(A)lter (A)ction, 1968. Videotape, black-and-white, sound; 65 minutes (director's edit: 57 minute television version).
1968-09-30
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"Dancing is sculpting in time." Diotima captures the fluid grace of two people sculpting time through dance, in a continuous one-take shot around Indy Simin's "Echt in Vorm." Their movements inside, around, and upon the sculpture reveal a simple unity, where shapes, dancers, and their environment are perpetually in motion, blending into an inseparable, seamless harmony of a never-ending dance.
A series of four dance workouts featuring music and moves from the hit movie, Step Up Revolution. From the living room to the dance floor, these are moves that you can do anywhere!
A former professional dancer volunteers to teach dance in the New York public school system and, while his background first clashes with his students' tastes, together they create a completely new style of dance. Based on the story of ballroom dancer, Pierre Dulane.
"MacMillan's vision has been vital in shaping The Royal Ballet's style and repertory, and what better way to appreciate his art than with this rare chance to experience three contrasting works in a single performance. Abstract, dramatic, humorous - this programme gives a wonderfully varied introduction not just to MacMillan's work but to the beauty and dramatic power of ballet itself. Concerto, to Shostakovich's Second Piano Concerto, contrasts moments of exuberance and elegiac reflection. The Judas Tree places a single woman among 13 men to enact a harrowing event that is recognizably contemporary but with biblical overtones. Elite Syncopations completes the programme with a sparkling evocation of a dance hall that brings ragtime rhythms to the dance, and a ragtime band to the stage.
Sam, newly a mother, shops at a supermarket with her baby and husband Carlson. She throws a neighborhood shishkabob party and has a family Sunday breakfast. But through her smiles and picturesque tasks, there's a suppression. Sam’s grown something she can no longer contain. This breaking point is the film SWALLOWED, where psychological horror meets dance.
Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Frank Scheffer's (collage like) documentary on the American composer and rock guitarist Frank Zappa, as broadcast by VPRO in the Netherlands April 22,2007. Most of what’s on here is seen before, particularly in Roelof Kier’s 1971 documentary and/or Scheffer’s own documentary “A present day composer refuses to die”. But there is some new stuff too, particularly interviews with Denny Walley, Haskell Wekler, Elliot Ingber and Bruce Fowler.
Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.
This short movie takes us through beautiful landscapes and oppressive spaces. A dream sequence that leads to liberation, on the border between imagination and reality. We travel with a boy who matures. He dreams, he dances, he is the conductor. The only.
Something has gone wrong for a typical Singaporean family. After a man loses his job and the respect of his wife and teenage son, he tries to reconnect with his family by taking them on a trip to visit a childhood haunt. Now abandoned and falling apart, the place is nothing like he thought it would be—especially not the ghosts of his past lying in wait.
Turtle Dreams, produced for WGBH-TV, originally aired September 2, 1983. Shot by Ping Chong. Composed by Meredith Monk, performed by her and her Vocal Ensemble.
A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.
While his wife is away, Frederick Stumplefinger lets his kids go out jitterbugging on a school night, only to have his wife return early.
In this musical short, a man tries to woo the manager of a dance troupe.
The film sketches the creative life of the protagonist Kapila. The film’s narrative is structured as one day in the life of a Koodiyattam performer.
Speaking upon the release of ‘Bodyguard’, Black Dahlia said: “Bodyguard is a theatrical exploration of gaining a new body but your soul remains. It is a sonnet to your past physical body in this realm and the new union that will inevitably be formed. A harsh and gentle celebration of your capabilities, your limits, and your destiny.” As well as being the Director for the music video, Black Dahlia was also Producer, Art Director, Choreographer, and Concept creator for the project. Donning various characters, Black Dahlia embodies performance art and its mediums such as contortion, mime, surrealism, Dada, the avant-garde, and body horror. ‘Bodyguard’ follows Black Dahlia in various theatrical forms and her journey to transformation through reanimation that looks reminiscent of a John Waters film. It also features cameos from Melbourne-based artists, Bura Bura as Dr Barget Hower, Manda Wolf as Dr Avanti and Cong Josie as Dr Cong.
"Vlada Goes to London" is a short student film exploring the strong-willed Vlada on her night shift as a pizza delivery girl in her desperate attempt to book tickets to London and fulfill her dream of being a DJ. The end of the night brings more challenges than she expects.