When Gina Kim turned twenty-two, she decided to leave her home in Korea and not return. Taking advantage of an opportunity to study abroad, she was anxious to escape her mother’s authority and avoid a similar fate as an overweight, underappreciated housewife. Traumatized by her decision, the filmmaker began to develop symptoms of anorexia and proceeded to document her mental decline and eventual recovery. Combining video performance art with an intimate home-movie diary, this self-documented coming-of-age story demonstrates how video technologies can be used to capture the most intimate, confessional voice of a filmmaker.
When Gina Kim turned twenty-two, she decided to leave her home in Korea and not return. Taking advantage of an opportunity to study abroad, she was anxious to escape her mother’s authority and avoid a similar fate as an overweight, underappreciated housewife. Traumatized by her decision, the filmmaker began to develop symptoms of anorexia and proceeded to document her mental decline and eventual recovery. Combining video performance art with an intimate home-movie diary, this self-documented coming-of-age story demonstrates how video technologies can be used to capture the most intimate, confessional voice of a filmmaker.
2002-04-27
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Pavlina is a drug addict imprisoned, as well as her boyfriend, for illegal drug manufacturing. They meet again after the amnesty and the vicious circle of drugs starts rolling again.
René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.
Lada is a product of "educational“ or "corrective“ institutions. Not only is he not educated or corrected, he simply does not understand anything about life. He solves his problems in his own way – by swallowing sharp objects.
An extremely rare subject by the famed still photographer. A 1934 short.
Showmen riding cinema lorries have brought the wonder of the movies to faraway villages in India once every year. Seven decades on, as their cinema projectors crumble and film reels become scarce, their patrons are lured by slick digital technology. A benevolent showman, a shrewd exhibitor and a maverick projector mechanic bear a beautiful burden - to keep the last traveling cinemas of the world running. A critically acclaimed, poignant documentary that celebrates India’s travelling picture shows and laments their demise, filled with exquisite visuals and marvellous eccentrics.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Director/producer Olympia Stone explores the 46-year career of her father, Allan Stone, a famed New York gallery owner and art collector, while examining Stone's obsession with art and his compulsive collecting genius.
Person is a documentary about the life and work of filmmaker Luiz Sérgio Person. The documentary brings the reconstruction of the history of the São Paulo filmmaker through the personal journey of his daughter, Marina. Through interviews with friends, family, and people who worked with Person, she seeks to discover more than dates and biographical data.
In 2003, the infant Chinese twin sisters Mia and Alexandra were found in a cardboard box. They ended up in an orphanage and were put up for adoption, at which time the authorities apparently decided that it was a good idea to separate them, and to keep silent about the fact that they were twins. Twin Sisters tells their story from the perspective of both sets of adoptive parents: one from Sacramento, California, the other from a tiny village in picturesque Norway. Through a series of coincidences that they later attribute to fate, the parents meet each other during the adoption procedure in China and launch an investigation that reveals the little girls are sisters.
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
“A Short History of the Highrise” is an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. The centerpiece of the project is four short films. The first three (“Mud,” “Concrete” and “Glass”) draw on The New York Times's extraordinary visual archives, a repository of millions of photographs that have largely been unseen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photographs brought to life with intricate animation. The fourth chapter (“Home”) comprises images submitted by the public. The interactive experience incorporates the films and, like a visual accordion, allows viewers to dig deeper into the project’s themes with additional archival materials, text and microgames.
The parallel lives of writer Truman Capote (1924-84) and playwright Tennessee Williams (1911-83): two friends, two geniuses who, while creating sublime works, were haunted by the ghosts of the past, the shadow of constant doubt, the demon of addictions and the blinding, deceptive glare of success.
A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
"Solovky Power" is a documentary about the first Soviet labor camp created by Lenin in 1923. Solovky was established in a complex of ancient monasteries on a cluster of islands off the remote White Sea coast. Though its name derives from the Russian word for nightingale, the title of the film echoes the term 'Soviet power', stressing the fact that from the very beginning the Soviet penal colonies were a world unto themselves.
Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.