Peter Sempel's masterful poetic film tribute to butoh performer Kazuo Ohno.
Peter Sempel's masterful poetic film tribute to butoh performer Kazuo Ohno.
1991-09-05
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Ankoku Butoh is a style of avant-garde dance that established itself in the counter culture experimental arts scene of post WWII Japan. The dance form is thought to have been founded by Tatsumi Hijikata, who both created and performed in butoh pieces from the late 1950’s - through the early 1970’s. In butoh, the style of movement is extremely stylized and deliberate, vacillating between slow and sharp, expressing feelings of dread, sexualization, violence, calmness, birth and “creatureness” among other things. This performance of Summer Storm was originally recorded in 1973 at Westside Auditorium, Kyoto University, Japan, and was Hijikata’s last public performance before his death in 1986 with Butoh of Dark Spirit School. Video version produced in 2003.
A documentary about legendary butoh dancer Kazuo Ohno.
A murder has happened at the time of COVID, and the female cop is on duty to find the murderer.
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
The dark sensibilities and cultural resonances of Butoh, the radical Japanese dance movement, are explored in this multilayered work. Profoundly rooted in both traditional and contemporary Japanese culture, Butoh arose in a spirit of revolt in the early 1960s. Characterized by frank sexuality and bodily distortions, Butoh transforms traditional dance movements into new forms, stripping away the taboos of contemporary Japanese culture to reveal a secret world of darkness and irrationality.
Mourning his past relationship, heartbroken college senior Austin Caldwell becomes obsessed with the "Big Break" song competition, convinced that the only way he'll be able to move on, is if he wins.
Don't Bring A Dog shows a part of the New York underground music scene - rooted in the early eighties - existing apart from MTV and billboard charts. Music, interviews, sounds and pictures of the city blend into a collage. Don't Bring A Dog works like a time capsule of people and music in NY at a particular moment
The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.
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A documentary on underground and experimental rock acts performing at Les Instants Chavirés, a music venue in Montreuil, France. Performers include Thierry Madiot, Peter Brötzmann + Han Bennink, The Ex + Tom Cora, Roof, Hint + Quentin Rollet, Kampec Dolores, Prolapse, King Biscuit, Zeni Geva, Melt Banana, Purr, Badgewearer, Heliogabale + Didier Petit, Keiji Haino, Oxbow, US Maple, New Bad Things, Tiger Lillies, Marc Ribot, KK Null, Api Uiz, Labradford, Godspeed You Black Emperor, De Kift, Sophie Agnel & Roro Perrot.
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Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.
At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.
"Butoh: Body on the Edge of Crisis" is a visually striking film portrait shot on location in Japan with the participation of the major Butoh choreographers and their companies. Although Butoh is often viewed as Japan's equivalent of modern dance, in actuality it has little to do with the rational principles of modernism. Butoh is a theater of improvisation which places the personal experiences of the dancer on center-stage. By reestablishing the ancient Japanese connection of dance, music, and masks, and by recalling the Buddhist death dances of rural Japan, Butoh incorporates much traditional theater. At the same time, it is a movement of resistance against the abandonment of traditional culture to a highly organized consumer-oriented society.
Video Fanzine featuring: Half Japanese, Redd Kross with Sky Saxon as Purple Electricity, R Kern, Sonic Youth, White Flag, Psycho Daisies, Charlie Pickett, Nick Zedd, Morbid Opera More R&R, Film, Prose. Pencil numbering indicates there was a run of 600 tapes.