The daughters of Title IX discover that pervasive gender-based stereotypes and discrimination persist within the high stakes professional world of surgery - a workplace designed for and and still controlled by men. Since 2003, half of medical students in the US have been women. Women remain in the minority in most surgical fields but their proportion is increasing. Leadership and culture in surgery remain disproportionately and persistently male despite ample evidence that women are just as good (and possibly better) at delivering care. Systemic barriers to success for women surgeons must be confronted and addressed for the surgical workforce to stay healthy and for patients to stay safe. We’ve interviewed dozens of surgeons who are women about their experiences, hopes, dreams and careers. This is a group of extraordinarily dedicated physicians who work every day to improve the health and lives of others despite untold challenges.
The daughters of Title IX discover that pervasive gender-based stereotypes and discrimination persist within the high stakes professional world of surgery - a workplace designed for and and still controlled by men. Since 2003, half of medical students in the US have been women. Women remain in the minority in most surgical fields but their proportion is increasing. Leadership and culture in surgery remain disproportionately and persistently male despite ample evidence that women are just as good (and possibly better) at delivering care. Systemic barriers to success for women surgeons must be confronted and addressed for the surgical workforce to stay healthy and for patients to stay safe. We’ve interviewed dozens of surgeons who are women about their experiences, hopes, dreams and careers. This is a group of extraordinarily dedicated physicians who work every day to improve the health and lives of others despite untold challenges.
2024-02-25
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Since Covid-19 struck in 2020 and to be precise in March in Indonesia, it made a big change. Because of Covid-19 too, Hafiz & Friends Recap was also stopped because they couldn't do much activities as usual.
The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.
A fairly shabby, dark, three-part wardrobe in a hallway: About ten years have passed since Joana Claude suffered sexual violence when it was assembled. Now the time has come to not only disassemble it. Instead, Joana sets out to destroy the artefact of pain completely. The gesture is made with fervour, tearing out the shelves and doors looks like retroactive resistance, what was pent up finds an outlet. At the same time, the ritual is characterised by gradual escalation: At first the director speaks of her relationship with her parents – a big sweat stain on her back already beginning to show –, in the end everything is in flames. The act is short, it lasts only a few minutes. And yet it allows an intimate insight that acquires a universal, strength-giving character as it unfolds.
In this heartfelt short film by Daniel Leonard Bernardi, Roosevelt Farrow, born in 1929 at the start of the Great Depression, shares his lifelong dream of becoming a U.S. Marine, despite the racial barriers of his time. Raised by his grandmother in humble conditions, he was inspired by the sight of Marines visiting his community. Farrow's determination led him to join the Marine Corps, where he faced the challenges of Montford Point boot camp and eventually became an expert marksman and retiring as a Gunnery Sergeant. Although he never saw combat due, in his view, to his beloved wife's prayers, he realized the significance of his journey when he witnessed black officers rising in the ranks. Farrow's story is a testament to perseverance and the pursuit of one's dreams, encouraging others not to give up on their aspirations despite austere beginnings and social injustice.
An homage to the late actor Philip Seymour Hoffman.
In the following conversation, recorded remotely in 2020, filmmakers Martin Scorsese and Ari Aster discuss the mission, evolution, and ongoing work of The Film Foundation, the nonprofit organization dedicated to protecting and preserving motion-picture history that Scorsese established in 1990.
The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.
In an America where more and more women and trans people are losing legal bodily autonomy, the history of Bill Baird’s long fight for women’s right to abortion is as relevant as ever. Oscar-nominated filmmaker Rebecca Cammisa doesn’t just give us a portrait of Baird, but also creates a historical register of allyship and activism that those fighting to uphold freedom and choice can access, and perhaps emulate.
Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.
A journey through six different countries and characters into a world where chemistry is the ultimate response to human pursuits of well-being.
Explore timely, personal stories of LGBTQI+ families who strive to build lives in their communities despite biased legislation and mounting prejudice.
In this featurette, ART + COM members join the cast and crew of the show to discuss its factual basis and the development of the court case.
This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
Bookended by call-to-action quotes from Margaret Mead and Mahatma Gandhi, this inspiring documentary follows three extraordinary women -- in Bosnia-Herzegovina, Mali, and Vietnam -- as they lead day-to-day battles against ignorance, poverty, oppression, and ethnic strife.
Kevin investigates the online traces of a British news reporter who was kidnapped and appeared in several Islamic State propaganda videos.
A researcher finds a phone video showing hundreds of ISIS captives running through a desert. She is puzzled that the video is posted on YouTube by Les Observateurs, a French state-funded news channel as a work of “citizen journalism”. While the video has been removed from many other channels, the French news channel’s legitimacy allows the video to remain online and spread terror over several years. Further investigation uncovers multiple variants of the footage on countless other sites, leading her to despair.
"The operations that dislocate a film like Summer Solstice– I hope irreparably– from being a movie about the locomotion and eating habits of cows, a dairy farm document, or what have you, are finally of a whole lot less concern to me than the following things: how it looks, the sense that probably it was done deliberately, the pleasure or displeasure– the intrigue, possibly– of attempting to retrieve the manner in which it was done while one is watching." -HF
A five-year-old boy is completely uninterested in food, which results in conflicts with his mother. The effort she invests in feeding him is equal to the boy’s effort not to eat the offered food. The longer the lunch, the clumsier is their balance on the verge of fight. The duel between the boy’s resourcefulness and the spoon, the tears and mother’s love, ends with the victory of the more persistent. The last bites are either left on the plate, or leave with the boy to bed in his mouth.
Jesus Christ spoke of signs that will announce the most catastrophic period in our planet's history: the seven years called the Tribulation!
Millennials in the US discover their lack of legal nationality, sparking a search for recognition and belonging that unites them and offers hope for the future.