Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.
Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.
1975-10-07
0
On a snowy and frigid swath of the European Arctic lies the border towns of Kirkenes in Norway and Nikel in Russia. They are separated by 25 miles of vast, sparse white land, and offer two starkly different perspectives on life. This short film juxtaposes their differences, but touches on one thing they have in common: climate change.
Video Nasty; once a term referring to films that were criticised for their violent content in the early 80s, now the name of an up-and-coming film production company in Sydney, Australia. Join us in this two-minute documentary where university student and founder of Video Nasty, Lachlan Wylie, speaks on his experiences since starting the company in May of 2022.
A look at the unusual process used in the making of the film Shortbus (2006) featuring interviews, behind the scenes footage and clips from the feature film. Director John Cameron Mitchell starts with the concept of using real sex in a film with a positive message. The cast of unknowns is selected from homemade audition tapes and then a callback audition workshop. More acting workshops are used to develop the characters and script. The project overcomes a number of obstacles and the rest of the film's development is followed up until its premiere at the Cannes Film Festival.
This short film tells about a young, but already well-known flutist Denis Bourikov. A winner of international competitions and a scholar of the "New Names" program, in his fourteen years he traveled the world, gave solo concerts, performed in the residences of the Pope of Rome and the Patriarch of Moscow and All Russia. James Galway, one of the best flutists of the world, said about him: "Denis, without a doubt, is the most capable young musician. I believe he has a great future". Tracing the creative path of this gifted flutist, the film tries to reveal his complex inner world.
The film features the wonderful poet of the early 20th century, Count Vasily Komarovsky. The poets Nikolai Gumilyov, Anna Akhmatova and Osip Mandelstam, among other celebrities, were not only his acquaintances but he had a considerable influence on their work. The poet’s extraordinary life gave birth to legends, whose plausibility will also be dwelt upon. Komarovsky’s niece will share her recollections with the viewer. The film is based on unique documents previously unknown to Russian and foreign scholars.
Documentary about the 1970 film, "End of The Road."
"The Moscow Pilgrims" is a film that takes you on a tour of Russia’s ancient capital. The film’s main characters – father and son – are doing the most intersting sights of old Moscow, including the Simonov Monastery, the New Spassky Cloister and the Krutitsky Church located on a picturesque bank of the Moskva River. The celibate priest Ilia, the dean of the church of the Holy Mother of God father Vladimir and other priests will help the pilgrims and visitors to see the world of Moscow’s ancient holy sites: the burial-vault of the noble Romanov family, the Cathedral of the Transfiguration of God recently cleared from security services, and the graves of the Kulikovo battle heroes, the monks Oslyabi and Peresvet.
The daughters of Title IX discover that pervasive gender-based stereotypes and discrimination persist within the high stakes professional world of surgery - a workplace designed for and and still controlled by men. Since 2003, half of medical students in the US have been women. Women remain in the minority in most surgical fields but their proportion is increasing. Leadership and culture in surgery remain disproportionately and persistently male despite ample evidence that women are just as good (and possibly better) at delivering care. Systemic barriers to success for women surgeons must be confronted and addressed for the surgical workforce to stay healthy and for patients to stay safe. We’ve interviewed dozens of surgeons who are women about their experiences, hopes, dreams and careers. This is a group of extraordinarily dedicated physicians who work every day to improve the health and lives of others despite untold challenges.
A Ghanaian maintenance technician at a Virginia retirement community dreams of becoming an American citizen to provide a better life for his family. With their future at stake, he enlists the help of two elderly residents to prepare for the biggest test of his life: the US Citizenship exam.
The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.
A desktop documentary about the online afterlife of the late French filmmaker, Chris Marker.
Sing! is a 2001 American short documentary film about the Los Angeles Children's Chorus, directed by Freida Lee Mock. How do squeaky-voiced 8 year olds become amazing singers? Sing! tells the story of how a community group, amid severe cutbacks in the arts, is able to develop a children's chorus that is one of the best in the country. It was nominated for an Academy Award for Best Documentary Short.
Extra, behind scenes from Hideaki Anno's film Ritual (also known as Shiki-Jitsu).
A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.
Made by the Department of Immigration to entice immigrants from Great Britain, this film shows an idyllic picture of life in the Western Australian regional town of Geraldton in the mid 1960s.
Survey of the Boer war with reconstructions and actualities.
The Born at Home documentary explores and uncovers the empowering journey of homebirth, shedding light on the often overlooked and misunderstood option that has transformed lives. Born at Home dives into real stories of women navigating birth trauma and examines how a shift in environment and informed choices can reshape the birthing experience. Wisdom is shared from homebirth families, interwoven with evidence-based information from midwives, medical professionals, doulas, researchers and maternity advocates.
The third part about the production of "Raging Bull."
Short documentary about the lives of three girls and the women who rescued them from retrogressive cultural practices in their own Maasai community at the AIC Girls School and Rescue Center in Kajiado, Kenya. It is an intimate portrait of these women as they sacrifice everything to make a stand against female genital mutilation and early forced marriage happening within their own culture.
A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Boatman's Call (originally released in 1997). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.