Don Juan sins with his servant and is doomed in this tragicomic opera.
Zerlina
As seniors in high school, Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the Wildcats, they stage a spring musical to address their experiences, hopes and fears about their future.
Two competitive friends, fueled by literary aspirations and youthful exuberance, endure the pangs of love, depression and burgeoning careers.
A troubled rock star descends into madness in the midst of his physical and social isolation from everyone.
Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s elegant staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.
American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.
The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hands of Nebuchadnezzar (Nabucco), catapulted the 28-year-old composer to international fame. The music and Verdi himself were subsumed into a surge of patriotic fervor culminating in the foundation of the modern nation of Italy. Specifically, the Chorus of the Hebrew Slaves ('Va, pensiero'), in which the Israelites express their longing for their homeland, came to stand for the country’s aspirations for unity and that exciting era in Italian history, the Risorgimento, or 'Resurgence'.
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.
Based on a Japanese manga, Kanna-San, Daiseikou Desu, this story revolves around Kang Han-na, an overweight phone sex employee and secret vocalist for Ammy, a famous Korean pop singer who actually lip syncs as she cannot sing. After getting humilitated publicly by an ungrateful Ammy, Han-na undergoes an extreme makeover to become a pop sensation herself.
Simon is an intelligent and privileged young man whose family expects him to become a Princeton graduate. Crying out for attention from his reserved and cool hearted family, Simon commits numerous petty crimes and is soon sent away to boarding school where he befriends a "Deadhead," adopts the "hippie" lifestyle and dabbles in many drugs in his search for acceptance.
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
A feature length autobiographical film showcasing the life story of Melody Contreras-Williams, famed Lyric Video Creator, Artist, and DJ.
Pinkpop 1993 was held on May 31, 1993 in Landgraaf. It was the 24th edition of the Dutch music festival Pinkpop and the 6th in Landgraaf. There were around 64,300 spectators. During the performance of Thelonious Monster, singer Bob Forrest climbed through one of the songs through the loudspeaker towers to sit on the roof of the main stage as an inanimate person. He was then talked down and continued the performance. During the closing act of the festival, the performance of The Black Crowes , the power went out making it almost dark on the site for about ten minutes. The audience reacted laconically to this pause by loudly singing Monty Python's 'Always Look On The Bright Side Of Life'. The Black Crowes were forced to stop their performance but when the power failure was over they came back on stage to complete the performances.
Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.
The rise and fall of salsa singer, Héctor Lavoe (1946-1993), as told from the perspective of his wife Puchi, who looks back from 2002.
Four female cons who have formed a band in prison get a chance to play at a police ball outside the walls. They take the chance to escape. Being on the run from the law they even make it to sell their music and become famous outlaws.
The acclaimed Italian director, Emma Dante, presents a powerful, barbaric and at time frenzied Macbeth with great attention to detail. Staged and filmed in Italy's largest theatre, the Teatro Massimo in Palermo, Sicily, this production captures remarkable performances by the Italian soprano Anna Pirozzi as Lady Macbeth, the renowned Verdi specialist, baritone Roberto Frontali, in one of his signature roles, and the rising star, Croatian bass-baritone Marko Mimica as Banco (Banquo). The conductor, Gabriele Ferro, has opted to use the 1865 Paris version of the score, sung in Italian and without the ballets, for a production that received generous praise in Palermo and on tour.
Written for exceptional singers, Il Trovatore has remained popular ever since its first performance at the Teatro Apollo in Rome on 19 January 1853, when even the toughest critics were convinced of its place in the repertoire. People are attracted to Il Trovatore because of its rousing melodies, its brutal, powerful plot, and its simple structure: elements that make it one of the best examples of Verdi’s theatre pieces. Recorded live at the Sferisterio theatre of Macerata in the summer of 2016, under conductor Daniel Oren's vibrant and incisive direction, this production boasts a first-rate cast and elegant direction from Francisco Negrin. The sets and costumes by Louis Désiré and lighting by Bruno Poet were well received by the Sferisterio audience.
After a singing performance at a wedding, Laura receives the offer to perform at a song contest.
A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.