Hard Bargaining: Museums Face Claims for Return of Artefacts
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The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.
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7.5The World of Dario Argento 3: Museum of Horrors(it)
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6.2King Tut's Final Secrets(en)
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0.0Bernard Shaw(en)
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7.8The New Rijksmuseum(nl)
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10.0Once in a Lifetime(en)
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0.0The Vatican Museums(en)
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0.0Glories of Medieval Art: The Cloisters(en)
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7.0Religulous(en)
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1.0Leninland(ru)
At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.
0.0Joanne Martin: A Life in Miniature(en)
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3.0Il museo degli orrori di Dario Argento(it)
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6.5Peggy Guggenheim: Art Addict(en)
Bouncing between Europe and the United States as often as she would between lovers, Peggy Guggenheim’s life was as swirling as the design of her uncle’s museum, and reads more like fiction than any reality imaginable. Peggy Guggenheim – Art Addict offers a rare look into Guggenheim’s world: blending the abstract, the colorful, the surreal and the salacious, to portray a life that was as complex and unpredictable as the artwork Peggy revered and the artists she pushed forward.
6.8Pavements(en)
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