Mr O’s Book of the Dead is the last of a trilogy of experimental films about Kazuo Ohno, co-founder of the contemporary Japanese style of dance known as butoh, made with director Chiaki Nagano during a period in which he had retired from public performance, and just before he began touring the world as a solo dancer with his celebrated work Admiring La Argentina. In the film, Ohno leads a troupe of strangely dressed, made-up and gesticulating dancers through a succession of landscapes alternately lush, desolate and surreal.
Mr O’s Book of the Dead is the last of a trilogy of experimental films about Kazuo Ohno, co-founder of the contemporary Japanese style of dance known as butoh, made with director Chiaki Nagano during a period in which he had retired from public performance, and just before he began touring the world as a solo dancer with his celebrated work Admiring La Argentina. In the film, Ohno leads a troupe of strangely dressed, made-up and gesticulating dancers through a succession of landscapes alternately lush, desolate and surreal.
1973-01-01
6.5
After a meteorite unleashes a three-headed beast upon Tokyo, Mothra tries to unite with Godzilla and Rodan to battle the extraterrestrial threat.
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).
JSDF pilot Akane has a fateful encounter when a new Godzilla emerges in Tateyama. As a countermeasure, a cyborg named Kiryu is constructed from the remains of the original. The machine is discovered to harbor the restless soul of the original monster as Akane must learn to find value in her own life as well.
Star Chow, an officer in the elite police unit, resigns when he is made a scapegoat for a botched investigation. He goes undercover at a school to complete the case and realizes a bumbling detective is also undercover as a student.
Sung-hyeon reunites with first love, Jin-hye at a class reunion.
In an alternate timeline the original Godzilla is never defeated and repeatedly reemerges to feed on Japan's energy sources. A new inter-dimensional weapon called the Dimension Tide is created with the intent of eliminating Godzilla. However, the new weapon might also serve as a gateway to something far more sinister.
Undisputed WWE Champion Cody Rhodes will go head-to-head with Kevin Owens as Saturday Night's Main Event returns to NBC. Plus World Tag Team Champion Finn Bálor will face "The Ring General" Gunther for the World Heavyweight Title. The Women's World Championship will be on the line when Liv Morgan defends her title against IYO SKY.
When a dedicated rescue worker inadvertently gets caught up in the kidnapping plot of a mogul's tween daughter, he must save her from the clutches of rival gangs hunting them down with unpredictable dangers around every corner.
When a stuntman is mistaken for a police officer, he begins fighting crime.
Adam West and Burt Ward returns to their iconic roles of Batman and Robin. The film sees the superheroes going up against classic villains like The Joker, The Riddler, The Penguin and Catwoman, both in Gotham City… and in space.
When mysterious Russian gunslinger Ivan Turchin rides into a small Texas town, he runs afoul of a bloodthirsty outlaw gang known as The Hellhounds. Outmanned and outgunned, the town must put their trust in Turchin to protect them from annihilation at the hands of the bandits. The gunslinger finds allies in the form of Marshal Austin Carter and Sheriff Vernon Kelly, and together the three must make a desperate stand against impossible and violent odds.
Ichiro Miki is a child living in the industrial district of Kawasaki, where his parents' constant struggle to make ends meet often leaves the schoolboy alone. Constantly teased by a bully nicknamed Gabara, his only friends are toy consultant Shinpei and fellow classmate Sachiko. Ichiro turns to escapist dreams of Monster Island where he befriends the equally bullied Minilla.
In 1992, Mercer is desperately trying to rebuild his life and his relationship with his son amidst the turbulent Los Angeles uprising following the Rodney King verdict. Across town, another father and son put their own strained relationship to the test as they plot a dangerous heist to steal catalytic converters, which contain valuable platinum from the factory where Mercer works. As tensions rise and chaos erupts, both families reach their boiling points when their worlds collide.
A floating amorphous life-form descends from the atmosphere to consume carbon in the form of diamonds.
Reporter Goro Maki stumbles upon scientists conducting weather experiments on Sollgel Island in the South Seas. He discovers the island is inhabited by giant mantis and a woman named Saeko who's been cast away since the death of her father. The pair soon find a helpless infant monster that Godzilla must adopt and learn to raise as one of his own.
Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.
With The Cookie Jar, Hannah Swensen has a mouthwatering monopoly on the bakery business of Lake Eden, Minnesota. But when a rival store opens, and one of the owners is found shot to death in the store, Hannah is determined to prove that she wasn't the only one who had an axe to grind with the Quinn sisters. Somebody wasn't fooled by the Georgia Peaches and their sweet-as-pie act--and now it's up to Hannah to track down whoever had the right ingredients to whip up a murder.
After finding out that her husband, Rudi, has a fatal illness, Trudi Angermeier arranges a trip to Berlin so they can see their children. Of course, the kids don't know the real reason they're visiting -- and the catch is, neither does Rudi...
Peter Sempel's masterful poetic film tribute to butoh performer Kazuo Ohno.
A documentary about legendary butoh dancer Kazuo Ohno.
Ankoku Butoh is a style of avant-garde dance that established itself in the counter culture experimental arts scene of post WWII Japan. The dance form is thought to have been founded by Tatsumi Hijikata, who both created and performed in butoh pieces from the late 1950’s - through the early 1970’s. In butoh, the style of movement is extremely stylized and deliberate, vacillating between slow and sharp, expressing feelings of dread, sexualization, violence, calmness, birth and “creatureness” among other things. This performance of Summer Storm was originally recorded in 1973 at Westside Auditorium, Kyoto University, Japan, and was Hijikata’s last public performance before his death in 1986 with Butoh of Dark Spirit School. Video version produced in 2003.
Short film in which butoh dancing is used to reflect on the nuclear bombings of Hiroshima and Nagasaki.
The Naked Summer is a film that documents young artists' effort and growth while training and preparing for a performance of Butou that is praised internationally as a unique art form. Butou was born about 40 years ago as a form of modern dance that pursues the untraditional movement of the body and defies the convention of the human body. As a result, it is known for the dancer's strange facial expressions, naked body covered in white powder, and strong visuals. The film contains the summer training process of the dance group Dairakudakan led by a veteran artist of Butou, Akaji Maro
After escaping from an insane asylum, a medical student assumes the identity of a mysterious dead man, who appears to be his doppelganger, and gets lured to a sinister island ruled by a mad scientist and his malformed men.
"Butoh: Body on the Edge of Crisis" is a visually striking film portrait shot on location in Japan with the participation of the major Butoh choreographers and their companies. Although Butoh is often viewed as Japan's equivalent of modern dance, in actuality it has little to do with the rational principles of modernism. Butoh is a theater of improvisation which places the personal experiences of the dancer on center-stage. By reestablishing the ancient Japanese connection of dance, music, and masks, and by recalling the Buddhist death dances of rural Japan, Butoh incorporates much traditional theater. At the same time, it is a movement of resistance against the abandonment of traditional culture to a highly organized consumer-oriented society.
A document of Tatsumi Hijikata's Butoh dance with Kazuo Ohno as the guest dancer shot in Hijikata's early period when he was emerging as the originator of Butoh. All of the male dancers are dressed up with evening suits and move gracefully, yet an intruder breaks up the whole scene abruptly. The film is worth seeing, even if just to see a memorable gay duet of Hijikata and Ohno. Overexposed, washed out images are sandwiched among normal ones.
Fill the goblet of lapis Iazuli With the life, joy, sorrow, death of this whole universe. This goblet must scoop up all. Who drifts in the isle of hollow. Mothers, babies, Sick women, filthy women, Those who praz, those who surfei, and those who accompany them. The moon goes around and attracts everything. Let us give a toast, Till the earth in the goblet turn inside out.
Siblings Enzo and Magda have drifted apart, and in an attempt to reconnect, Magda invites her brother on a trip to Helsinki. Over a weekend, the sibling duo encounters a series of eccentric characters and confronts situations that necessitate conversations about life, art and existence. Memories blend with the present, and dreams and reality merge for the two travelers adrift in the atmospheric city of Helsinki.
Comprising historic archive footage and texts this DVD box enlightens us greatly about Yoshito Ohno's here and now. Butoh has a distinct starting point, namely, in 1959, with Kinjiki , a duet featuring Tatsumi Hijikata and Yoshito Ohno. His father, the legendary Kazuo Ohno created another epoch-making opus in 1977 Admiring La Argentina, with Yoshito Ohno as production manager. These links are no mere coincidence. To date, we've tended to overlook Yoshito Ohno, barely granting him the recognition he merits. Just as dance requires a lengthy gestation period in which to evolve, his dance has finally come into our field of vision, in all its freshness and stark-nakedness, linking Butoh's origins to its zenith, to a point where he now stands at a crossroads.
Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.
A man details his crimes and pleasures within an armchair to an adulterer who sees the people in his life as nothing more than objects.
The dark sensibilities and cultural resonances of Butoh, the radical Japanese dance movement, are explored in this multilayered work. Profoundly rooted in both traditional and contemporary Japanese culture, Butoh arose in a spirit of revolt in the early 1960s. Characterized by frank sexuality and bodily distortions, Butoh transforms traditional dance movements into new forms, stripping away the taboos of contemporary Japanese culture to reveal a secret world of darkness and irrationality.
This work has been long-awaited as a masterpiece which is not performed in public since it was staged 31 years ago in 1989. This valuable video will be recorded in full and will be released for the first time. The story of a seed that fell to one point on the stage, and a tree that grew bravely and dignifiedly there. Amid the sounds of Tomoe Shizune’s exquisitely beautiful Guitar piece, the dancers’ bodies overflow with life and love of nature.
“Butoh,” literally “dance of darkness,” is an avant-garde form of dance from Japan that few know about, and even fewer practice. As its only practitioner in Singapore, Xue tells us how she fell in love with this obscure, yet liberating, art form.
The work contains Butoh works and methods by Tomoe Shizune in omnibus format. It will be re-edited and published based on what was provided as the text for the Butoh course at the Grotowski Institute, Poland by Tomoe Shizune & Hakutobo, 2018. The Grotowski Institute is engaged in a wide range of research related to physical expression, as well as physical training based on the research of the prominent Polish director Jeray Grotowski (1933-1999) who founded the experimental theater "Teatr Laboratorium" in 1959. The coaction between Tomoe's music and Butoh is highlight.
WHAT IS BUTOH? A French butoh dancer visits Japan for the first time, to pursue this ultimate question. Lead by the shadows of Tatsumi Hijikata, the founder of butoh, the journey leads him from metropolitan Tokyo to the snowy fields of Tashiro village in northeastern Akita.