“A Short History of the Highrise” is an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. The centerpiece of the project is four short films. The first three (“Mud,” “Concrete” and “Glass”) draw on The New York Times's extraordinary visual archives, a repository of millions of photographs that have largely been unseen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photographs brought to life with intricate animation. The fourth chapter (“Home”) comprises images submitted by the public. The interactive experience incorporates the films and, like a visual accordion, allows viewers to dig deeper into the project’s themes with additional archival materials, text and microgames.
“A Short History of the Highrise” is an interactive documentary that explores the 2,500-year global history of vertical living and issues of social equality in an increasingly urbanized world. The centerpiece of the project is four short films. The first three (“Mud,” “Concrete” and “Glass”) draw on The New York Times's extraordinary visual archives, a repository of millions of photographs that have largely been unseen in decades. Each film is intended to evoke a chapter in a storybook, with rhyming narration and photographs brought to life with intricate animation. The fourth chapter (“Home”) comprises images submitted by the public. The interactive experience incorporates the films and, like a visual accordion, allows viewers to dig deeper into the project’s themes with additional archival materials, text and microgames.
2013-09-30
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A woman and her daughter struggle to make their way through the aftermath of the Balkan war.
A documentary on women in St. Petersburg who enroll in a program which will help them land millionaire husbands.
Cuba, 1961: 250,000 volunteers taught 700,000 people to read and write in one year. 100,000 of the teachers were under 18 years old. Over half were women. MAESTRA explores this story through the personal testimonies of the young women who went out to teach literacy in rural communities across the island - and found themselves deeply transformed in the process.
Combining over twelve years of footage and narrated by their twin sons, TWO: The Story of Roman & Nyro, follows legendary songwriter Desmond Child and his lifelong partner's loving journey to create their new modern family.
The New Black is a documentary that tells the story of how the African-American community is grappling with the gay rights issue in light of the recent gay marriage movement and the fight over civil rights. The film documents activists, families and clergy on both sides of the campaign to legalize gay marriage and examines homophobia in the black community's institutional pillar-the black church and reveals the Christian right wing's strategy of exploiting this phenomenon in order to pursue an anti-gay political agenda. The New Black takes viewers into the pews and onto the streets and provides a seat at the kitchen table as it tells the story of the historic fight to win marriage equality in Maryland and charts the evolution of this divisive issue within the black community.
Conversations On Serious Topics is a film without exterior action, props, landscapes or special effects. Its main characters are children and teenagers with a special ability to describe the surrounding world. Intimate conversations with them reveal the picture of the modern world -- at times melancholic, at times comical, at times dramatic. Shot in a minimalist fashion, the film raises questions about loneliness, love, God, the world and human relations. "The world is people." "Don't you believe in God? I can teach you how to start believing..."
Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic "Freaks") before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.
Following a commission from the College of Architects of Seville, for the production of a documentary about the La Alameda de Hércules area of the Sevillian capital in a debate about its possible destiny and urban planning challenges, the filmmaker Juan Sebastián Bollaín, offers this visionary realistic and critical, at the same time experimental and iconoclastic, portrait of the problem of the transformation of historic centers in our cities.
This is a David and Goliath story of one veterinarian's battle to protect her patients (tigers, lions and even house cats) from big corporations, with their big corporate money, that will shamelessly do anything to animals to increase their bottom line. She starts a grassroots movement that is fueled by passion, but appears to be losing the battle. Then, unexpectedly, she realizes that the corporations accidentally left her a giant loophole. In a scramble to take advantage of this unforeseen gift, she leads the crusade passing legislation protecting animals from de-clawing in seven cities in just six weeks.
Filmmaker Nadia el Fani explores secularism in the predominantly Muslim country of Tunisia before and after the fall of Ben Ali.
This is a documentary film chronicling the brutal Honour Killing of Banaz Mahmod, a young British Kurdish woman in London, killed by her own family for choosing a life for herself.
Marble—in its raw state and as a noble product—is the matter that Quarry is made of. The film portrays two distinct interiors, a large underground marble quarry in Vermont, and several showrooms of Manhattan luxury condos. In between stands a solid reflection about the material choices associated to these architectures and the stone's value within a speculative economy.
Short documentary about a woman known from a film by Eduardo Coutinho.
A portrait of the working class musicians and dancers of Buenos Aires's San Telmo neighborhood, who have channeled the city's many cultural influences into the street performance called Murga.
Wherever war breaks out, men with guns rape. During the decades of conflict in the Democratic Republic of Congo possibly hundreds of thousands of women and girls were brutally raped. In WEAPON OF WAR military perpetrators unveil what lies behind this brutal behavior and the strategies of rape as a war crime. An ex-rebel explains how he raped. Like for many ex-soldiers, starting a normal life again is a struggle filled with trauma. In an attempt to reconcile with his past, he decides to meets one of his victims in an attempt to obtain forgiveness. Captain Basima is working as a priest in Congo's army and confronts perpetrators of rape. He urges them to change. Just like he did.
A young man and his young elephant street beg in gritty Bangkok amid the controversial elephant business that threatens their survival, until the opportunity comes to release the elephant to the wild.
Robert Lachmann was a German-Jewish ethnomusicologist. In the 1930s, his radio show "Oriental Music" explored the musical traditions of Palestine and included regular live performances by musicians from different ethnic and religious groups. Inspired by Lachmann’s musicological studies, Palestinian artist Jumana Manna travels through Israel and the Palestinian territories of today with recordings from the programme. What do these songs sound like now when performed by Moroccan, Kurdish, or Yemenite Jews, by Samaritans, members of the urban and rural Palestinian communities, Bedouins and Coptic Christians?
"I was born stoned". The words come from MonaLisa, who's struggling to put the heroin on the shelf. Documentary filmmaker Jessica Nettelbladt has followed the long-suffering, but far from broken, MonaLisa for eight years. The result is as honest as the raw film about a woman's struggle with herself and the world.