1985-12-31
0
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
This feature documentary is a profile of Canadian press tycoon Roy Thomson, whose single-minded attention to business brought him riches, power, and even a baronetcy in England. A native of Timmins, Ontario, Thomson had a tremendous career as publisher, television magnate, financier, and owner of many newspapers, including leading London dailies. The film is a frank study of an equally frank man.
This short documentary is the portrait of an 88-year-old woman who lives alone in a log cabin without running water or electricity in the Williams Lake area of British Columbia. The daughter of a Shuswap chief, Augusta lost her Indian status as the result of a marriage to a white man. She recalls past times, but lives very much in the present. Self-sufficient, dedicated to her people, she spreads warmth wherever she moves, with her songs and her harmonica.
When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.
Nino Ferrer has had several lives: hits that made him famous; a dark but artistically fruitful period; a hidden life -of his own making- breaking away from showbiz. All these facets are concentrated in a brilliant, complex, skinned character. "It looks like Nino Ferrer" is a film rich in international archives (TSR, RTSI, Rai...), rare documents (Super 8 films of the Ferrer family) and even unpublished films (Nino Ferrer as an actor in an advertisement for Italian cheese). The film is also punctuated by the memories of famous musicians such as Manu Dibango as well as by the singer's successes and his live performances (L'Olympia, L'Arche de Noé).
We admire beauty; we recoil from bodies that are marred, disfigured, different. Didier Cros’ moving, intimate film forces us to question what underlies our notions of beauty as we join a talented photographer taking stunning portraits of several people with profound visible scars which have dictated certain elements of their lives but have not come to define their humanity. The subjects' perceptions of themselves are dynamic, unexpected, and even heartwarming. This is an unforgettable journey to be shared with the world.
Shot in the Dark is a documentary on three blind photographers: Pete Eckert, Sonia Soberats and Bruce Hall. A documentary on three blind people who devote their lives to creating images. What do they see in their mind's eyes? Do they sense that which we sighted miss, overlook, or don't take into consideration? Their images, as we sighted can see, are extraordinary. "Even with no input the brain keeps creating images," says Pete Eckert. Sonia Soberats states, "I only understood how powerful light is after I went blind." Shot in the Dark is a journey into an unfamiliar yet fascinating realm. "My camera is like a bridge," claims Bruce Hall. All these photographers embrace fantasy, chance, and contingency at a fundamental level. Shot in the Dark enriches our understanding of perception and creation. We all close our eyes in sleep, the sighted and blind alike, and in our dreams - we see.
Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.
Lou Colpé has been filming her grandparents since she was 15. In the process of this intense relationship, she notices some disconcerting signs in her grandmother: Alzheimer’s is slowing her down. A new film begins, a tougher one: the story of a couple that must face a tremendous challenge. Struggling against the tide of oblivion, the task of filmmaking becomes the ultimate act of resistance. Trying to retain the last images of her grandparents, an intimate conversation begins and echoes through the songs that play on the radio, conjuring lost stories and memories.
Portrait of swiss based Club "Café Mokka" and its club manager MC Anliker
Anouchka is a 30 year old screenwriter who works in a wine bar for a living. She traces her last 15 years of alcoholism thanks to a screenplay she wrote.
When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.
A poetic portrait of a blind father with a bright perspective on life, who is strongly determined to deliver his message to the world.
A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”
Marion is an artist with FSH, an incurable muscular myopathy. She guides us on the path she has taken to no longer identify with her illness.
An experimental project made up of 10 minute silent portraits with 60+ participants.