This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).
"Freedom" is an acoustic live performance by singer-songwriter Neil Young that was released on video in 1990 in conjunction with his 1989 studio album of the same name. The video includes performances of seven songs that were filmed in Jones Beach, NY on September 5, 1989, and at the Palladium in New York City on September 6, 1989. Six of the songs are performed solo by Young on vocals, guitar, harmonica, and piano. One song, "Too Far Gone," features long-time Young collaborators Ben Keith and Frank "Poncho" Sampedro on Dobro and Mandolin, respectively. Set List: 1. Crime in the City (6:15), 2. This Note's for You (2:39), 3. No More (5:13), 4. Too Far Gone (3:13), 5. After the Gold Rush (4:43), 6. Ohio (3:31), 7. Rockin' in the Free World (4:46).
"WE ALL PLAY" addresses the reality of the LGBTQIA+ community in sport. In a trip around the world, we will meet outstanding world elite athletes, who will talk, many of them for the first time, about their personal and professional experiences in first person.
Did the Nazis ever see Charlie Chaplin's 'The Great Dictator'? Yugoslavia, 1942 - The young Serbian projectionist Nikola Radosevic decides to teach the German oppressors a lesson they won't forget. The beginning of a true and astonishing World War II resistance story.
Three macabre short stories about gambling, vengeance and homicide.
After the death of the village pharmacist, his widow Lina only inherits debts that he must face. Valentin, the old shoemaker, is the main creditor and the exuberant Lina must pay him what he owes, whatever it costs.
An enormous Steinway & Sons piano dominates a cramped and untidy apartment in Buenos Aires, belonging to the 91-year-old twin sisters Isabel and Amelia Cavallini. Once they formed a celebrated piano duo with a blossoming career in the United States. Just as the instrument is actually a little too big for their modest residence, the sisters’ personalities no longer seem to fit their now fragile bodies. In this final part of her trilogy on old age and art (preceded by Las cinéphilas and Le temps perdu), María Alvarez follows these elderly ladies as they shuffle along the path of their memories, which surround them in every corner of their house.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
Armed with venomous spines, invisible to its prey, a pack hunter who terrorizes other fishes - watch the stunning adventures of lionfish. Get to know the fish's prowess to dominate the oceans, to the extent that its invasion endangers local marine life!
On the Dr. Quinn Show The Joker is breaking up with his longtime enemy, Batman. An animated short on the home entertainment release of The Lego Batman Movie.
Outlaws of Sonora is a 1938 American Western "Three Mesquiteers" B-movie directed by George Sherman.
The film is divided into five parts differing in pictorial and musical structure. The plot, two women and their love for one another, is of secondary importance. An ingenious combination of stereoscopic images and montage of individual pictures make new qualities of perception accessible to the viewer. In the final part of the love scenes pictorial sequences and music build up to a delirious rhythm.
A seductive dancer (Marika Rökk) helps her uncle to fight against the closing of his casino. Through her feminine charm she achieves diplomatic success.
Ashkenazi, Mizrachi, ultra-Orthodox, Israeli Arabs... The different groups that make up Israeli society seem irreconcilable. Who are they? Can their complicated history explain the current situation in the country?
Annisa, a cheerful 15 year old girl, is open and has a tomboyish style. Entering his early years at Tunas Bangsa High School, he met Ivan and eventually became friends with Jelita, a 15-year-old girl who wore a headscarf, beautiful but shy and quiet.
Three inept firemen try to avoid being fired by their increasingly exasperated chief.
"BABYMETAL - Live Legend Z" is a landmark concert that showcases the band at their most dynamic and theatrical. Held at the Makuhari Messe in Japan, this live performance is part of the "Legend" series, known for its grand production and intense energy. Su-metal, Moametal, and Yuimetal delivered a captivating set filled with fan-favorite tracks like "Ijime, Dame, Zettai" and "Akatsuki," accompanied by dramatic stage effects and intricate choreography. The concert is notable for its narrative elements, blending the band's signature Kawaii Metal with a mythic storyline that enhances the overall experience. "Live Legend Z" stands out as a key moment in BABYMETAL's rise, cementing their reputation for delivering unforgettable live performances.
As „wings of men“ they became the faithful companion of a great nomadic nation thousands of years ago. Today, 28 years after the Soviet occupation, the little horse is an essential part of the cultural heritage and the search for identity of the modern Kyrgyz people. Based on its own story, a so called „good brown horse“ leads through the film and offers an insight of what it could mean to be „todays wings of men“. Told by a horse’s voice and through its eyes, this short film still is a documentary, but also a poetic journey to a nomadic culture.
What is it about Speedos? Well here Australian director Tim Hunter is on a mission to find the answer to the question of why so many gay men can't seem to get enough of hunks in tight fitting trunks? Although somehow I think the answer can be found in the question! Anyway in a bid to discover the truth, Hunter has carried out a series of interviews with men who have more than a passing interest in this briefest of garment, including that of Speedo designer Peter Travis, who here relates his part in the history of 'the male equivalent of the Wonder Bra.'
People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.
The cinema of Koreeda Hirokazu is defined by moments of everyday life. Whatever potential there is for heightened drama – the suicide of a husband, a cult massacre, abandoned children – it is diffused by the familiar rhythms of everydayness. This attention to the everyday must be understood within the context of death, which plays a significant role in all of Koreeda’s films. It is death that deepens our sense of life and makes even the most mundane moment seem profound.
The Colours of My Father: A Portrait of Sam Borenstein is a 1992 short animated documentary directed by Joyce Borenstein about her father, the Canadian painter Sam Borenstein. It was nominated for an Academy Award for Best Documentary Short. In Canada, it was named best short documentary at the 12th Genie Awards.
A Local Reno Artist and DJ discusses the many inspirations behind her work and how it impacts herself and others.
This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.
A short documentary about Dave McKean's process of creating an image.
Naomi Kawase observes people in the city of Shibuya with curiosity and openness, drawing parallels between life and filmmaking and discovering her abilities as a filmmaker.
This short documentary profiles Saint-Jean-Baptiste Day parade in Montreal in 1959. The annual parade takes place every June 24th in memory of Saint-Jean-Baptiste, the patron saint of Québec. Candid shots of youngsters preparing their costumes for the festivities are partnered with a lively jazz soundtrack. All the Montrealers and out-of-town tourists featured in this film avidly participate in a public festivity that is dear to their hearts.
The film was about a group of Polish ice skaters at the slide of the Warsaw Ice Skating Society. The film was filmed using a pleograph which was an early type of the movie camera invented by Kazimierz Prószyński.
The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division, in 2012.
A mother and her son are driving through heavy snowfall to bid a final farewell to their dead husband and father. A sudden and unexpected wrong turning takes them to a completely different place from the one they had expected. Some memories exist in a borderland.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
Videos from the group Hype Williams. Originally released in 2011 as a limited edition of 300 white VHS.