Kent
Mate
Peter the Great takes a Russian man of African heritage - Ibrahim Petrovich Hannibal - under his wing as the tsar builds his grand navy. After having a disastrous affair in France, Ibrahim vows to never fall in love again, until he sees the daughter of a wealthy boyar. Peter the Great insists the two be married, but Ibrahim goes against the tsar's wishes, refusing to force her to marry him since she doesn't consent. When another man tries to marry her, however, Ibrahim's loyalties and generous nature are put to the test.
Son confesses to his mother, Ana, that he does not feel like a girl; he is a boy. Confused and blocked, Ana will decide to stop in order to observe and understand him and, in the same way, to understand herself. Ana and Son are two sides of the same coin: a mother who does not take care of herself, of her own identity, and a boy in search of his identity with all his strength.
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
Taped at the Philips Arena in Atlanta, Georgia on June 28, 2003, Matchbox Twenty's Show depicts a hard-working rock band in its prime and in its element. The full spectacle of Matchbox Twenty's More Than You Think You Are tour comes across, from the band's world-class lights to its lock-tight playing, recorded and mixed for 5.1-channel surround and shot in gloriously film-like HD video.
Trying to escape his bath, Monicão ends up hiding in the movie theater. Mônica can't find her pet in the dark, so she asks Franjinha to play some short films that might lure the dog out of hiding.
Here it is, the intro of the Aviation Movie! This project has been a dream to me and I can't tell you enough how thankful I am for your continued support in all these projects. I hope you guys enjoy watching it as much as the team and I enjoyed creating it! Remember, if you crash... the game is over. Watch Level 1 to find out what happens next! -Alan
Ram and Sita had always shared a deep bond over their love for music and devotion. One day, their close friend Shiva invited them for a casual gathering. Over cups of tea and lively conversations, Shiva suggested, "Why don't we create a music video dedicated to the hymn Om Jai Jagdish Hare? It could be a beautiful tribute to Lord Ganesh and other Hindu gods." Inspired by the idea, Ram and Sita immediately agreed. They reached out to their other friends-Laxmi, Vishnu, and Ganesh-for help. Together, they worked tirelessly, blending their talents in music, direction, and production. They chose serene temple locations and vibrant cultural elements to bring the video to life, ensuring it conveyed the essence of devotion and harmony. When the video was finally completed, it was a masterpiece of devotion and creativity. As they watched the final cut together, Ram smiled and said, "This video isn't just about the gods; it's about faith, friendship, and trusting in goodness.
A man is found dead, stabbed to death with a knife. The chocking thing is that his face has been removed. After questioning his wife who described the marriage as happy also told that a mysterious foreign man knocked on their door the day before the murder. Beck and his men are given the case.
Tenth entry in the Carry On series. Able seaman Poop-Decker signs up for adventure on the high seas with the wicked Captain Fearless. Those swabbing the decks include Juliet Mills, Charles Hawtrey and Donald Houston. The film was originally to be titled Up the Armada, but the British Board of Film Censors objected to such a rude title.
Street-life at a busy intersection beneath a freeway in San Francisco. An urban landscape film with an underlying formal structure.
Ninaithen Vandhai story is about Gokula Krishnan (Vijay) has a dream in which a girl comes, dances, and Vijay falls in love with her. Finally love triumphs and the hero wins back his love...
Carmen, an independent and modern woman, goes to dinner at her sister Ana's house, a married woman subject to all gender structures. Mateo, Ana's husband, intervenes at dinner and continually clashes with Carmen's way of life.
Sohrab returns to Iran after years abroad. Despite all the psychological pressures of his homecoming, he stays in a house in which he finds a young girl living in the shadows. After the death of her father and a failed romance, the girl (Arghavan) now lives with her mother. She has contracted a disease, which can only be cured by darkness and silence. When Sohrab sees her, she tries to bring her back to life. He sets out to film the daily lives of people but only in activities that inspire hope. It proves to be a difficult mission. Each filmed person faces the camera and asks her to come into the light, but Arghavan remains mired in her pain. She asks Sohrab to go film her hometown in western Iran where she last saw her father. There, he confides in her, facing the camera as he makes a confession.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times