behind the call for a more caring society.

Listed Under Accessories(en)

During the pandemic, Dave McKenzie came upon an object in his studio, located in the basement of his house, that he had bought some time ago. Its purpose was to collect sawdust, although he had never used it. He began trying to fit himself into it, eventually creating and recording loosely improvised movement studies with this object—an accessory to a table saw—and others, including a pane of glass and a piece of Ikea furniture. He has explained, “I was thinking about writing and performing, and why in the year 2020 I felt the need to make a box that I could stick my head into and cry.” In his art, McKenzie is more interested in asking questions than in providing answers. As he has put it: “I am always decidedly asking ‘Why this?’ Lately I am equally interested in asking ‘Why not?’ and moving without having come up with any answer.”

Le mystère des jumeaux(fr)

Scars(fr)

We admire beauty; we recoil from bodies that are marred, disfigured, different. Didier Cros’ moving, intimate film forces us to question what underlies our notions of beauty as we join a talented photographer taking stunning portraits of several people with profound visible scars which have dictated certain elements of their lives but have not come to define their humanity. The subjects' perceptions of themselves are dynamic, unexpected, and even heartwarming. This is an unforgettable journey to be shared with the world.

Countdown(lt)

Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.

Blue Room(en)

Incarcerated participants in a mental health experiment watch videos of sunset-soaked beaches, wildflowers and forests on loop, prompting them to reflect on isolation and wilderness. Equal parts meditation and provocation, Blue Room identifies the damage done by withholding access to the outdoors and how we are all prisoners when the essential human need for communion with nature is denied.

Planet Mokka(en)

Portrait of swiss based Club "Café Mokka" and its club manager MC Anliker

Int.Anouchka-Night(fr)

Anouchka is a 30 year old screenwriter who works in a wine bar for a living. She traces her last 15 years of alcoholism thanks to a screenplay she wrote.

Rockglen, SK(en)

The Lacosse family goes on a roadtrip to Rockglen, SK.

Ines, Memories of a Lifetime(en)

When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.

Pieces(de)

Six people, one room, one night, one game, a lot of sensuality and much to discover. A Film that shows how bodies and minds might meet when allowed to. Get involved within a stimulating experiment, somewhere between aesthetic statement and real venture, between pornographic art and the attempt to reposition sexuality within dialogue and actions.