Virtual Love(1993)

Humane(en)

In the wake of an environmental collapse that has forced humanity to shed 20% of its population, a family dinner erupts into chaos when a father's plan to enlist in the government's new euthanasia program goes horribly awry.

Daddy's Girl(en)

A young woman’s charming but overbearing father helps her move out of her wealthy older boyfriend’s apartment.

Soft Plants(nl)

Naked, on the back of a sheep, soft office worker Willie rides trough the forest. His body is still in the office, but his mind wanders between dangerous flowers, li-los and an imaginary friendship for a soft sheep.

February 28(ru)

Guarded and aloof cancer survivor is trying to return to the normal life and forget the horrors of the defeated disease that are still haunting her. She finds a new job but it seems that she has nothing in common with other people. Socially withdrawing herself, she is stuck inside her own world filled with despair and flashbacks.

Imaginary Fiend(ru)

Everything goes wrong when an agoraphobic misanthropist orders himself an imaginary enemy.

No Woman Born(en)

A first visit to South Africa seems to invite observation of the extremes or of folklore in society, but Tan Chui Mui initially chose a very different road. She intended to make a short science fiction film and not to focus on the occasionally grim reality of today's South Africa. With the help of local film makers, she set off in Durban looking for suitable locations and four actors who wanted to work on her film (preferably for free). With the locations, she also found her story. She used the futuristic architecture of the football stadium being built - designed by the German bureau GMP Architects - not only as background for her film No Woman Born, but she also turned the anonymous labourers into characters in her film. Tan discovered the talents of the Zulu actor and singer Muzi Mhlanga, who developed during the shooting into a very special man of the future.

Meena(en)

Meena is an Indian Drama and a family entertainment film through which Actress Vijaya Nirmala has made her Directorial Debut.

Tick Tick Boom(da)

Pelle is in love with Dagmar and really wants to reveal this to her, but his drunken dad keeps getting in the way. Rasmus can't accept that his newborn son is seriously ill and ends up distancing himself from his wife in order to try to hold on to the hope. Aksel wants to get back together with his ex-wife and is using his daughter as a go-between until the day when his ex-wife suddenly brings home a new boyfriend.

The Man Who Wanted a Child(fr)

Alfred lives with his mother in a small village keeping chickens and selling eggs at the local market. He doesn't speak, except to his mother and to children. He has a girlfriend of sorts, although she shies away from any physical contact with her. But more than anything, Alfred wants a child. As natural fatherhood is out of the question he takes the next best option, and makes an application to adopt. With a very un-French lack of bureaucracy Alfred's adoptive son arrives, but turns out not to be the bouncing baby he was hoping for. [taken from London Film Festival 2006 catalogue]

Ode to Joy(pl)

Three stories of young disillusioned Poles of different background and region of origin. What binds them together is that they all meet on the bus to London shortly after Poland's entry into EU.

Fragile(de)

Instead of giving herself time to come to terms with the loss of her relationship, Natalie has a first date with Sascha that triggers exactly what she wanted to suppress: her lovesickness. She needs one night and some more or less self-destructive and bizarre encounters until she can find peace again.

Cheerless(ka)

In order to eradicate malaria, endemic in the marshes of the Mingrelia region, the authorities plan to drain a large territory that according to legend is the realm of Uzhmuri, the Queen of Frogs and a deadly deity for intruders.

The Enemy Sister(es)

A 1979 short by Rosario Hernández.

Ringolevio(en)

Ada, a reserved young woman with a passion for entomology, travels north with Marissa, her free-spirited musician girlfriend. She's finally meeting the three brothers who helped raise Marissa: the paternal Ozzie, sensitive Arthur, and wild child Wren. As Marissa and her kin settle into their familial dynamics, Ada finds herself on the outside looking in. Desperate to make a good impression over the course of a weekend packed with fun and frivolity, Ada instead struggles to find common ground, opening fissures in the one relationship she needs the most.

Senses(ja)

Xuan, a girl who is visually impaired, sets out on a solo journey to explore the world with her heart, hoping to see what others can’t see. As she is reminded of her painful past, she also “sees” the most beautiful of sights and connects with the kindest of souls.

Cavities(en)

13 year-old Nina hates her Mom, her thighs and the ill-fitting bridesmaid dress she must wear tomorrow at her mother's wedding. When her Mom has to help her out of the dress, she decides to take matters into her own hands.

The Dawn Chorus(en)

It's been seven years since the plane crashed. Why are Bonnie and Lloyd still searching for their parents amongst the wreckage?

Rhonda's Party(en)

Rhonda, a reclusive nursing home resident with a tough exterior, has spent months planning her best friend's 100th birthday party, The band is booked, the cake is ordered, and everyone is invited. But when her friend dies on the eve of the celebration, a young nurse must deliver the crushing news, and Rhonda is forced to overcome her loneliness and decide whether or not the party should go on.

Having Our Say: The Delany Sisters' First 100 Years(en)

Tells the story of Sadie and Bessie Delany, two African-American (they preferred "colored") sisters who both lived past the age of 100. They grew up on a North Carolina college campus, the daughters of the first African-American Episcopal bishop, who was born a slave, and a woman with an inter-racial background. With the support of each other and their family, they survived encounters with racism and sexism in their own different ways. Sadie quietly and sweetly broke barriers to become the first African-American home-ec teacher in New York City, while Bessie, with her own brand of outspokenness, became the second African-American dentist in New York City. At the ages of 103 and 101, they told their story to Amy Hill Hearth, a white New York Times reporter who published an article about them. The overwhelming response launched a bestselling book, a Broadway play, and this film.

Kroko(de)