Like millions of indigenous people, many Native American tribes do not control their own material history and culture. For the Eastern Shoshone and Northern Arapaho tribes living on the isolated Wind River Indian Reservation in Wyoming, new contact with lost artifacts risks opening old wounds but also offers the possibility for healing. What Was Ours is the story of how a young journalist and a teenage powwow princess, both of the Arapaho tribe, travelled together with a Shoshone elder in search of missing artifacts in the vast archives of Chicago’s Field Museum. There they discover a treasure trove of ancestral objects, setting them on a journey to recover what has been lost and build hope for the future.
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A first-of-its-kind speed dating event for 70- to 90-year-olds sets up this comic and poignant look at the search for love among the booming senior set. Over one summer, we intimately follow as ten speed daters – fearlessly candid about their lives and desires – prepare for the big day, endure a rush of encounters, and anxiously receive their results. Then, as they head out on first dates, we discover how worries over physical appearance, intimacy and rejection, loss and new beginnings change – or don't change – from first love to the far reaches of life. Α funny and bittersweet story about the universality of love and desire, regardless of age.
Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.
Documentary about the milk farmer Bertil Nilsson
What do you do when love simply isn’t on the cards and keeps passing you by? 60-year-old Kristýna has lost her last ray of hope, so she goes off with her daughter Sára to talk to a fortune-teller about her sorry lot in life. One year on from Mirrors in the Dark, Šimon Holý brings us another wholly independent film about life’s traumas as seen from a female perspective, this time with a liberal dose of esoterica on top.
A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”
UFC 89: Bisping vs. Leben was a mixed martial arts event held by the Ultimate Fighting Championship (UFC) on October 18, 2008 at the National Indoor Arena in Birmingham, England. The event was headlined by a middleweight bout between Michael Bisping and Chris Leben.
The film is about a young teacher who arrives at a village school, who tries to make a definite change in student attitude.
A grieving young inventor finds solace in repairing an antique typewriter.
A suicide prevention hotline is not what it seems.
In the disputed territory of Kashmir, a young Muslim woman meets and falls in love with a Hindu man.
A college professor gets into trouble when he tries to prove any animal can be domesticated, including an African lion.
Bruce a martial arts expert is hired by his friend, on behalf of the village to fight off Lui and Fedal, who with their highly trained army of martial arts experts are terrorizing the villagers and taking over their land, crops and raping their women. Lui and Fedal send several of their elite soldiers to eliminate Bruce, but Bruce's immense fighting skills prove to be too powerful for their evil forces. Not succeeding in their efforts to eliminate Bruce, they massacre one of Bruce's closest friends and frame Bruce with the murder.
A century ago the Torres Strait Island were the subjects of the famous Cambridge Anthropological Expedition - the resulting depletion of their cultural artifacts left them with nothing but a history of remembered loss. The only people in the Pacific to make elaborate turtleshell masks have none left - they are all in foreign museums. In a quest to reclaim the past, Ephraim Bani, a wise and knowledgeable Torres Strait Islander, travels with his wife to the great museums of Europe where his heritage lies. The film, an SBS Independent production, shows that the thickest of masks cracks when a descendant of the original owners enters a museum.
A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.
Live footage from concentration camps after the liberation, and the complex transport and lodging of masses of prisoners of war and other deported people back to their home countries, at the end of World War II. A 45min 35mm print also exists (shown at Cinémathèque française in 2023).
Drawing on original footage from National Geographic, Etched in Bone explores the impact of one notorious bone theft by a member of the 1948 American-Australian Scientific Expedition to Arnhem Land. Hundred of bones were stolen and deposited in the Smithsonian Institution in Washington DC, until it became known to Arnhem elders in the late 1990s. The return of the sacred artefacts was called for, resulting in a tense standoff between indigenous tribespeople and the Department of Anthropology at the Smithsonian.
“Kill the Indian to save the man” was the catchphrase of The Carlisle Indian Industrial School, a boarding school opened in Pennsylvania in 1879. It became a grim epitaph for numerous native children who died there. In 2017, a delegation from the Wind River Indian Reservation in Wyoming attempts to retrieve the remains of three Northern Arapaho children buried far from home in the school cemetery, on a journey to recast the troubled legacy of Indian boarding schools, and heal historic wounds. This documentary film is produced by The Content Lab LLC, with support from The Wyoming Cultural Trust Fund, The Wyoming Humanities Council, and Wyoming PBS.
Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.
Four French museums, the Louvre, the Quai Branly, the French National Library, and the Rouen Museum, are faced with pressing demands for the return of works of art. The number of demands is multiplying. They come from all over the world, and in particular from Egypt, Mali and New Zealand. The question of returning works of art to their countries of origin is increasingly making news. Take for example the emotions aroused by President Sarkozy’s decision, on the 12th November 2010, to return 297 royal manuscripts to South Korea. The ensuing row involved diametrically opposed points of view. Was it a violation of the principle of inalienability of France’s national collections or was it a just reparation for the victims of colonization? The rich countries’ great museums and the countries of origin have completely different visions of the issue. The museums defend the idea of a universal museum whose works belong to the whole of humanity.
Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.
Lake Mungo is an ancient Pleistocene lake-bed in south-western New South Wales, and is one of the world’s richest archaeological sites. Message from Mungo focuses on the interface over the last 40 years between the scientists on one hand, and, on the other, the Indigenous communities who identify with the land and with the human remains revealed at the site. This interface has often been deeply troubled and contentious, but within the conflict and its gradual resolution lies a moving story of the progressive empowerment of the traditional custodians of the area.
University student Anna and her boyfriend Tomek use a precious photograph to trace and unveil the complex wartime and post-war past of their parents.
Delivery drivers Saul, Cesar and Adrian must work together to raise money and repatriate the body of a colleague back to Puebla, Mexico.
An illuminating portrait of Jay Sebring — the long-forgotten artist, designer, and entrepreneur who created a billion-dollar hair & beauty industry and defined iconic Hollywood styles for men.
Happiness, I want more! From the alleys of Nigeria and the beaches of California to the mountains of India, ordinary young people lead us on an extraordinary journey to explore the nature of lasting happiness and end up starting a movement.
This sonic wonder, which premiered as part of the U.S. Pavilion at the 2022 Venice Biennale, documents Leigh’s practice as a sculptor and her evocation of the endurance of Black womanhood by way of spirit and tradition. As scholar Yasmina Price puts it, the film is “an incantation of multiple architectures of the self for black women.”
This is not a film about men versus women. Beyond Men and Masculinity explores how men see themselves, how they relate to the people they say they care about and how the personal impacts the political. What happens when men are taught to disconnect from their feelings in the name of being strong and independent? What is the link between shame and male violence? Why do we find it hard to value kindness and compassion in men? And what role do women play in defining what is expected from men and masculinity? A discussion of these sometimes uncomfortable questions is now more crucial than ever. From the therapy room to the political battlefield, this provocative film offers a clear insight into why we must look beyond traditional definitions of men and masculinity.
This feature documentary retraces the century of haggling by successive federal and provincial governments to agree on a formula to bring home the Canadian Constitution from England. This film concentrates on the politicking and lobbying that finally led to its patriation in 1982. Five prime ministers had failed before Prime Minister Pierre Elliott Trudeau took up the challenge in the early 1970s. Principal players in this documentary are federal Minister of Justice Jean Chrétien, Prime Minister Trudeau, 10 provincial premiers and a host of journalists, politicians, lawyers, and diplomats on both sides of the Atlantic.